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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
With Portrait Of Andrew Lang And 12 Plates And Numerous Other
Illustrations By H. J. Ford.
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The Edinburgh Critical Edition of the Selected Writings of Andrew Lang, Volume 1 - Anthropology, Fairy Tale, Folklore, The Origins of Religion, Psychical Research (Hardcover)
Andrew Lang; Edited by Andrew Teverson, Alexandra Warwick, Leigh Wilson
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R4,292
R2,799
Discovery Miles 27 990
Save R1,493 (35%)
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Ships in 12 - 17 working days
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The Selected Works of Andrew Lang: Volume 1 Anthropology: Fairy
Tale, Folklore, the Origins of Religion, Psychical Research Edited
by Andrew Teverson, Alexandra Warwick and Leigh Wilson This is the
first critical edition of the works of Andrew Lang (1844-1912), the
Scottish writer whose enormous output spanned the whole range of
late-nineteenth century intellectual culture. Neglected since his
death, partly because of the diversity of his interests and the
volume of his writing, his cultural centrality and the
interdisciplinary nature of his work make him a vital figure for
contemporary scholars. This volume covers Lang's wide and
influential engagement with the central areas of late
nineteenth-century anthropology. Lang made decisive interventions
in debates around the meaning of folk tales and the origins of
religion, as well as being an important figure in the investigation
of spiritualist claims through psychical research. The work
reproduced here includes journalism, essays, extracts from books
and previously unpublished letters which together articulate and
challenge some of the central ideas and discussions of the period,
including evolution, the relation between modern and non-modern
cultures, the nature of scientific claims to truth, and the
consequences of materialism. The volume will provide new and
illuminating ways of understanding and assessing the period for
scholars across a range of disciplines, including those interested
in the histories of the fairy story, of science, of the occult, of
colonialism and of anthropology. Key Features: Unpublished archival
material Critical introductions to the major areas of his work Full
explanatory notes Andrew Teverson is Professor of English
Literature and Associate Dean for the Faculty of Arts and Social
Sciences at Kingston University, London. His research centres on
the use and meaning of fairy tales, and he has published both on
the employment of them in contemporary writing and on the
historical development of the form. He is the author of Fairy Tale
(Routledge, 2013). Alexandra Warwick is Professor of English
Studies and Head of the Department of English, Linguistics and
Cultural Studies at the University of Westminster. Her research is
on Victorian culture, in particular the fin de siecle. Leigh Wilson
is Reader in Modern Literature in the Department of English,
Linguistics and Cultural Studies at the University of Westminster.
Her research focuses on modernism, on the place of supernatural and
occult beliefs and practices in the late nineteenth and early
twentieth centuries, and on the contemporary British novel. She is
the author of Modernism and Magic: Experiments with Spiritualism,
Theosophy and the Occult (EUP, 2013).
The Selected Works Of Andrew Lang Volume 2: Literary Criticism,
History, Biography Edited by Andrew Teverson, Alexandra Warwick and
Leigh Wilson This is the first critical edition of the works of
Andrew Lang (1844-1912), the Scottish writer whose enormous output
spanned the whole range of late-nineteenth century intellectual
culture. Neglected since his death, partly because of the diversity
of his interests and the volume of his writing, his cultural
centrality and the interdisciplinary nature of his work make him a
vital figure for contemporary scholars. The volume demonstrates
Lang's central position in the literary culture of his day. It
includes the most important examples of his literary journalism,
his historical and his biographical writing. In these works, Lang
engages with the most important literary critical issues of the
period -- whether the novel is entertainment or art, the
professionalization of writing, the function of fiction and
criticism - and writes on some of the central literary figures of
the century such as Tennyson, Dickens and Zola. In his writings on
Scotland, history and biography too the selected work shows not
only the complexity and inter-disciplinary nature of his own
thought but illuminates contemporary debates on the nature of
genius, on national identity and on historical method. Key
Features: Unpublished archival material Critical introductions to
the major areas of his work Full explanatory notes Andrew Teverson
is Professor of English Literature and Associate Dean for the
Faculty of Arts and Social Sciences at Kingston University, London.
His research centres on the use and meaning of fairy tales, and he
has published both on the employment of them in contemporary
writing and on the historical development of the form. He is the
author of Fairy Tale (Routledge, 2013). Alexandra Warwick is
Professor of English Studies and Head of the Department of English,
Linguistics and Cultural Studies at the University of Westminster.
Her research is on Victorian culture, in particular the fin de
siecle. Leigh Wilson is Reader in Modern Literature in the
Department of English, Linguistics and Cultural Studies at the
University of Westminster. Her research focuses on modernism, on
the place of supernatural and occult beliefs and practices in the
late nineteenth and early twentieth centuries, and on the
contemporary British novel. She is the author of Modernism and
Magic: Experiments with Spiritualism, Theosophy and the Occult
(EUP, 2013).
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