This Is A New Release Of The Original 1901 Edition.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Francois-Ferdinand-Philippe-Louis-Marie d'Orleans, Prince de Joinville (14 August 1818 - 16 June 1900) was the third son of Louis Philippe, duc d'Orleans, afterwards king of the French and his wife Marie Amalie of Bourbon-Sicilies. He was notable as an admiral of the French Navy. He was born at the Chateau de Neuilly, in Neuilly-sur-Seine, France. Educated for the Navy, he became lieutenant in 1836. His first conspicuous service was at the Bombardment of San Juan de Ulua, in November 1838, commanding the Creole, when he headed a landing party and took the Mexican general Mariano Arista prisoner with his own hand at Veracruz. He was promoted to captain, and in 1840 was entrusted with the charge of bringing the remains of Napoleon from Saint Helena to France.

Prosper M rim e (1803-1870) was an author by hobby, not necessity, being the son of two talented and highly successful artists. He was also a lawyer, a public official, a senator, a painter, an authority on Russian literature and a member of the French Academy. As a public official, M rim e travelled through France and Europe, from which he drew inspiration for his stories and novels. Quite indifferent about his literary popularity, M rim e claimed he wrote his 1845 novella, "Carmen," because he was in need of a new pair of pants. The novella introduced the character of Carmen, one of the most unforgettable figures in literature and the basis of Bizet's 1875 opera. She is a beautiful, clever young gypsy, who embodies the not the French femme fatale, as Bizet portrays her, but the indifferent, independent spirit of the Roma. Carmen's allure draws the handsome young cavalryman, Don Jose, into a torturous love affair which can only end in tragedy.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

1901. With a critical introduction by Maurice Hewlett. A frontispiece and numerous other portraits with descriptive notes by Octave Uzanne. Marie-Henri Beyle, who called himself Stendhal, was one of the great early- to mid-19th century French novelists and writers. He is best known for his masterpieces Le Rouge Et Le Noir (The Red and the Black) and The Charterhouse of Parma. He also wrote travel books, literature, art criticism and biographies of W.A. Mozart and Joseph Haydn. After the fall of the French empire Stendhal settled in Italy. His travel book, Rome, Naples Et Florence En 1817, was the first book he published under the name of Stendhal. He later returned to Paris and spent the rest of his life writing successfully and prolifically. In this classic work Stendhal narrates a young aristocrat's adventures in Napoleon's army and in the court of Parma, illuminating in the process the whole cloth of European history. See other titles by this author available from Kessinger Publishing.

The Charterhouse of Parma (1839) is a compelling novel of passion and daring, of prisons and heroic escape, of political chicanery and sublime personal courage. Set at the beginning of the nineteenth century, amidst the golden landscapes of northern Italy, it traces the joyous but ill-starred amorous exploits of a handsome young aristocrat called Fabrice del Dongo, and of his incomparable aunt Gina, her suitor Prime Minister Mosca, and Clelia, a heroine of ethereal beauty and earthly passion. The great achievement of The Charterhouse of Parma is to conjure up the excitement and romance of youth while never losing sight of the harsh realities which beset the pursuit of happiness, nor the humour and patient irony with which these must be viewed. This new translation captures Stendhal's narrative verve, while the Introduction explores the novel's reception and the reasons for its enduring popularity and power.

1901. With a critical introduction by Maurice Hewlett. A frontispiece and numerous other portraits with descriptive notes by Octave Uzanne. Marie-Henri Beyle, who called himself Stendhal, was one of the great early- to mid-19th century French novelists and writers. He is best known for his masterpieces Le Rouge Et Le Noir (The Red and the Black) and The Charterhouse of Parma. He also wrote travel books, literature, art criticism and biographies of W.A. Mozart and Joseph Haydn. After the fall of the French empire Stendhal settled in Italy. His travel book, Rome, Naples Et Florence En 1817, was the first book he published under the name of Stendhal. He later returned to Paris and spent the rest of his life writing successfully and prolifically. In this classic work Stendhal narrates a young aristocrat's adventures in Napoleon's army and in the court of Parma, illuminating in the process the whole cloth of European history. See other titles by this author available from Kessinger Publishing.