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Ritchie Blackmore once said, "You can't get any better than Cozy,
you know. He's always up there on stage going crazy, he always
pushes me on when I look round. He always gives me that incentive
to play because Cozy won't let anybody take it easy." He wasn't
wrong. Cozy Powell was a talented, reliable and versatile drummer.
A drummer of such calibre that he played with Jeff Beck, Rainbow,
Michael Schenker, Whitesnake, Emerson and Lake, Black Sabbath and
Brian May as well as being a hugely in-demand session player. But
before all that he initially came to prominence with three Mickie
Most produced top twenty singles under his own name. An
extraordinary feat for an instrumentalist, and a drummer at that.
Cozy Powell's career as a musician is a story that needs to be
told. Author Laura Shenton MA LLCM DipRSL has a Masters degree in
music and provides an insightful angle on Cozy Powell's abilities
along with detailed research that presents Powell's career in all
its glory.
By the end of 1973, Deep Purple Mk2 was no more. Ian Gillan had
been replaced by David Coverdale on vocals whilst Roger Glover had
been replaced by Glenn Hughes on bass and vocals. It left the
nucleus of Ritchie Blackmore, Jon Lord and Ian Paice to take Deep
Purple in a new direction, which eventually came to a halt with the
Mk4 line-up in 1976. With Deep Purple In Rock (1970), Fireball
(1971), Machine Head (1972) and Who Do We Think We Are (1973) to
Mk2's credit, many fans lived in hope that one day, the band would
get back together - with the music press occasionally courting the
odd rumour that it would happen! Finally, in April 1984, the
reunion of Deep Purple Mk2 was announced. Fans had got their wish.
Or had they? With the landscape of rock and pop music having
changed since the band's success in the seventies, and with each
member of Deep Purple Mk2 having nurtured very different careers as
individuals by that point, a reunion was never going to be plain
sailing! In this this book, Laura Shenton MA LLCM DipRSL examines
the merits and challenges of what it was for Deep Purple Mk2 to get
back together in the eighties. Included is a critical analysis of
Mk2's second round of albums: Perfect Strangers (1984), The House
Of Blue Light (1987) and The Battle Rages On... (1993).
From producing her own albums, to designing her own stage
performances, Kate Bush has been an innovator throughout her
career. With hits such as 'Wuthering Heights', 'Babooshka' and
'Running Up That Hill', her music has always been ethereal and her
endearing image has often been regarded as one of mystique. The
creativity and the conviction with which she has made her music
continue to be an inspiration to not only her legions of fans, but
many of her peers. In celebration of Kate's entire career to date
and complemented with a narrative by Laura Shenton MA LLCM
Dip(RSL), this visual biography is packed with photos - many of
which haven't been published before (including several from her
1979 tour).
There's no denying that throughout the 1970s, Jethro Tull were at
the top of their game. With iconic albums such as Aqualung (1971),
Thick As A Brick (1972), Songs From The Wood (1977) and Heavy
Horses (1978) to their credit, the band had majestically earned
their place as vital pioneers and contributors within the spectrum
of progressive rock music. By the 1980s, the popularity of
progressive rock had declined amongst the record-buying public. Any
band wishing to continue the success they had enjoyed throughout
the previous decade couldn't afford to rest on their laurels. And
so arises an essential question: How did Jethro Tull fare in the
1980s? Laura Shenton MA LLCM DipRSL provides a detailed exploration
into each of Jethro Tull's albums from the eighties, offering a
critical analysis of the band's achievements, challenges, and
sound.
Endearingly, the differences between Rick Davies and Roger Hodgson
were key ingredients in what would become the musical and writing
chemistry of Supertramp - a band that made a fascinating and
diverse contribution to music. From their first commercial
breakthrough in 1974 with Crime Of The Century, they exceeded their
own expectations with the colossal success of Breakfast In America
in 1979. But it was never a smooth journey. With ups and downs
financially, commercially and in terms of their working
relationship, Supertramp lived the highs and lows of the music
business. From local gigs to many highly demanding tours, this book
documents it all. As Roger Hodgson once said, "The music always
came pretty easily. Both the music and the lyrics come from the
same place. For me, composing is literally losing myself in the
music. I let the inspiration just come naturally. It is a very
magical process. When I start hearing melodies, then I just start
singing and the words start coming. The words will have something
to do with what I am going through in my life, or what's in my
heart at the time. I will have an idea of what the song's about and
then work with the melody."
