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Larissa Miller is one of Russia's most highly-regarded writers -
novelist, essayist and poet - and this selection from her
collection "Between the Cloud and the Pit" (1999) spans her poetic
output from the 1960s to the millennium. "Guests of Eternity" is a
presentation, in chronological order, of poems written (but not
published) in the three decades preceding glasnost' as well as the
final decade of the twentieth century. Here are political poems
from the '70s and '80s which speak openly about the horrors of the
Soviet system, others which comment directly on purges and torture,
and yet more which convey the struggle to grow and mature with
one's soul intact in a world of suffering.Yet throughout this book,
as Sasha Dugdale points out in her introduction, there are moments
of hope, of a spiritual - even religious - dimension that afford
glimpses of a transcendent world and bring peace of mind to the
beleaguered soul. Larissa Miller is a consummate technician,
combining simple words with complicated and intricate rhythms to
produce apparently effortless poetry which succeeds in elevating
the ordinary and commonplace to a higher plane. Described by her
translator Richard McKane as 'a poet of all seasons, not only of
the natural world, but of the soul', Larissa Miller writes with an
intensity and a lyricism that is compelling, mesmerising and
unforgettable.
Fate's Little Pictures is a bilingual poetry pamphlet by Larissa
Miller, published by Arc Publications. Larissa Miller (b. 1940) is
a major Russian poet and essayist, a member of the Union of Russian
Writers since 1979, and of Russian PEN since 1992. Author of 23
books of poetry and prose, she was short-listed for the State Prize
of the Russian Federation in Literature and Art in 1999, and in
2013 was awarded the Arseny and Andrei Tarkovsky Prize. Her
autobiographical novel Dim and Distant Days was published in
English translation by Glas in 2000, and a volume of selected poems
entitled Guests of Eternity was published by Arc in a bilingual
edition in 2008. A further bilingual poetry pamphlet, Regarding the
Next Big Occasion, was published by Arc in 2015. Larissa Miller is
also a teacher of English, and of a musical gymnastics system for
women named after its creator, the Russian dancer Lyudmilla
Alexeeva. She is married, with two sons, and lives in Moscow with
her husband Boris Altshuler, a physicist and human rights advocate.
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