A defiant critique of American capitalism
A MASTER OF GRITTY NATURALISM, Theodore Dreiser explores the corruption of the American dream in "The Financier." Frank Cowperwood, a fiercely ambitious businessman, emerges as the very embodiment of greed as he relentlessly seeks satisfaction in wealth, women, and power. As Cowperwood deals and double-deals, betrays and is in turn betrayed, his rise and fall come to represent the American success story stripped down to brutal realities?a struggle for spoils without conscience or pity. Dreiser's 1912 classic remains an unsparing social critique as well as a devastating character study of one of the most unforgettable American businessmen in twentieth-century literature.

Why is so little heard about John Cotton, who was acknowledged in his own lifetime as the greatest Puritan preacher in America? Why has he alone remained an enigma among the founding fathers of American protestantism? Professor Ziff examines Cotton's career as a teacher and preacher, both in England and New England; comparing Cotton's preaching and theology with that of his contemporaries in both the established church and the various Puritan sects, he shows Cotton as a significant man of his own time. Yet his influence, although of great importance to the crucial early beginnings of the protestant churches in America, could not extend itself beyond his generation. In this study, Cotton emerges clearly as a vital stabilizing influence between the separatist extremists and those who sought to re-establish the old order in the new world. Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Why is so little heard about John Cotton, who was acknowledged in his own lifetime as the greatest Puritan preacher in America? Why has he alone remained an enigma among the founding fathers of American protestantism? Professor Ziff examines Cotton's career as a teacher and preacher, both in England and New England; comparing Cotton's preaching and theology with that of his contemporaries in both the established church and the various Puritan sects, he shows Cotton as a significant man of his own time. Yet his influence, although of great importance to the crucial early beginnings of the protestant churches in America, could not extend itself beyond his generation. In this study, Cotton emerges clearly as a vital stabilizing influence between the separatist extremists and those who sought to re-establish the old order in the new world. Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Mark Twain towered above the American literary landscape. With a worldwide fame greater than that of statesmen, scientists, or entertainers, Twain was in his own words "the most conspicuous man on the planet." Now, in this wonderful recounting of his career, Larzer Ziff offers an incisive, illuminating look at one of the giants of American letters.
Mark Twain emerges in this book as something of a paradox. His humor made him rich and famous, but he was unhappy with the role of humorist. He satirized the rapacious economic practices of his society, yet was caught up in those very practices himself. He was a literary genius who revolutionized the national literature, yet was unable to resist whatever quirky notion or joke that crossed his mind, often straying from his plot or contradicting his theme. Ziff offers a lively account of Twain's early years, explores all his major fiction, and concludes with a consideration of his craftsmanship and his strength as a cultural critic. He offers particularly telling insight into Twain's travel writings, providing for example an insightful account of Following the Equator, perhaps Twain's most underrated work. Throughout the book, Ziff examines Twain's writings in light of the literary cultures of his day--from frontier humorists to Matthew Arnold--and of parallel literary works of his time--comparing, for example, A Connecticut Yankee with major utopian works of the same decade. Thus the book is both a work of literary criticism and of cultural history.
Compact and sparkling, here then is an invaluable introduction to Mark Twain, capturing the humor and the contradictions of America's most beloved writer.

This unflinching portrayal of the squalor and brutality of New York life produced a scandal when it was published in 1893. Crane's novel tells the story of Maggie Johnson a young woman who, seduced by her brother's friend and then disowned by her family, turns to prostitution. More than the tale of a young woman's tragic fall, this is a powerful exploration of the destructive forces underlying urban society and human nature.

A generous selection of writings that brings to life the attractive, complex, and guileful genius of the most celebrated American of his age
It takes a "very" inclusive anthology to encompass the protean personality and range of interests of Benjamin Franklin, but "The Portable Benjamin Franklin" succeeds as no collection has. In addition to the complete "Autobiography," the volume contains about 100 of Franklin's major writings? essays, journalism, letters, political tracts, scientific observations, proposals for the improvement of civic and personal life, literary bagatelles, and private musings. The selections are reprinted in their entirety and organized chronologically within six sections that represent the full range of Franklin's temperament. The result is a zestful read for Franklin scholars and anyone wanting to know and enjoy this American icon.

From his celebrated appearance, hatchet in hand, in Parson Mason Locke Weems's Life of Washington to Booth Tarkington's Penrod, the all-American boy was an iconic figure in American literature for well over a century. Sometimes he was a "good boy," whose dutiful behavior was intended as a model for real boys to emulate. Other times, he was a "bad boy," whose mischievous escapades could be excused either as youthful exuberance that foreshadowed adult industriousness or as deserved attacks on undemocratic pomp and pretension. But whether good or bad, the all-American boy was a product of the historical moment in which he made his appearance in print, and to trace his evolution over time is to take a fresh view of America's cultural history, which is precisely what Larzer Ziff accomplishes in All-American Boy. Ziff looks at eight classic examples of the all-American boy-young Washington, Rollo, Tom Bailey, Tom Sawyer, Ragged Dick, Peck's "bad boy," Little Lord Fauntleroy, and Penrod-as well as two notable antitheses-Huckleberry Finn and Holden Caulfield. Setting each boy in a rich cultural context, Ziff reveals how the all-American boy represented a response to his times, ranging from the newly independent nation's need for models of democratic citizenship, to the tales of rags-to-riches beloved during a century of accelerating economic competition, to the recognition of adolescence as a distinct phase of life, which created a stage on which the white, middle-class "solid citizen" boy and the alienated youth both played their parts.

In this arresting book, Larzer Ziff traces the history of distinctively American travel writing through the stories of five great representatives. John Ledyard (1752–1789) sailed with Captain Cook, walked across the Russian empire, and attempted to find a transcontinental route across North America. John Lloyd Stephens (1805–1852), who today is recognized as the father of Maya archaeology, uncovered hundreds of ruins in two expeditions to the Yucatan and Central America, and he also was one of the first Americans to reach the Arabia Petrae. Bayard Taylor (1825–1878) invented travel writing as a profession. The only writer on Commodore Perry’s expedition to Japan, he traveled also to Europe, Africa, India, and the Arctic Circle solely for the purpose of producing books about these journeys. Finally, in Mark Twain’s unabashed concentration on the haps and mishaps of the tourist and Henry James’s strikingly different cosmopolitan accounts of European sites and societies, travel writing conclusively emerged as great art. Ziff explains the ways in which the American background of these writers informed their impressions of foreign scenes and shows how America served always as the final object of the critical scrutiny they brought to bear on other people and their lands.