A century can be understood in many ways - in terms of its inventions, its crimes or its art. In Opening Skinner's Box, Lauren Slater sets out to investigate the twentieth century through a series of ten fascinating, witty and sometimes shocking accounts of its key psychological experiments. Starting with the founder of modern scientific experimentation, B.F. Skinner, Slater traces the evolution of the last hundred years' most pressing concerns - free will, authoritarianism, violence, conformity and morality. Previously buried in academic textbooks, these often daring experiments are now seen in their full context and told as stories, rich in plot, wit and character.

'Poignant and lyrical...Slater's experience makes her a convincing travel guide into the history, creation and future of psychotropics.' - The New York Times Book Review A groundbreaking and revelatory story of the psychotropic drugs that have shaped our minds and our reality. As our approach to mental illness has oscillated from biological to psychoanalytical and back again, so have our treatments. With the rise of psychopharmacology, an ever-increasing number of people throughout the globe are taking a psychotropic drug, yet nearly seventy years after doctors first began prescribing them, we still don't really know exactly how or why they work - or don't work - on what ails our brains. In The Drugs that Changed Our Minds, Lauren Slater offers an explosive account not just of the science but of the people - inventors, detractors and consumers - behind our narcotics, from the earliest, Thorazine and Lithium, up through Prozac, Ecstasy, 'magic mushrooms', the most cutting-edge memory drugs and neural implants. In so doing, she narrates the history of psychiatry itself and illuminates the signature its colourful little capsules have left on millions of brains worldwide, and how these wonder drugs may heal us or hurt us. Praise for the book: 'A powerful new book' - The Daily Mail 'The messy history and brave future of psychotropic drugs' - O Magazine 'Vivid and thought-provoking' - Harper's Magazine 'Ambitious...Slater's depictions of madness are terrifying and fascinating' - USA Today 'Vigorous research and intimate reflection...highly compelling' - Kirkus

Beginning with B. F. Skinner and the legend of a child raised in a box, Slater takes us from a deep empathy with Stanley Milgram's obedience subjects to a funny and disturbing re-creation of an experiment questioning the validity of psychiatric diagnosis. Previously described only in academic journals and textbooks, these often daring experiments have never before been narrated as stories, chock-full of plot, wit, personality, and theme.

In this powerful and provocative new memoir, award-winning author Lauren Slater forces readers to redraw the boundary between what we know as fact and what we believe through the creation of our own personal fictions. Mixing memoir with mendacity, Slater examines memories of her youth, when after being diagnosed with a strange illness she developed seizures and neurological disturbances-and the compulsion to lie. Openly questioning the reliability of memoir itself, Slater presents the mesmerizing story of a young woman who discovers not only what plagues her but also what cures her-the birth of her sensuality, her creativity as an artist, and storytelling as an act of healing.

A stunning new book about the role of animals in our lives, by a popular and acclaimed writer
From the time she is nine years old, biking to the farmland outside her suburban home, where she discovers a disquieting world of sleeping cows and a "Private Way" full of the wondrous and creepy creatures of the wild--spiders, deer, moles, chipmunks, and foxes--Lauren Slater finds in animals a refuge from her troubled life. As she matures, her attraction to animals strengthens and grows more complex and compelling even as her family is falling to pieces around her. Slater spends a summer at horse camp, where she witnesses the alternating horrific and loving behavior of her instructor toward the animals in her charge and comes to question the bond that so often develops between females and their equines. Slater's questions follow her to a foster family, her own parents no longer able to care for her. A pet raccoon, rescued from a hole in the wall, teaches her how to feel at home away from home. The two Shiba Inu puppies Slater adopts years later, against her husband's will, grow increasingly important to her as she ages and her family begins to grow.
Slater's husband is a born skeptic and possesses a sternly scientific view of animals as unconscious, primitive creatures, one who insists "that an animal's worth is roughly equivalent to its edibility." As one of her dogs, Lila, goes blind and the medical bills and monthly expenses begin to pour in, he calculates the financial burden of their canine family member and finds that Lila has cost them about $60,000, not to mention the approximately 400 pounds of feces she has deposited in their yard. But when Benjamin begins to suffer from chronic pain, Lauren is convinced it is Lila's resilience and the dog's quick adaptation to her blindness that draws her husband out of his own misery and motivates him to try to adjust to his situation. Ben never becomes a true believer or a die-hard animal lover, but his story and the stories Lauren tells of her own bond with animals convince her that our connections with the furry, the four-legged, the exoskeleton-ed, or the winged may be just as priceless as our human relationships.
"The $60,000 Dog" is Lauren Slater's intimate manifesto on the unique, invaluable, and often essential contributions animals make to our lives. As a psychologist, a reporter, an amateur naturalist, and above all an enormously gifted writer, she draws us into the stories of her passion for animals that are so much more than pets. She describes her intense love for the animals in her life without apology and argues, finally, that the works of Darwin and other evolutionary biologists prove that, when it comes to worth, animals are equal, and in some senses even superior, to human beings.

