'Can you come round?' Dad says tremulously. 'Of course. Are you OK? Is it Mum?' 'No!' He almost shouts it. 'Just come quickly. The garden...the...body... we need you, Penny.' For women of Penny's generation, being on hand for elderly parents is just part of life. But for Penny, things have become a little more serious... When she receives a frantic phone call from her parents one night, with express instructions NOT to call the police, Penny rushes over at once. But they haven't had a fall. They haven't forgotten their computer passwords. They've killed someone. And his body is lying in the garden, right next to the rose bushes. Everyone is capable of murder. They just need to meet the right person.

YOU'LL BE HOOKED BY THE FIRST PAGE, AND SHOCKED BY THE LAST . . . THE TWISTY NEW THRILLER FROM THE #1 BESTSELLING AUTHOR OF FRIEND REQUEST 'Laura Marshall is queen of the irresistible premise' ERIN KELLY, author of HE SAID/SHE SAID Don't miss Laura Marshall's addictive new thriller, MY HUSBAND'S KILLER. Pre-order now! ***** Eleven murders. Twenty-five years ago. Are some truths better left buried? On 15th June 1994, Travis Green - husband, father, upstanding citizen - walked through the streets of Hartstead and killed eleven of his neighbours. The final victim was four-year-old Cassie Colman's father. As the twenty-five year anniversary approaches, Cassie would rather forget the past - even as her mother struggles to remember it at all. Then something hidden in her mother's possessions suggests those eleven murders were not what everyone believes. Once Cassie suspects she's been lied to about the most important event of her life, she can't stop digging up the past. But someone will do anything to keep it buried . . . ____________ 'Compulsively readable. Laura Marshall's best yet' CHRIS WHITAKER, author of WE BEGIN AT THE END 'I was genuinely unable to put it down' KAREN HAMILTON, author of THE PERFECT GIRLFRIEND 'A tense, twisty one-sitting read' TAMMY COHEN, author of THE WEDDING PARTY 'Fascinating' SUNDAY TIMES 'A poignant and unsettling page-turner' SUN 'A brilliant, twisty thriller you'll want to race through' FABULOUS MAGAZINE 'The perfect compulsive summer read' FIONA CUMMINS, author of WHEN I WAS TEN 'Sensitive, intelligent and hugely entertaining' CAZ FREAR, author of SWEET LITTLE LIES 'Clever, pacey and compelling. A cracking thriller' EMMA CURTIS, author of INVITE ME IN 'Utterly gripping' WOMAN'S OWN 'Grabs hold of the reader and digs in its nails' NIKKI SMITH, author of ALL IN HER HEAD 'The twist at the end is delicious' AMANDA REYNOLDS, author of CLOSE TO ME 'A twisting tale that stuns you' RACHEL EDWARDS, author of DARLING 'Gripping, tense and addictive' OLIVIA KIERNAN, author of THE MURDER BOX

‘Compelling and essential . . . will appeal to everyone who enjoyed Adam Kay’s This Is Going to Hurt’ Philippa Perry In this powerful and deeply personal memoir, award-winning GP Dr Laura Marshall-Andrews introduces us to the patients who have shaped her radical approach to medicine. Over the course of a decade spent on the frontline of the NHS, Dr Laura witnessed lives being adversely affected by one-size-fits-all treatments. Determined to create change, she began to envisage a new way to care that prioritised the lived experience of her patients. Created with the help of doctors, artists and complementary health practitioners, Dr Laura’s pioneering holistic approach was revelatory. From those whose lives were changed by ‘ineffective’ drugs, to those for whom alternative therapies, kindness and trust proved transformative, her patients began to flourish. What Seems To Be The Problem? is a heartfelt story of hope, and an urgent call for change in our NHS at a time when it is most in need.

YOU'LL BE HOOKED BY THE FIRST PAGE, AND SHOCKED BY THE LAST . . . THE TWISTY NEW THRILLER FROM THE #1 BESTSELLING AUTHOR OF FRIEND REQUEST They thought the killer had no motive. But these murders are not what they seem . . . On 15th June 1994, Travis Green - husband, father, upstanding citizen - walked through the streets of Hartstead and killed eleven of his neighbours. The last victim was little Cassie Colman's father. As the twenty-five-year anniversary approaches, Cassie tries to forget the past - even as her mother struggles to remember it at all. Then something hidden in her mother's possessions suggests the murders were not what everyone believes. Cassie can't stop herself from digging up the past. But someone will do anything to keep it buried . . . PRAISE FOR THE ANNIVERSARY: 'A poignant and unsettling page-turner' SUN 'A book to keep you guessing and pull at your heartstrings' ERIN KELLY, author of HE SAID/SHE SAID 'Fascinating' SUNDAY TIMES 'Compulsively readable. Laura Marshall's best yet' CHRIS WHITAKER, author of WE BEGIN AT THE END 'I was genuinely unable to put it down' KAREN HAMILTON, author of THE PERFECT GIRLFRIEND 'A tense, twisty one-sitting read' TAMMY COHEN, author of THE WEDDING PARTY 'A brilliant, twisty thriller you'll want to race through' FABULOUS MAGAZINE 'The perfect compulsive summer read' FIONA CUMMINS, author of WHEN I WAS TEN 'Clever, pacey and compelling. A cracking thriller' EMMA CURTIS, author of INVITE ME IN 'Utterly gripping' WOMAN'S OWN

