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Combining a broad overview of Jean-Jacques Lebel’s coming-of-age
among Surrealists and his rupture with the movement, Laurel Jean
Fredrickson focuses on two landmark happenings in this book: the
first, “Funeral of the Thing of Tinguely” (1960), and the most
scandalous, “120 Minutes dedicated to the Divine Marquis”
(1966). This study illustrates the development and significance of
French happenings in relation to cultural and political changes of
the 1960s. Research in Lebel’s archives, and others like the
Archives nationale d’outre-mer are indispensable in the telling
of this extraordinary historical and theoretical narrative. It
illuminates sensitive, often veiled dimensions of postwar French
society, from torture during the Algerian War, to government
censorship, to the sexual politics of nudity in art. This volume
shows how Lebel synthesized the lessons of Dada and surrealism and
1960s experimentalism, electrified by political radicalism, to
participate in shaping the erotics and forms of revolution in May
1968.
Combining a broad overview of Jean-Jacques Lebel’s coming-of-age
among Surrealists and his rupture with the movement, Laurel Jean
Fredrickson focuses on two landmark happenings in this book: the
first, “Funeral of the Thing of Tinguely” (1960), and the most
scandalous, “120 Minutes dedicated to the Divine Marquis”
(1966). This study illustrates the development and significance of
French happenings in relation to cultural and political changes of
the 1960s. Research in Lebel’s archives, and others like the
Archives nationale d’outre-mer are indispensable in the telling
of this extraordinary historical and theoretical narrative. It
illuminates sensitive, often veiled dimensions of postwar French
society, from torture during the Algerian War, to government
censorship, to the sexual politics of nudity in art. This volume
shows how Lebel synthesized the lessons of Dada and surrealism and
1960s experimentalism, electrified by political radicalism, to
participate in shaping the erotics and forms of revolution in May
1968.
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