It started off so well. As Jon Lord enthused in the October 1975
issue of Melody Maker: 'Tommy can't be so bad for us with so many
good ideas. All I can say is when you hear the album (Come Taste
The Band) you'll change your mind. Whether you like the music or
not, you'll have to realise that Deep Purple now have an excitement
in their playing that they haven't had in a long time...' Despite
calls of 'we want Blackmore' when Deep Purple Mark four played
live, there was so much more to American guitarist Tommy Bolin than
being Ritchie Blackmore's replacement. As a result, the purpose of
this long-overdue biography is to readdress the existing narrative
of Tommy Bolin's legacy. As well as discussing objectively Tommy's
time with Deep Purple, Laura Shenton offers an insight into his
musical achievements in his own right outside of the band, which
include two cult rock albums in Teaser and Private Eyes. He also
had a stint in The James Gang and made numerous guest appearances,
where his versatile and virtuosic skills as a guitarist were
utilised, before his untimely death in 1976 at the shockingly young
age of 25
This mammoth tome chronicles Jethro Tull's career from the outset
to the end of the seventies. From the late sixties - a vital period
where the group dynamics were established, Chronicles delves
extensively into the history. Vintage gig and album reviews,
contemporary quotes from band members, rare advertisements
documenting how they were billed alongside their peers, it's all in
here. Aside from the 140,000-word narrative, this is also a
stunningly visual book adorned with countless photos, many of them
previously unpublished. Preserving the detailed history of a band
as influential as Jethro Tull is a vital endeavour. Archiving
matters and to many fans out there, so does the fascinating story
of Jethro Tull. Shenton has pulled it all together to make this an
indispensable addition to Jethro Tull's bibliography.
From humble beginnings in Teignmouth, Devon on England's South West
Coast, since the band's inception around twenty-five years ago Muse
has grown into one of the biggest bands in the world. Since the
release of debut album Showbiz in 1999, Muse has gone on to mega
status, selling out stadiums around the globe. From a band that was
helped in the nineties with a GBP150 grant from the Prince's Trust,
they have escalated into leading torch bearers for twenty-first
century rock music. Never shy to acknowledge influences from the
past, Muse has also created its own unique style from blending
numerous music genres into their own defining image. Matt Bellamy,
Chris Wolstenholme and Dominic Howard have remained together
through thick and thin; time and time again producing huge selling
albums and sold out concert tours. This Visual Biography is a
wonderful keep-sake souvenir portraying the band's rise to
superstardom, right up to 2019's Simulation Theory tour. The
largely, previously unpublished photos are complimented with a
15,000 word band history by music author Laura Shenton.
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Bees (Paperback)
Laura Shenton
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R253
R206
Discovery Miles 2 060
Save R47 (19%)
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Ships in 10 - 15 working days
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Hailing from Los Angeles, Sparks relocated to England in 1973. The
following year saw the release of their two career-defining albums
- the breakthrough LP Kimono My House and the follow-up Propaganda.
In this unique book, author Laura Shenton, takes us on a phenomenal
journey through 1974 - the year that saw Sparks go from an obscure,
underground album to chart stars. Both albums were UK top ten hits,
and three singles released in 1974 all made the top 20 with the
biggest hit being 'This Town Ain't Big Enough for Both of Us',
which reached No. 2 on the UK charts. Built around the images and
talents of brothers Ron and Russell Mael, this book looks in-depth
at the meteoric rise to stardom for this hugely idiosyncratic,
quirky and challenging band that has developed a huge cult
following. With detailed research Sparks 1974 sets the scene by
covering the band's beginnings in Los Angeles, before chronicling
1974 via the recordings, live concerts, interviews and numerous TV
appearances that resulted as a consequence of their instantaneous
success from the release of Kimono My House. Sparks 1974 is the
first new book on the band in a decade, and the first to focus
solely on their most successful year.