Go deeper in your faith with Rejoice, a creative journaling Bible that invites you to immerse yourself in His Word as you stop to color and personalize key passages of Scripture. This complete Bible (Old Testament and New Testament) features three hundred elegant illustrations of thought-provoking Bible verses to color in as you reflect on God's Word, one artful verse at a time. Fill the lines in the oversized margins with your notes, your prayers, and your questions so that you may experience the Bible in a more personal and meaningful way. The accessible language of the World English Bible (WEB) version makes this an ideal gift for young and old alike. This high-quality journaling Bible is a high quality hardcover, providing a solid surface for journaling and coloring. The title is artfully debossed for a timeless effect. High-quality paper makes note-taking a joy, while the ribbon page marker helps you find your place every time. Complete, single-column World English Bible version text for easy reading 300 hand-drawn partial or full page black-and-white illustrations of inspiring verses to color Roomy, lined margins for your reflection and responses to Scripture

'A name to watch in the world of twisty, gripping thrillers . . . It rings as true as tomorrow's headlines' Daily Mail The addictive new thriller from the Sunday Times bestselling author of FRIEND REQUEST. ***** Sasha North has gone missing. Everyone says she's run away, but I know better. We've been best friends since we were teenagers, since Sasha swept into the neighbourhood and brought colour to my life. Until a brutal attack changed both our lives forever. I know what happened that night. I know who wants revenge. And if Sasha has been taken, does that mean I'm next? ***** What people are saying about THREE LITTLE LIES: 'Compulsive' Rachel Abbott 'Superb' Sun 'An addictive, expertly-plotted thriller with a great twist - if you liked FRIEND REQUEST, you'll love this' T. M. Logan 'Brilliant' Fiona Cummins 'Tense and full of surprises - I have a good feeling Laura Marshall is here to stay!' Emily Elgar 'Addictive' Caz Frear 'If you loved FRIEND REQUEST, you'll devour THREE LITTLE LIES. You won't know who to believe and you won't be able to put it down until you get to the (shocking) truth. Great stuff!' CJ Tudor 'A compulsive psychological thriller with compelling characters and a twisty plot' Jenny Quintana 'I raced through this, genuinely unable to put it down. Another brilliant, compelling novel' Karen Hamilton 'A realistic coming-of-age tale that drew me in, Laura's masterful plot and ability to interweave past and present so skilful I was completely blind-sided by the brilliant final twist' Amanda Reynolds 'Couldn't put THREE LITTLE LIES down . . . a taut, absorbing and hugely addictive thriller' Chris Whitaker

Three couples. One murder. A holiday to die for . . . We arrived at a villa on the Amalfi Coast, ready to enjoy a sun-soaked weekend with our oldest friends - and one new face. By the end of the weekend, my husband is found dead. But how can I mourn him, when on the day of his funeral I discover he was having an affair? The only suspects are the women we went on holiday with. My oldest, closest friends. Do I really want to dig into my husband's secret? Do I really want to know who betrayed me? And as I start to unravel their secrets . . . do I really believe his death was an accident?

"Warrior Women" makes visible the ongoing intergenerational narrative reverberations (Young, 2003; 2005) shaped through Canada's residential school era which denied the communal and cultural, economic, educational, human, familial, linguistic, and spiritual rights of Aboriginal people. Attending to these narrative reverberations foregrounded the continuing colonial barriers faced by six Aboriginal post secondary students as they composed their lives in a current era of increasing standardization in Canadian universities and schools. Yet, what also became visible were ways in which the Aboriginal teachers increasingly reclaimed or drew upon their ancestral ways of knowing and being.

A translation of the highly acclaimed text by Roberto Tenenbaum (originally published in Portuguese). Tenenbaum's book covers the full range of topics included in a complete basic course designed for undergraduate students in engineering. Requiring no more than a basic course in calculus, the text employs an intuitive approach, from the point of view of Newtonian mechanics, that avoids the complications of Hamiltonian and Lagrangian formalism. The balance between analysis and practical examples also avoids the tendency of other engineering- oriented texts to assume an antipathy towards abstract thinking among engineers. The analytical approach, presented in a simple but rigorous way, gives the required tools for modeling novel practical situations.

A translation of the highly acclaimed text by Roberto Tenenbaum (originally published in Portuguese). Tenenbaum's DYNAMICS covers the full range of topics included in a complete basic course designed for undergraduate students in engineering. Requiring no more than a basic course in calculus, the text employs an intuitive approach, from the point of view of Newtonian mechanics, that avoids the complications of Hamiltonian and Lagrangian formalism. The balance between analysis and practical examples also avoids the tendency of other engineering- oriented texts to assume an antipathy towards abstract thinking among engineers. The analytical approach, presented in a simple but rigorous way, gives the required tools for modeling novel practical situations.

