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When directors approach Shakespeare, is the play always the thing -
or might something else sometimes be the thing? How can directing
produce fresh contexts for Shakespeare's work? Part of the
innovative series Shakespeare in Practice, this book introduces
students to current practices of directing Shakespeare. Ewert
explores how the conventions and creative tropes of today's theatre
make meaning in Shakespeare production now. The 'In Theory' section
starts with an analysis of theatre production and directing more
generally before looking at the specific Shakespeare context. The
'In Practice' section offers a wonderful range of production
examples that showcase the wide breadth of approaches to directing
Shakespeare today, from the 'conventional' to the most
experimental. Providing a useful general overview of directing
Shakespeare on stage today, this is an ideal text for undergraduate
and postgraduate students studying 'Shakespeare in Performance' in
Literature, Drama, Theatre and Performance Studies departments.
This book will also inspire students studying directing as part of
a Theatre programme, and scholars, performers and lovers of
Shakespeare everywhere.
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