If any band deserves to have homage paid to them with a lavish,
limited edition photographic book, look no further than Emerson
Lake and Palmer. With their origins going back to the late sixties,
these three highly talented individuals portrayed the very essence
of musical excesses. Drawing on countless images and items of
memorabilia this large format 224-page book is a treasure trove for
the ELP devotees. Crammed full of live and off stage shots ELP
Together and Apart is exactly that — in words and visuals it
portrays Keith Emerson, Greg Lake and Carl Palmer from their days
with The Nice, King Crimson, Arthur Brown’s Crazy World and
Atomic Rooster, through the ELP years, as well as documenting their
solo work and other outside projects. It also includes loads of
super cool memorabilia including backstage passes, gig posters,
media adverts and much more, all reproduced on high quality art
paper. This is one future collector’s item that every
self-respecting ELP fan will want to own. Rounding it off, ELP
Together and Apart is topped and tailed with 15,000 words by
musicologist and author Laura Shenton. ELP Together and Apart will
prove to be the perfect companion and a valuable addition to any
fan’s collection.
By 1979, the Ronnie James Dio era of Rainbow was no more. The
accessible sound of the band's Down To Earth album signified
Ritchie Blackmore's explicit intention to go in a more commercial
direction. By 1982, with a more secure and cohesive line-up,
Rainbow were not only in a good position commercially, but at a
strong peak musically. And that's where Straight Between The Eyes
comes in. In this book, author Laura Shenton MA LLCM DipRSL offers
an in-depth perspective on Rainbow's sixth studio album from a
range of angles including how it came to be, how it was presented
and received at the time (live as well as on record), and what it
means in terms of Rainbow's legacy today.
With riots, prison sentences and equipment stolen, 1980 and the
earlier part of 1981 was an incredibly turbulent time for The
Stranglers. Their misfortune provided the press with excellent
stories but rarely was their music written about. Understandably,
with its paranoid exploration of extraterrestrial themes, The
Gospel According To The Meninblack hadn't really caught on. With
everything to play for when it came to making the next album, La
Folie - and indeed the hit single, 'Golden Brown' - it would see
The Stranglers back at the top of their game. In this book, Laura
Shenton MA LLCM DipRSL offers an in-depth perspective on La Folie
from a range of angles including how the album came to be, how it
was presented and received at the time (live as well as on record),
and what it means in terms of The Stranglers' legacy today.
Released in 1980, bold and original, Remain In Light features a
fascinating blend of African-inspired music and innovative use of
recording technology. Hosting the hit single 'Once In A Lifetime',
it was an album that commanded attention. As Talking Heads' Jerry
Harrison put it, "Remain In Light was the beginning of a new
vision. It was a very creative period and really amazing." In this
book, Laura Shenton MA LLCM DipRSL offers an in-depth perspective
on Remain In Light from a range of angles including how the album
came to be, how it was presented and received at the time (live as
well as on record), and what it means in terms of Talking Heads'
legacy today.
The album that made a huge star out of David Bowie in 1972 and
introduced his Ziggy Stardust persona, The Rise And Fall Of Ziggy
Stardust And The Spiders From Mars is iconic for many reasons.
Featuring the much-loved 'Starman', 'Moonage Daydream' and 'Five
Years', the story of Bowie's fifth studio album is one that needs
to be told in detail. In this book, author Laura Shenton MA LLCM
DipRSL offers an in-depth perspective on The Rise And Fall Of Ziggy
Stardust And The Spiders From Mars from a range of angles including
how the album came to be, how it was presented and received at the
time (live as well as on record), and what it means in terms of
Bowie's legacy today.
By 1978, the landscape of pop music had changed considerably since
Jethro Tull's earlier hit albums Aqualung (1971) and Thick As A
Brick (1972). Punk, disco and new wave were in and progressive
rock's heyday was over. Despite all of this, during the year of the
band's tenth anniversary, a cohesive line-up of Jethro Tull worked
happily together to release the successful studio album, Heavy
Horses. In this book, author Laura Shenton MA LLCM DipRSL offers an
in-depth perspective on Heavy Horses from a range of angles
including how the album came to be, how it was presented and
received at the time (live as well as on record), and what it means
in terms of Jethro Tull's legacy today.
