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English studies today are driven by demanding curriculum, but this
need is often met with unenthusiastic students. "Fun" work-like
movie days or projects-is often seen as what to do after the real
work is finished. But what if instructors could blend the two
pieces together more effectively, motivating students with
interesting material while still achieving curriculum goals? This
text attempts to fuse the pieces in to a cohesive philosophy. Yin
and Yang in the English Classroom: Teaching With Popular Culture
Texts is designed to provide college professors and high school
teachers with both halves they need to tackle the job of teaching
students literature and writing skills: theoretical foundations of,
and practical applications for, the modern classroom. In addition
to theory and research, each chapter also offers ready-to-use
activities and projects that can be immediately brought into the
classroom. Whether you're new and need a guide to begin your
journey as a teacher, or you're experienced and want to add some
spice to your classroom, this text can offer new ways to fold
popular culture effectively into your teaching toolbox. Other key
features of this book include: *Clear, easy-to-read sections for
each chapter, including a Review of Current Literature and
Classroom Connections *Student-centered solutions to increase
engagement with popular culture and technology *Step-by-step plans
for taking the activities from the page to the classroom easily
English studies today are driven by demanding curriculum, but this
need is often met with unenthusiastic students. "Fun" work-like
movie days or projects-is often seen as what to do after the real
work is finished. But what if instructors could blend the two
pieces together more effectively, motivating students with
interesting material while still achieving curriculum goals? This
text attempts to fuse the pieces in to a cohesive philosophy. Yin
and Yang in the English Classroom: Teaching With Popular Culture
Texts is designed to provide college professors and high school
teachers with both halves they need to tackle the job of teaching
students literature and writing skills: theoretical foundations of,
and practical applications for, the modern classroom. In addition
to theory and research, each chapter also offers ready-to-use
activities and projects that can be immediately brought into the
classroom. Whether you're new and need a guide to begin your
journey as a teacher, or you're experienced and want to add some
spice to your classroom, this text can offer new ways to fold
popular culture effectively into your teaching toolbox. Other key
features of this book include: *Clear, easy-to-read sections for
each chapter, including a Review of Current Literature and
Classroom Connections *Student-centered solutions to increase
engagement with popular culture and technology *Step-by-step plans
for taking the activities from the page to the classroom easily
The term ""domesticity"" may bring to mind cooking, cleaning, and
tranquil evenings at home. During the last few decades, however,
American domesticity has become ever more politicized as third-wave
feminists, conservative critics, and others debate the very meaning
of home and family. Despite this new wave of debate, the home,
particularly the kitchen, is comfortable territory for the
consolidation of issues of gender, space, marketplace, community,
and technology in twentieth century literature.This work looks
closely at a wide variety of Southern domestic literature, focusing
particularly on the role of the family kitchen as a driving force
in the narratives of Ellen Glasgow, Eudora Welty, Lee Smith, and
Toni Morrison. The topics include the overtones of isolation and
the almost claustrophobic third-person narration of ""Glasgow's
Virginia"" and ""Life and Gabriella""; the communal kitchen and its
role in defining the sexual discourse of Welty's ""Delta Wedding"";
the unification of national railway lines and its consequences for
the traditional Appalachian kitchen in Smith's ""Oral History"" and
""Fair and Tender Ladies""; and the lasting effects of slavery on
the ""haunted domesticity"" of the African-American kitchen in
Morrison's ""Jazz, Paradise, and Love"".
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