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Influential contemporary British playwright and director Howard
Barker has been engaging with the scenography of the Wrestling
School's productions since 1998. Despite this active involvement in
the design of set, costume, lighting, and sound, no in-depth
published study on this aspect of his work exists to date. This
monograph therefore offers the first comprehensive and detailed
analysis of Barker's scenographic practice. Combining aesthetic
analysis of play texts and production records with original
interview materials, this book presents the first full-length foray
into Barker's scenography. It features extracts from conversations
with designers working with Barker, and with Barker himself. In
addition, it presents the first printed versions of select set and
costume designs by Barker. With the first fully detailed analysis
of Barker's scenographic work, this book will be a vital read for
scholars and postgraduates of Barker Studies, contemporary British
and European drama, theatre, and scenography.
Influential contemporary British playwright and director Howard
Barker has been engaging with the scenography of the Wrestling
School's productions since 1998. Despite this active involvement in
the design of set, costume, lighting, and sound, no in-depth
published study on this aspect of his work exists to date. This
monograph therefore offers the first comprehensive and detailed
analysis of Barker's scenographic practice. Combining aesthetic
analysis of play texts and production records with original
interview materials, this book presents the first full-length foray
into Barker's scenography. It features extracts from conversations
with designers working with Barker, and with Barker himself. In
addition, it presents the first printed versions of select set and
costume designs by Barker. With the first fully detailed analysis
of Barker's scenographic work, this book will be a vital read for
scholars and postgraduates of Barker Studies, contemporary British
and European drama, theatre, and scenography.
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