This volume is the first scholarly treatment of the News of the World from news-rich broadsheet to sensational tabloid. Contributors uncover new facts and discuss a range of topics including Sunday journalism, gender, crime, empire, political cartoons, the mass market, investigative techniques and the Leveson Inquiry.

If the mainstream study of history and English has tended to utilize the press as a transparent source, there is a renewal of interest in the "medium" and hence, the definitions of the message.;Examining the relation of print and culture in the 19th century, this book scrutinizes the cultural politics and production of specific Victorian magazines. A high degree of interdependence among literature, history and journalism is alleged, and ways in which space is designated male or female,and authorship constructed in various forms of biography (obituaries, dictionaries, volumes) is explored. Laurel Brake is co-editor of "Investigating Victorian Journalism", and editor of "The Year's Work in English Studies".

Walter Pater (1839-94) was an active participant in the literary marketplace as an academic, journalist, critic, writer of short stories, and novelist at a time of the rise of English and of journalism, university reform, and the professionalisation and separating out of literature from journalism. He was also a classicist whose interest in Greek studies coincided with a commitment to explore in his writings the scope of male homosexual discourse. This critical study of a key figure in Victorian literary society examines Pater's work on art history, literature and Greek studies, as well as analysing the roles of gender and journalism in shaping his writing. Laurel Brake approaches Pater's writings from the prospective of cultural history - including publishing and the politics of literature and gender - and covers his key works, including Studies in the History of the Renaissance, Style, Imaginary Portraits, Marius the Epicurean, and Greek Studies.

This collection of important new research in 19th-century media history represents some salient, recent developments in the field. Taking as its theme, the ways the media serves to define identities--national, ethnic, professional, gender, and textual, the volume addresses serials in the UK, the US, and Australia. High culture rubs shoulders with the popular press, text with image, feminist periodicals and masculine, gay, and domestic serials. Theory and history combine in research by scholars of international repute.

This book examines the connection between print and culture in the nineteenth century, identifying a neglected and important body of Victorian criticism. "Subjugated Knowledges" explores the relations of certain forms of nineteenth-century printed texts to their modes of production and to each other, in their own time period and in ours.

Brake claims that there is a high degree of interdependence among literature, history, and journalism. She investigates the ways in which space is designated male or female as well as the way authorship is constructed in various forms of biography, including in such diverse forms as obituaries and dictionaries.

The book moves from a general mapping of the relations between literature and journalism and their respective formations to studies of individual textssuch as "Harper's New Monthly Magazine," "Woman's World," and the "Dictionary of National Biography" and of relations between (the construction of) authorship and publishing history.

The volume is comprised of three sections: Literature and Journalism, Gendered Space, and Biography and Authorship. The first section contains chapters on such diverse issues as the professionalization of critics, cultural formation of journals, new journalism, press censorship, and decadence. The second section discusses women's magazines of the 1880s and 90s, while the third examines debates in the press about biography.

Essays exploring the treatment of the ends of epochs, from the sixteenth century to the present day. In these specially commissioned new essays, seven scholars, from the United Kingdom and the Continent, consider a variety of imaginative articulations of the endings of epochs from the end of the sixteenth century to the present day; their subjects are as diverse as Milton's twin-vision of banishment and beginning to Donna Harraway's `A Manifestation for Cyborgs' and Don DeLillo's version of the death of the author in Mao II. The essays treat drama,epic, poetry, the periodical press, fiction, and current theory; principal authors include Milton, An Collins, Shakespeare, John Fletcher, Henry James, Ella D'Arcy, Arthur Symons, Olive Schreiner, Angela Carter, Bell Hooks, DonnaHarraway, Alasdair Gray, Martin Amis, Shena Mackay, and Don DeLillo. Dr LAUREL BRAKE is Senior Lecturer in Literature at Birkbeck College. The contributors are: HELEN WILCOX, GORDON McMULLEN, LAUREL BRAKE, JOSEPH BRISTOW, MARGARET BEETHAM, PENNY SMITH, JEREMY GREEN

This book examines the connection between print and culture in the nineteenth century, identifying a neglected and important body of Victorian criticism. "Subjugated Knowledges" explores the relations of certain forms of nineteenth-century printed texts to their modes of production and to each other, in their own time period and in ours.

Brake claims that there is a high degree of interdependence among literature, history, and journalism. She investigates the ways in which space is designated male or female as well as the way authorship is constructed in various forms of biography, including in such diverse forms as obituaries and dictionaries.

The book moves from a general mapping of the relations between literature and journalism and their respective formations to studies of individual textssuch as "Harper's New Monthly Magazine," "Woman's World," and the "Dictionary of National Biography" and of relations between (the construction of) authorship and publishing history.

The volume is comprised of three sections: Literature and Journalism, Gendered Space, and Biography and Authorship. The first section contains chapters on such diverse issues as the professionalization of critics, cultural formation of journals, new journalism, press censorship, and decadence. The second section discusses women's magazines of the 1880s and 90s, while the third examines debates in the press about biography.