'Authenticity' and authentication is at the heart of museums' concerns in displays, objects, and interaction with visitors. These notions have formed a central element in early thought on culture and collecting. Nineteenth century-explorers, commissioned museum collectors and pioneering ethnographers attempted to lay bare the essences of cultures through collecting and studying objects from distant communities. Comparably, historical archaeology departed from the idea that cultures were discrete bounded entities, subject to divergence but precisely therefore also to be traced back and linked to, a more complete original form in the (even) deeper past. Much of what we work with today in ethnographic museum collections testifies to that conviction. Post-structural thinking brought about a far-reaching deconstruction of the authentic. It came to be recognized that both far-away communities and the deep past can only be discussed when seen as desires, constructions and inventions. Notwithstanding this undressing of the ways in which people portray their cultural surroundings and past, claims of authenticity and quests for authentication remain omnipresent. This book explores the authentic in contemporary ethnographic museums, as it persists in dialogues with stakeholders, and how museums portray themselves. How do we interact with questions of authenticity and authentication when we curate, study artefacts, collect, repatriate, and make (re)presentations? The contributing authors illustrate the divergent nature in which the authentic is brought into play, deconstructed and operationalized. Authenticity, the book argues, is an expression of a desire that is equally troubled as it is resilient. Published in co-operation with the Dutch National Museum of Ethnology, Leiden.

Los mercados de la Mixteca son colectividades vibrantes y dinamicas que funcionan y forman parte del macrocontexto de la globalizacion, desde el consumismo hasta el movimiento mundial de productos y personas. Por lo general, la historia economica mas formal deja mudos a los actores que definen esta economia: los comerciantes. Por medio de sus relatos, este libro documenta una historia informal que ha sido poco registrada. Cincuenta entrevistas, hechas entre 2004 y 2006 en algunas de las plazas principales de la Mixteca Alta, forman el eje central del libro. Son las historias de emprendedores mexicanos, que por ser tan personales y reales son estimulantes, alarmantes y atractivas a la vez. Por un lado, son analizadas desde la perspectiva del mercader individual, su agencia local y personal, y por otro lado, desde un punto de vista diacronico, ya que se presentan, en la medida de lo posible, datos historicos que documentan historias de la vida de los mercaderes y de los mercados de la epoca precolonial, colonial y del siglo XIX. Ademas, se han incorporado una serie de mapas detallados de varios centros comerciales locales importantes de la Mixteca, como por ejemplo el mercado de Tlaxiaco, Chalcatongo, Yanhuitlan, Teposcolula y Coixtlahuaca.

Sharing Knowledge & Cultural Heritage (SK&CH), First Nations of the Americas, testifies to the growing commitment of museum professionals in the twenty-first century to share collections with the descendants of people and communities from whom the collections originated. Thanks to collection histories and the documenting of relations with particular indigenous communities, it is well known that until as recently as the 1970s, museum doors - except for a handful of cases - were shut to indigenous peoples. This volume is the result of an "expert meeting" held in November 2007 at the National Museum of Ethnology (NME) in Leiden, the Netherlands. Since then SK&CH projects have developed. The NME invited leading indigenous as well as non-native professional experts in the field from the Americas and Europe to explore and discuss case studies based on fieldwork, collecting material culture and/or work with indigenous communities in Greenland, the Canadian Arctic, North America and Central and South America.