Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Andrew Lang was an Oxford fellow and Scotsman who had a distinguished career as a poet, novelist and historian. His wife Leonora was extremely well-educated herself, having translated a history of Russia from the French and written several other books of her own. However, they are both remembered best for their series of 12 fairy tale books--beginning with the "Blue Fairy Book" in 1889 and ending with the "Lilac Fairy Book" in 1910. These quickly became the most popular gift books of all time and remained so for several decades. It was Andrew Lang's interest in anthropology that led him to collect and publish these folk tales from far-flung lands, most of which were unknown to English readers at the time. And though all of them were published in Andrew's name, his role was largely editorial--a great deal of the translating, adapting and rewriting was done by his wife Leonora and others.
This husband and wife team next applied their highly successful formula for choosing, researching and adapting folk tales to the stories of the saints, creating "The Book of Saints and Heroes" in 1912, with a result that is both inspiring and fun to read. Add the illustrations by H.J. Ford, whose creations illuminated the Fairy Books, and you have a book which makes an ideal gift for any child.

With Portrait Of Andrew Lang And 12 Plates And Numerous Other Illustrations By H. J. Ford.

The Selected Works of Andrew Lang: Volume 1 Anthropology: Fairy Tale, Folklore, the Origins of Religion, Psychical Research Edited by Andrew Teverson, Alexandra Warwick and Leigh Wilson This is the first critical edition of the works of Andrew Lang (1844-1912), the Scottish writer whose enormous output spanned the whole range of late-nineteenth century intellectual culture. Neglected since his death, partly because of the diversity of his interests and the volume of his writing, his cultural centrality and the interdisciplinary nature of his work make him a vital figure for contemporary scholars. This volume covers Lang's wide and influential engagement with the central areas of late nineteenth-century anthropology. Lang made decisive interventions in debates around the meaning of folk tales and the origins of religion, as well as being an important figure in the investigation of spiritualist claims through psychical research. The work reproduced here includes journalism, essays, extracts from books and previously unpublished letters which together articulate and challenge some of the central ideas and discussions of the period, including evolution, the relation between modern and non-modern cultures, the nature of scientific claims to truth, and the consequences of materialism. The volume will provide new and illuminating ways of understanding and assessing the period for scholars across a range of disciplines, including those interested in the histories of the fairy story, of science, of the occult, of colonialism and of anthropology. Key Features: Unpublished archival material Critical introductions to the major areas of his work Full explanatory notes Andrew Teverson is Professor of English Literature and Associate Dean for the Faculty of Arts and Social Sciences at Kingston University, London. His research centres on the use and meaning of fairy tales, and he has published both on the employment of them in contemporary writing and on the historical development of the form. He is the author of Fairy Tale (Routledge, 2013). Alexandra Warwick is Professor of English Studies and Head of the Department of English, Linguistics and Cultural Studies at the University of Westminster. Her research is on Victorian culture, in particular the fin de siecle. Leigh Wilson is Reader in Modern Literature in the Department of English, Linguistics and Cultural Studies at the University of Westminster. Her research focuses on modernism, on the place of supernatural and occult beliefs and practices in the late nineteenth and early twentieth centuries, and on the contemporary British novel. She is the author of Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult (EUP, 2013).

The Selected Works Of Andrew Lang Volume 2: Literary Criticism, History, Biography Edited by Andrew Teverson, Alexandra Warwick and Leigh Wilson This is the first critical edition of the works of Andrew Lang (1844-1912), the Scottish writer whose enormous output spanned the whole range of late-nineteenth century intellectual culture. Neglected since his death, partly because of the diversity of his interests and the volume of his writing, his cultural centrality and the interdisciplinary nature of his work make him a vital figure for contemporary scholars. The volume demonstrates Lang's central position in the literary culture of his day. It includes the most important examples of his literary journalism, his historical and his biographical writing. In these works, Lang engages with the most important literary critical issues of the period -- whether the novel is entertainment or art, the professionalization of writing, the function of fiction and criticism - and writes on some of the central literary figures of the century such as Tennyson, Dickens and Zola. In his writings on Scotland, history and biography too the selected work shows not only the complexity and inter-disciplinary nature of his own thought but illuminates contemporary debates on the nature of genius, on national identity and on historical method. Key Features: Unpublished archival material Critical introductions to the major areas of his work Full explanatory notes Andrew Teverson is Professor of English Literature and Associate Dean for the Faculty of Arts and Social Sciences at Kingston University, London. His research centres on the use and meaning of fairy tales, and he has published both on the employment of them in contemporary writing and on the historical development of the form. He is the author of Fairy Tale (Routledge, 2013). Alexandra Warwick is Professor of English Studies and Head of the Department of English, Linguistics and Cultural Studies at the University of Westminster. Her research is on Victorian culture, in particular the fin de siecle. Leigh Wilson is Reader in Modern Literature in the Department of English, Linguistics and Cultural Studies at the University of Westminster. Her research focuses on modernism, on the place of supernatural and occult beliefs and practices in the late nineteenth and early twentieth centuries, and on the contemporary British novel. She is the author of Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult (EUP, 2013).