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Semiotics offers a systematic approach to analysing the stylistic
structure of film. When this study was originally published in 1983
this was a recent addition to the methods of film study and it
presents an explanation of film semiotics with direct application
to comparative film research. It takes as its representative
subject one trilogy of films and applies semiology, with careful
textual analysis. The book begins with a basic introduction to
semiotics and the ideas of Christian Metz on cinesemiotics. It then
presents a syntagmatic analysis of each of the three Dollars films,
with an outline of autonomous segments for each and a discussion of
the findings before undertaking a wider analysis of the trilogy as
a whole with commentary on the stylistic unity of the director's
work. This book, an enduring detailed study of these three films,
also outlines clearly this method of classifying the formal
structuring codes of film communication.
Semiotics offers a systematic approach to analysing the stylistic
structure of film. When this study was originally published in 1983
this was a recent addition to the methods of film study and it
presents an explanation of film semiotics with direct application
to comparative film research. It takes as its representative
subject one trilogy of films and applies semiology, with careful
textual analysis. The book begins with a basic introduction to
semiotics and the ideas of Christian Metz on cinesemiotics. It then
presents a syntagmatic analysis of each of the three Dollars films,
with an outline of autonomous segments for each and a discussion of
the findings before undertaking a wider analysis of the trilogy as
a whole with commentary on the stylistic unity of the director's
work. This book, an enduring detailed study of these three films,
also outlines clearly this method of classifying the formal
structuring codes of film communication.
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