WINNER OF THE PRIX ANAIS NIN Jeanne moves from room to room. In the anonymous hotel bedrooms of Paris - Hotel Agate, Hotel Prince Albert, Hotel Prince Monceau, Hotel Coypel, Hotel Nord & Champagne - she undresses man after man, forgetting faces, names, pleasures, thoughts, and all physical attributes but one. In her head, a palace of memories is being built, image by new image, lover by new lover. There is no pathologizing Jeanne; she resists it. There is no way to impose a story on Jeanne; she escapes it. There is no pitying Jeanne, no lusting after Jeanne, no uncovering the secret to Jeanne; she won't allow it. Jeanne moves from room to room.

Enlightenment-era writers had not yet come to take technology for granted, but nonetheless were—as we are today—both attracted to and repelled by its potential. This volume registers the deep history of such ambivalence, examining technology’s influence on Enlightenment British literature, as well as the impact of literature on conceptions of, attitudes toward, and implementations of technology. Offering a counterbalance to the abundance of studies on literature and science in seventeenth- and eighteenth-century Britain, this volume’s focus encompasses approaches to literary history that help us understand technologies like the steam engine and the telegraph along with representations of technology in literature such as the “political machine.� Contributors ultimately show how literature across genres provided important sites for Enlightenment readers to recognize themselves as “chimeras�—“hybrids of machine and organism�—and to explore the modern self as “a creature of social reality as well as a creature of fiction.�    

Enlightenment-era writers had not yet come to take technology for granted, but nonetheless were—as we are today—both attracted to and repelled by its potential. This volume registers the deep history of such ambivalence, examining technology’s influence on Enlightenment British literature, as well as the impact of literature on conceptions of, attitudes toward, and implementations of technology. Offering a counterbalance to the abundance of studies on literature and science in seventeenth- and eighteenth-century Britain, this volume’s focus encompasses approaches to literary history that help us understand technologies like the steam engine and the telegraph along with representations of technology in literature such as the “political machine.� Contributors ultimately show how literature across genres provided important sites for Enlightenment readers to recognize themselves as “chimeras�—“hybrids of machine and organism�—and to explore the modern self as “a creature of social reality as well as a creature of fiction.