This major study of Kierkegaard and love explores Kierkegaard's description of love's treachery, difficulty, and hope. It reads his Works of Love as a text that both deciphers and complicates the central books in his pseudonymous canon: Fear and Trembling, Repetition, Either/Or and Stages on Life's Way. Amy Laura Hall argues that a spiritual void brings each text into being, and her interpretation is as much about faith as about love. Her scholarly and lyrical style makes this study a poetic contribution to ethics and the philosophy of religion.

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This major study of Kierkegaard and love explores Kierkegaard's description of love's treachery, difficulty, and hope. It reads his Works of Love as a text that both deciphers and complicates the central books in his pseudonymous canon: Fear and Trembling, Repetition, Either/Or and Stages on Life's Way. Amy Laura Hall argues that a spiritual void brings each text into being, and her interpretation is as much about faith as about love. Her scholarly and lyrical style makes this study a poetic contribution to ethics and the philosophy of religion.

Laughing at the Devil is an invitation to see the world with a medieval visionary now known as Julian of Norwich, believed to be the first woman to have written a book in English. (We do not know her given name, because she became known by the name of a church that became her home.) Julian "saw our Lord scorn [the Devil's] wickedness" and noted that "he wants us to do the same." In this impassioned, analytic, and irreverent book, Amy Laura Hall emphasizes Julian's call to scorn the Devil. Julian of Norwich envisioned courage during a time of fear. Laughing at the Devil describes how a courageous woman transformed a setting of dread into hope, solidarity, and resistance.

Laughing at the Devil is an invitation to see the world with a medieval visionary now known as Julian of Norwich, believed to be the first woman to have written a book in English. (We do not know her given name, because she became known by the name of a church that became her home.) Julian "saw our Lord scorn [the Devil's] wickedness" and noted that "he wants us to do the same." In this impassioned, analytic, and irreverent book, Amy Laura Hall emphasizes Julian's call to scorn the Devil. Julian of Norwich envisioned courage during a time of fear. Laughing at the Devil describes how a courageous woman transformed a setting of dread into hope, solidarity, and resistance.

In 1937, at the age of nineteen, Ralph Hall, suicidal, revealed his sexual orientation to his grandmother, knowing she would comfort him. He was out for three years afterwards, until an indiscretion sent him back into the closet. At twenty-four, while in the army, he met and married Irene. The couple made their home on the San Francisco Peninsula and had four children. Ralph was an attentive husband and father-albeit with an intense interest in interior design, flower arranging, and fine objects-and a diligent worker who rose to payroll accountant at Standard Oil. It wasn't until 1975 that Ralph came out to his middle daughter, Laura, telling her that he had once considered his sexuality an aberration, an affliction. She was shocked, as the possibility her father might be gay had never crossed her mind. Irene had known Ralph's secret for eighteen years, but the two remained married until she died. It was only then that this charismatic man and devoted father, by now in his eighties, could freely express his authentic, gay self. Here, Laura paints a vivid and honest portrait of her beloved father and the effect his secret had on her own life.