Maria wants to be friends.

But Maria is dead . . . isn't she?

When Louise Williams receives a message from someone left long in the past, her heart nearly stops.

Maria Weston wants to be friends on Facebook.

Maria Weston has been missing for over twenty-five years. She was last seen the night of a school leavers' party, and the world believes her to be dead. Particularly Louise, who has lived her adult life with a terrible secret.

As Maria's messages start to escalate, Louise forces herself to reconnect with the old friends she once tried so hard to impress. Trying to piece together exactly what happened that night, she soon discovers there's much she didn't know. The only certainty is that Maria Weston disappeared that night, never to be heard from again - until now. . .

Seven of us arrived at a villa on the Amalfi Coast, ready to enjoy a sun-soaked weekend with our oldest friends - and one new face. By the end of the weekend, a terrible accident will leave my husband dead.

But how can I mourn him, when on the day of his funeral I discover he was having an affair? The only suspects are the women we went on holiday with. My oldest, closest friends.

Do I really want to dig into my husband's secret? Do I really want to know who betrayed me?

And as I start to unravel their secrets . . . do I still believe his death was an accident?

Warrior Women makes visible the ongoing intergenerational narrative reverberations (Young, 2003; 2005) shaped through Canada's residential school era which denied the communal and cultural, economic, educational, human, familial, linguistic, and spiritual rights of Aboriginal people. Attending to these narrative reverberations foregrounded the continuing colonial barriers faced by six Aboriginal post secondary students as they composed their lives in a current era of increasing standardization in Canadian universities and schools. Yet, what also became visible were ways in which the Aboriginal teachers increasingly reclaimed or drew upon their ancestral ways of knowing and being. In this retelling and reliving of their stories to live by (Connelly & Clandinin, 1999) the teachers were composing counter stories (Lindemann Nelson, 1995). While they wakefully composed and lived out these counter stories with intentions of interrupting dominant social, cultural, and institutional narratives they were, at the same time, alongside children, youth, grandchildren, family members, community members, Elders, and colleagues with whom they interacted, co-composing new possible intergenerational narrative reverberations. These new possible intergenerational narrative reverberations carry significant potential to reshape the future life possibilities of Aboriginal and non-Aboriginal children, youth, families, and communities in Canada; they also carry significant potential to reshape the school and post secondary places experienced by future generations of Aboriginal and non-Aboriginal post secondary students.

If he isn't guilty . . . Who is? 'Addictive' Caz Frear 'Brilliant, compelling' Karen Hamilton 'Compulsive' Rachel Abbott Don't miss Laura Marshall's addictive new thriller, MY HUSBAND'S KILLER. Pre-order now! ___________ Sasha North has gone missing. Everyone says she's run away, but I know better. We've been best friends since we were teenagers, since Sasha swept into the neighbourhood and brought colour to my life. Until a brutal attack changed both our lives forever. I know what happened that night. I know who wants revenge. And if Sasha has been taken, does that mean I'm next? The captivating new psychological thriller by Laura Marshall, Sunday Times bestselling author of FRIEND REQUEST. ******* 'A name to watch in the world of twisty, gripping thrillers' DAILY MAIL 'An addictive, expertly-plotted thriller with a great twist' T. M. Logan, author of THE HOLIDAY 'Superb' SUN 'Tense and full of surprises' Emily Elgar, author of IF YOU KNEW HER 'If you loved FRIEND REQUEST, you'll devour THREE LITTLE LIES' C. J. Tudor, author of THE CHALK MAN 'A compulsive psychological thriller' Jenny Quintana, author of THE MISSING GIRL 'Another brilliant, compelling novel' Karen Hamilton, author of THE PERFECT GIRLFRIEND 'Brilliant' Fiona Cummins, author of THE NEIGHBOUR 'Masterful' Amanda Reynolds, author of LYING TO YOU 'Taut, absorbing and hugely addictive thriller' Chris Whitaker, author of WE BEGIN AT THE END

In Married with Children, Adison Taylor returns! She and John juggle his school, their two beautiful girls and life in general. Laughter and mayhem follow Adi wherever she goes, and the same holds true in this second installment in the Adison Taylor series. Go with Adi as she continues her journey from High School crushes, to marriage, true love and family life. Raging hormones, little time together and the unwanted romantic attention John is getting from an unexpected source-makes this book a wild ride.

Boys with Cars is a story of friendship, love and loss. It tracks the lives of two best friends; Veronica Stanford and Adison Taylor. They meet in the third grade and form a strong bond. Veronica (Ronnie) has a drug-addicted mom who abandons her at thirteen, and a wealthy but absent dad. Adi loses her mom at the age of five to cancer. These two motherless girls grow to love and care for one another through all sorts of life events. The book shows how their lives play out as they progress through teenage angst, first loves, boys, cars, and growing up.