A little over a century ago the American Museum of Natural History launched its ambitious Jesup North Pacific Expedition to learn more about the peoples inhabiting the remote easternmost extension of Siberia and the northwest coast of North America. In "The Museum at the End of the World: Encounters in the Russian Far East," anthropologists Alexia Bloch and Laurel Kendall tell the story of their journey through this same part of the world in 1998, retracing the old expedition as they link the expedition legacy of artifacts, photographs, and archival material from the museum in New York to the present-day descendants of its subjects.Contrasting the time of the Jesup expedition with their own travel, the authors reveal a physical and cultural landscape that was profoundly shaken over the past century, first by Soviet control and then by that empire's unraveling. "The Museum at the End of the World" is not the story of a heroic adventure but rather a series of conversations about Siberian culture with museum workers, native scholars, performers and artisans, and a great variety of ordinary people. They reveal a strong concern about past legacies, cultural preservation, and their uncertain future as they struggle to reinvent themselves.The authors' combination of travelers' curiosity and professional inquiry provide a compelling portrait of life in the Russian Far East and a meditation on the fate of culture and tradition in the face of hard economic times and sudden autonomy after decades of state control.

Statues, paintings, and masks-like the bodies of shamans and spirit mediums-give material form and presence to otherwise invisible entities, and sometimes these objects are understood to be enlivened, agentive on their own terms. This book explores how magical images are expected to work with the shamans and spirit mediums who tend and use them in contemporary South Korea, Vietnam, Myanmar, Bali, and elsewhere in Asia. It considers how such things are fabricated, marketed, cared for, disposed of, and sometimes transformed into art-market commodities and museum artifacts.

Statues, paintings, and masks—like the bodies of shamans and spirit mediums—give material form and presence to otherwise invisible entities, and sometimes these objects are understood to be enlivened, agentive on their own terms. This book explores how magical images are expected to work with the shamans and spirit mediums who tend and use them in contemporary South Korea, Vietnam, Myanmar, Bali, and elsewhere in Asia. It considers how such things are fabricated, marketed, cared for, disposed of, and sometimes transformed into art-market commodities and museum artifacts.

This exceptionally well-written book is good reading, not only for specialists but also for beginning students interested in women, Korean culture, and shamanism.

"Vietnam: Journeys of Body, Mind, and Spirit "takes the reader on an informed and engaging journey into the social and ritual life of contemporary Vietnam. Created to accompany the first major collaboration between a Vietnamese museum and an American museum on an exhibition of Vietnamese culture, this book moves beyond the troubled wartime history of both nations to a deeper portrayal of how Vietnamese of different ages, ethnicities, occupations, and circumstances live at the start of the twenty-first century. The contributors--most of whom live and work in Vietnam, while others have spent many years in intimate association with Vietnamese life--offer a unique perspective on the country and its diverse cultural mosaic. The text is complemented by a rich collection of photographs and illustrations that capture the complexity and nuance of daily life.
The journeys portrayed in this volume cut across virtually every domain of Vietnamese experience. Some take place on roads, railways, rivers, and footpaths, as family members come home for the New Year and traders carry goods precariously balanced on bicycles. Others are metaphorical: life is a journey marked by significant rituals, and the year is a journey mapped by a calendar with holidays as milestones along the way. Souls travel to the netherworld, while gods and ancestors return to the human world during celebrations in their honor.
Although the Vietnam War dominated the consciousness of a generation of Americans, few understand the country and few can imagine what it is like today. Appearing more than a decade after Vietnam's entrance into the global market and more than a quarter century after the cessation of hostilities between the Vietnamese and U.S. governments, this book provides a new understanding of how Vietnamese live, work, and celebrate critical passages of life and time.
Copublished with the American Museum of Natural History and the Vietnam Museum of Ethnology

This work explores what it means to be modern and what it means to be Korean in a culture where courtship and marriage are often the crucible in which notions of gender and class are cast and recast. Touching on a number of important issues - identity, romantic love, women's work, marriage negotiations, and wedding ceremonies - Laurel Kendall gives us a new appreciation for how Koreans have adapted this pivotal social practice to the astounding changes of the past century. Kendall attended her first Korean wedding in 1970, soon after she arrived in the country with the Peace Corps. Years later, as a seasoned anthropologist, she began interviewing both working-class and middle-class couples, matchmakers, purveyors of dowry goods, and proprietors of wedding halls. She consulted etiquette handbooks and women's magazines and analysed cartoons, photographs, and weddings themselves. The result is an engaging account of how marriage matches are made, how families proceed through the rites, how they finance ceremonies and elaborate exchanges of ritual goods, and how these practices are integral to the construction of adult identities and notions of ideal women and men. The book is also a r