Advances in Pharmacology series, highlights new advances in the field, with this new volume presenting interesting chapters. Each chapter is written by an international board of authors.

I Hold a Wolf by the Ears, Laura van den Berg's first story collection since her prizewinning book The Isle of Youth, draws readers into a world of wholly original, sideways ghost stories that linger in the mouth and the mind. Both timeless and urgent, these eleven stories confront misogyny, violence, and the impossible economics of America with van den Berg's trademark spiky humor and surreal eye. Moving from the peculiarities of Florida to liminal spaces of travel in Mexico City, Sicily, and Iceland, I Hold a Wolf by the Ears is uncannily attuned to our current moment, and to the fears we reveal to no one but ourselves. In "Lizards," a man mutes his wife's anxieties by giving her a LaCroix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and destructive consequences, while in "Karolina," a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother. I Hold a Wolf by the Ears presents a collection of women on the verge, trying to grasp what's left of life: grieving, divorced, and hyperaware, searching, vulnerable, and unhinged, they exist in a world that deviates from our own only when you look too closely. With remarkable control and transcendent talent, van den Berg dissolves, in the words of the narrator of "Slumberland," "that border between magic and annihilation," and further establishes herself as a defining fiction writer of our time.

In Laura van den Berg's surreal, mystifying, and deeply felt second novel, Clare, recently widowed, arrives in Havana, Cuba, to attend the 36th annual Festival of New Latin American Cinema, which her horror-loving film-professor husband, Richard, had purchased tickets for. The day after the screening of the movie Richard wanted most to see, Clare finds him standing outside the Museum of the Revolution. He's wearing a white linen suit she's never seen before, and he's supposed to be dead. Meticulously constructed and brimming with layered, poetic imagery, The Third Hotel follows Clare through her time in Havana as the distinction between reality and fantasy becomes increasingly blurred. In van den Berg's Havana, animals escape from zoos and trains fly off the tracks while Clare follows her once-dead husband and charts her less-than-perfect marriage. As her search for clarity becomes increasingly opaque, the reader is forced to consider not only what is real and what is not, but what truths are lingering behind Clare's own involvement in her husband's disappearance and reemergence. Filled with subtle but striking meditations on grief, marriage, art, misogyny, and the loneliness of travel, The Third Hotel is a singular, propulsive, brilliantly shape-shifting novel from an inventive author at the height of her narrative powers.

""What the World Will Look Like When All the Water Leaves Us "is a lovely, remarkable book, full of people who strive mightily to believe in things--Bigfoot, the Lochness and Lake Michigan monsters, a tunnel leading to the other side of the world, husbands, wives, lovers, parents--they shouldn't. But Laura van den Berg lets her characters believe, and believes in them, and makes us believe, and care, too. Calm, wry, and compassionate, somehow all at once, this book is impossible to resist, and I'd bet big money that we'll be talking about Laura van den Berg and her fiction for years to come." - Brock Clarke, author of "An Arsonist's Guide to Writers' Homes in New England"
"In her first collection Laura van den Berg creates a series of remarkable characters each of whom is striking out for territory unknown, plunging into an uncharted sea. I love the exhilarating sense of adventure in these stories, how they make the world seem larger, and how van den Berg maps our familiar pains in strikingly new ways. "What The World Will Look Like When All The Water Leaves Us "is a dazzling and original debut." - Margot Livesey, author of "The House on Fortune Street "and "Eva Moves the Furniture"
"There is a special kind of magic in the writing of Laura van den Berg, a damp-eyed sorceress who blends the mythological with the everyday, buoyant playfulness with lacerating sadness. Each sentence reads like a beautiful bruise smeared across pages as pale as the bodies that so often strip off their clothes and tangle together in these tender, elegant stories." - Benjamin Percy, author of "Refresh, Refresh "and "The Language of Elk "
"Discussions about debuts often allude to promise, as if to imply that better things will come, but in this particular case, there's no need to wait. Laura van den Berg's talents are already fully formed, and spectacular. This collection has searing emotions, a technical virtuosity, and a lyrical ferocity that dazzle us with undeniable force. Breathtakingly, we follow her characters as they seek escape in far-flung locales, both real and imagined, searching for that rarest of species--the feeling that they belong." - Don Lee, author of "Wrack and Ruin" and "Yellow"
"Laura van den Berg finds the tension between science and magic and walks it like a tightrope. . . . It is a fantastic and fascinating world, full of discoveries and moments of wonder, a book meant for the explorer in all of us."--Hannah Tinti, author of "The Good Thief"
Containing work reprinted in Best Non-Required Reading 2008, Best New American Voices 2010, and The Pushcart Prizes 2010, the stories in Laura van den Berg's rich and inventive debut illuminate the intersection of the mythic and the mundane.
A failed actress takes a job as a Bigfoot inpersonator. A bontanist seeking a rare flower crosses path with a group of men hunting the Loch Ness Monster. A disillusioned missionary in Africa grapples with grief and a growing obsession with a creature rumored to live in the forest of the Congo. And in the title story, a young woman traveling with her scientist mother in Madagascar confronts her burgeoning sexuality and her dream of becoming a long-distance swimmer.
Rendered with precision and longing, the women who narrate these starkly beautiful stories are consumed with searching -- for absolution, for solace, for the flash of extraordinary in the ordinary that will forever alter their lives.

Things I will never forget: my name, my made-up birthday...The dark of the Hospital at night. My mother's face, when she was young. Things other people will forget: where they come from, how old they are, the faces of the people they love. The right words for bowl and sunshine...What is a beginning and what is an end. Joy spends her days working the graveyard shift at a store outside Boston and nursing an addiction to cough syrup, an attempt to suppress her troubled past. But when a sickness that begins with silver blisters and memory loss and ends with death sweeps the country, Joy, for the first time in her life, seems to have an advantage: she is immune. At once a hauntingly beautiful portrayal of a dystopian future and a powerful exploration of loneliness.