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Showing 1 - 8 of 8 matches in All Departments
Using new case data from South American, Australian, and Papua New Guinean societies, the authors explore how cultural ideas for humanity are reflected in seemingly universal understandings of our potential for anthropophagy. Whether or not a society actually practices cannibalism, these conceptions are often articulated at the level of folklore and myth, where flesh-eating is imbued with symbolic meanings centered on ideas about regeneration after death, the equivalence between human flesh and food, and the morality of social exchange in and between groups. Thus, cannibalism emerges at once as a resource for political agendas that perpetuate ethnic stereotypes of exotic others; a cultural practice capable of expressing violent suppression as well as transforming death into a life-sustaining process; and a theme whose horrific potentiality engenders baleful monsters and myths for public delectation as well as child control. Cannibalism exists in folklore traditions as the definition of the antithesis of socially accepted morality, as well as something that in practice was a conduit for the regeneration and reproduction of positive values. Cannibalism is seen as bound up with the commerce of exchange between people intent on defining their economic and political worlds in and through symbols. This book is a major milestone, providing a valuable set of correctives for both the academic discourse on cannibalism as well as the wider conventional beliefs about the topic.
Myths are best understood as a convergence of voices from across times and cultures. They are the instruments through which authors and audiences seek to grapple with questions about the fundamental nature of the universe. The answers, however, constantly change in light of changing circumstances such as the interface between western and non-western cultures, or cataclysmic events. The authors argue that these societies' worldviews assume that the process of flow between events, rather than the nature of the events, is critical to a model of human sociality. Boundaries, whether of a ritual, physical, or social nature, are perceived as constantly broken by the exchange of ideas across time, space, and peoples. Our understanding of such issues as gender relations and the body, social change, imagination, play, and the conceptualization of power is furthered by probing how it is that myth is both expressive as well as constitutive of human thought on these topics.
This book addresses the nature, purpose and processes associated
with social impact analysis. Because resource development projects
occur in human as well as ecological environments, stakeholders -
landowners, companies and governments - are compelled to ensure
that the benefits of any project are maximized while the negative
risks are minimized. Achieving such objectives means implementing
programs which monitor and evaluate the ongoing effects of a
project on the social and cultural lives of the impacted populace.
This book aims to provide a teaching and training resource for
students, social scientists (anthropologists, sociologists, human
geographers, environmentalists, engineers, etc.) and indigenous
personnel and operators who are tasked with community affairs
programs in those countries where resource development projects are
implemented. The constituent chapters provide how-to guides and
frameworks that are generously illustrated with case studies drawn
variously from North America and the Asia-Pacific region. Topics
addressed include Legal Frameworks and Compliance Procedures,
Social Mapping, Environmental Reports, Social and Economic Impact
Studies, Social Monitoring Techniques, Project Development,
Statistical Packages and Report Production.
This innovative book finally takes seriously the need for
anthropologists to produce in-depth ethnographies of children's
play. In examining the subject from a cross-cultural perspective,
the author argues that our understanding of the way children
transform their environment to create make-believe is enhanced by
viewing their creations as oral poetry. The result is a richly
detailed 'thick description' of how pretence is socially mediated
and linguistically constructed, how children make sense of their
own play, how play relates to other imaginative genres in Huli
life, and the relationship between play and cosmology.
This book addresses the nature, purpose and processes associated
with social impact analysis. Because resource development projects
occur in human as well as ecological environments, stakeholders -
landowners, companies and governments - are compelled to ensure
that the benefits of any project are maximized while the negative
risks are minimized. Achieving such objectives means implementing
programs which monitor and evaluate the ongoing effects of a
project on the social and cultural lives of the impacted populace.
This book aims to provide a teaching and training resource for
students, social scientists (anthropologists, sociologists, human
geographers, environmentalists, engineers, etc.) and indigenous
personnel and operators who are tasked with community affairs
programs in those countries where resource development projects are
implemented. The constituent chapters provide how-to guides and
frameworks that are generously illustrated with case studies drawn
variously from North America and the Asia-Pacific region. Topics
addressed include Legal Frameworks and Compliance Procedures,
Social Mapping, Environmental Reports, Social and Economic Impact
Studies, Social Monitoring Techniques, Project Development,
Statistical Packages and Report Production.
This innovative book finally takes seriously the need for
anthropologists to produce in-depth ethnographies of children's
play. In examining the subject from a cross-cultural perspective,
the author argues that our understanding of the way children
transform their environment to create make-believe is enhanced by
viewing their creations as oral poetry. The result is a richly
detailed 'thick description' of how pretence is socially mediated
and linguistically constructed, how children make sense of their
own play, how play relates to other imaginative genres in Huli
life, and the relationship between play and cosmology.
Using new case data from South American, Australian, and Papua New Guinean societies, the authors explore how cultural ideas for humanity are reflected in seemingly universal understandings of our potential for anthropophagy. Whether or not a society actually practices cannibalism, these conceptions are often articulated at the level of folklore and myth, where flesh-eating is imbued with symbolic meanings centered on ideas about regeneration after death, the equivalence between human flesh and food, and the morality of social exchange in and between groups. Thus, cannibalism emerges at once as a resource for political agendas that perpetuate ethnic stereotypes of exotic others; a cultural practice capable of expressing violent suppression as well as transforming death into a life-sustaining process; and a theme whose horrific potentiality engenders baleful monsters and myths for public delectation as well as child control. Cannibalism exists in folklore traditions as the definition of the antithesis of socially accepted morality, as well as something that in practice was a conduit for the regeneration and reproduction of positive values. Cannibalism is seen as bound up with the commerce of exchange between people intent on defining their economic and political worlds in and through symbols. This book is a major milestone, providing a valuable set of correctives for both the academic discourse on cannibalism as well as the wider conventional beliefs about the topic.
Myths are best understood as a convergence of voices from across times and cultures. They are the instruments through which authors and audiences seek to grapple with questions about the fundamental nature of the universe. The answers, however, constantly change in light of changing circumstances such as the interface between western and non-western cultures, or cataclysmic events. The authors argue that these societies' worldviews assume that the process of flow between events, rather than the nature of the events, is critical to a model of human sociality. Boundaries, whether of a ritual, physical, or social nature, are perceived as constantly broken by the exchange of ideas across time, space, and peoples. Our understanding of such issues as gender relations and the body, social change, imagination, play, and the conceptualization of power is furthered by probing how it is that myth is both expressive as well as constitutive of human thought on these topics.
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