On a misty night in the Scottish Highlands, Shawn Kleiner, a womanizing modern American musician, and Niall Campbell, devout medieval warrior, both fall asleep in the tower of Glenmirril Castle, seven centuries apart. They wake up in each other's time. In The Minstrel Boy, Shawn's girlfriend Amy resigns her position with the orchestra and stays behind in Scotland to trace Niall's fate through historical records. What she finds is not answers, but more questions. Niall Campbell, a man larger than life, who recovers miraculously from multiple injuries, walks through walls, and appears in two places at once-fact or myth? The thieving MacDougalls built a gallows to hang Niall-was it used? Why is the cop assigned to Shawn's case pursuing her long after the files are closed? And what can she tell the police and everyone in the orchestra? They want answers, and unlike Shawn, she's not good at lying. But she can't tell them the truth: they'll never find him. Because Shawn Kleiner, the notorious twenty-first century musical phenomenon is dead.

Shawn Kleiner has it all: money, fame, a skyrocketing career as an international musical phenomenon, his beautiful girlfriend Amy, and all the women he wants-- until the night Amy has enough and abandons him in a Scottish castle. He wakes to find himself mistaken for Niall Campbell, medieval Highland warrior. Soon after, he is sent shimmying down a wind-torn castle wall into a dangerous cross country trek with Niall's tempting, but knife-wielding fiancee, pursued by English soldiers and a Scottish traitor who want Niall dead. Thrown forward in time, Niall learns history's horrifying account of his own death, and of the Scots' slaughter at Bannockburn. Undaunted, he navigates the roiled waters of Shawn's life-- pregnant girlfriend, amorous fans, enemies, gambling debts--- seeking a way to leap back across time to save his people, especially his beloved Allene. But he finds himself liking Shawn's life...