On 26th March 1971 at Newcastle City Hall, Keith Emerson, Greg Lake
& Carl Palmer performed their version of Modest Mussorgsky's
Pictures At An Exhibition. An iconic classical piece given an
innovative spin by the talented trio, it was released as an album
following the success of their second studio album, Tarkus. In many
ways, Pictures At An Exhibition is the underdog of Emerson, Lake
& Palmer's longstanding discography - so much so that there was
uncertainty surrounding whether or not it was going to be released
at all! And yet, despite the band's uncertainties surrounding the
LP at the time, it is now vital - both in terms of ELP's history
and in the wider sense of how it bridged a gap between rock and
classical music. It certainly wasn't the first album to do this but
it is nevertheless a relevant and important part of such discourse.
In this book, author Laura Shenton MA LLCM DipRSL offers an
in-depth perspective on ELP's Pictures At An Exhibition from a
range of angles including how the album came to be, how it was
presented and received at the time, how it compares to Mussorgsky's
original piece and what it means in terms of ELP's legacy today.
For The Stranglers, 1977 was a vital year. Not quite punk,
certainly not pop and often at odds with live audiences and the
music press alike, their approach was such that nothing could stop
them. With hits like 'Peaches', 'No More Heroes' and 'Something
Better Change', there was everything to play for despite a variety
of confrontations and controversies. With two commercially and
musically strong albums - Rattus Norvegicus (their debut) and No
More Heroes - released within just months of each other, the story
of The Stranglers in 1977 is one that needs to be told. With
vintage interviews and reviews in abundance, this book
comprehensively documents it all with immense detail.
Slaves And Masters is arguably one of the most divisive albums in
Deep Purple's history. A product of Ian Gillan's sacking from the
band and the recruitment of former Rainbow vocalist Joe Lynn
Turner, in 1990, Slaves And Masters divided the fanbase enormously.
But with four fifths of the classic MKII line-up at the helm and a
desire to recapture the live feeling in the studio, that had been a
hallmark of their seventies' albums, was it really the worst Deep
Purple album as some fans claim? In this book, author Laura Shenton
MA LLCM DipRSL offers an in-depth perspective on Deep Purple's
thirteenth studio album from a range of angles including how the
album came to be, how it was presented and received at the time
(live as well as on record), and what it means in terms of Deep
Purple's legacy today.
For Jethro Tull, 1975 would prove to be a fascinating year. With
Aqualung and Thick As A Brick behind them, and with A Passion Play
and War Child having been met with a mixed critical reception,
their next album, Minstrel In The Gallery is the product of a band
who kept on going and who weren't afraid to explore. Minstrel In
The Gallery is abundant in innovative musical ideas and insightful
lyrics. Recorded in sunny Monte Carlo and described by Sounds as "a
pleasant surprise", the album is a fascinating combination of
acoustic and heavy rock teamed with a strings section, and of
course, flute. In this book, author Laura Shenton MA LLCM DipRSL
offers an in-depth perspective on Minstrel In The Gallery from a
range of angles including how the album came to be, how it was
presented and received at the time (live as well as on record), and
what it means in terms of Jethro Tull's legacy today.
Released in 1978, This Year's Model was Elvis Costello's second
album and his first with The Attractions. Abundant in clever
songwriting that often-made bold observational statements (even
about the music industry itself!), This Year's Model grabbed the
attention of both UK and US audiences. In this book, author Laura
Shenton MA LLCM DipRSL offers an in-depth perspective on This
Year's Model from a range of angles including how the album came to
be, how it was presented and received at the time (live as well as
on record), and what it means in terms of Elvis Costello's legacy
today.
When Kate Bush shot to fame in 1978, her public image was that of a
sweet young woman who sang about Cathy out on the windy moors, full
of melancholy and yearning for Heathcliff. It was charming,
inoffensive and, although eccentric, subtle enough to come across
as endearing or at least, not challenging. When Kate's fourth
studio album, The Dreaming, was released in 1982, all of that
changed. It is an album that some critics loved to hate - and
that's why it matters. In this book, author Laura Shenton MA LLCM
DipRSL offers an in-depth perspective on The Dreaming from a range
of angles including how the album came to be, how it was presented
and received at the time, and what it means in terms of Kate Bush's
legacy today.
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Eleni Flies Away
Laura Shenton
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R253
R206
Discovery Miles 2 060
Save R47 (19%)
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