"From the Hardcover edition."

Acclaimed author Lauren Slater ruminates on what it means to be family.
Lauren Slater's rocky childhood left her cold to the idea of ever creating a family of her own, but a husband, two dogs, two children, and three houses later, she came around to the challenges, trials, and unexpected rewards of playing house. In these autobiographical pieces, Slater presents snapshots of domestic life, populating them with the gritty details and jarring realities of sharing home, life, and body in the curious institution called "family." She asks difficult questions and probes unsettling truths about sex, love, and parenting. In these pages, Slater introduces us to her struggles with her mother, her determination to make a home of her own, her compromises in deciding to marry (her conflicts manifesting as an affair on the eve of her wedding), her initial struggle to connect with her newborn child, and the dilemmas of mothering with a mental illness. She writes openly about her decision to abort her second pregnancy and her later decision to have a second child after all. She tells us about the searing decision to have elective double mastectomy and how her love for her husband was magically rekindled after she saw him catch fire in a chemical accident.
It's not all mastectomies and chemical fires, though. Slater digs into the everyday challenges of family living, from buying a lemon of a car and fighting back menacing weeds to gaining weight and being jealous of the nanny. Beautifully written, often humorous, and always revealing, these stories scrutinize the complex questions surrounding family life, offering up sometimes uncomfortable truths.

"The essays in this volume are powerful, plainspoken meditations on birthing, dying, and all the business in between," writes Lauren Slater in her introduction to the 2006 edition. "They reflect the best of what we, as a singular species, have to offer, which is reflection in a context of kindness. The essays tell hard-won tales wrestled sometimes from great pain."
The twenty powerful essays in this volume are culled from periodicals ranging from The Sun to The New Yorker, from Crab Orchard Review to Vanity Fair. In "Missing Bellow," Scott Turow reflects on the death of an author he never met, but one who "overpowered me in a way no other writer had." Adam Gopnik confronts a different kind of death, that of his five-year-old daughter's pet fish -- a demise that churns up nothing less than "the problem of consciousness and the plotline of Hitchock's Vertigo."
A pet is center stage as well in Susan Orlean's witty and compassionate saga of a successful hunt for a stolen border collie. Poe Ballantine chronicles a raw-nerved pilgrimage in search of salvation, solace, and a pretty brunette, and Laurie Abraham, in "Kinsey and Me," journeys after the man who dared to plumb the mysteries of human desire. Marjorie Williams gives a harrowing yet luminous account of her life with cancer, and Michele Morano muses on the grammar of the subjunctive mood while proving that "in language, as in life, moods are complicated, but at least in language there are only two."

This complete guide provides a comprehensive overview of the psychological issues that concern women most. Arguing that women need to understand their mental health as more than a question of disorder or normality, it begins with the life cycle, helping women understand the major issues and biological changes associated with young adulthood, middle age, and old age. It also addresses the psychological importance of women's sexuality, relationships, motherhood and childlessness, trauma, and illness, and discusses how social contexts, such as poverty and racism, affect mental health.

Between the ages of 13 and 17, Lauren Slater was epileptic. Surgery stopped her seizures; but by then the psychological reflex was ingrained - the habit of invention to fill the gaps in her memory and experience. She'd learned to lie. She may even have lied about her epilepsy. She may never have had it at all. Her memoir is a work of non-fiction that uses the freedoms of fiction to shape the story of its author's life. It embroiders and embellishes, exaggerates and imagines. Above all, it builds on metaphor, most significantly the metaphor of illness, to express complex truths about the self that simple documentary fact could not describe. It is an autobiography with an unreliable narrator: an exploration of growing up with gaps, or truth in fits, and a meditation on the meaning of autobiography itself.

Lauren Slater, a brilliant writer who is a young therapist, takes us on a mesmerizing personal and professional journey in this remarkable memoir about her work with mental and emotional illness. The territory of the mind and of madness can seem a foreign, even frightening place-until you read Welcome to My Country.

Writing in a powerful and original voice, Lauren Slater closes the distance between "us" and "them," transporting us into the country of Lenny, Moxi, Oscar, and Marie. She lets us watch as she interacts with and strives to understand patients suffering from mental and emotional distress-the schizophrenic, the depressed, the suicidal. As the young psychologist responds to, reflects on, and re-creates her interactions with the inner realities of the dispossessed, she moves us to a deeper understanding of the complexities of the human mind and spirit. And then, in a stunning final chapter, the psychologist confronts herself, when she is asked to treat a young woman, bulimic and suicidal, who is on the same ward where Slater herself was once such a patient.

Like An Unquiet Mind, Listening to Prozac and Girl, Interrupted, Welcome to My Country is a beautifully written, captivating, and revealing book, an unusual personal and professional memoir that brings us closer to understanding ourselves, one another, and the human condition.