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Jerwood / FVU Awards 2016 - Borrowed Time (Paperback): Laurence Scott, Steven Bode Jerwood / FVU Awards 2016 - Borrowed Time (Paperback)
Laurence Scott, Steven Bode
R163 Discovery Miles 1 630 Ships in 9 - 17 working days
Morphology of the Folktale (Paperback): V. Propp Morphology of the Folktale (Paperback)
V. Propp; Translated by Laurence Scott; Introduction by Svatava Pirkova-Jakobson
R393 Discovery Miles 3 930 Ships in 18 - 22 working days
The mooted question and other rhymes (Paperback): Laurence Scott The mooted question and other rhymes (Paperback)
Laurence Scott
R481 Discovery Miles 4 810 Ships in 18 - 22 working days
Morphology of the Folktale - Second Edition (Paperback, 2nd Revised edition): V. Propp Morphology of the Folktale - Second Edition (Paperback, 2nd Revised edition)
V. Propp; Translated by Laurence Scott; Edited by Louis A. Wagner
R510 Discovery Miles 5 100 Ships in 9 - 17 working days

Morphology will in all probability be regarded by future generations as one of the major theoretical breakthroughs in the field of folklore in the twentieth century. -- Alan Dundes Propp's work is seminal... and], now that it is available in a new edition, should be even more valuable to folklorists who are directing their attention to the form of the folktale, especially to those structural characteristics which are common to many entries coming from even different cultures. -- Choice

The Four-Dimensional Human - Ways of Being in the Digital World (Paperback): Laurence Scott The Four-Dimensional Human - Ways of Being in the Digital World (Paperback)
Laurence Scott 1
R474 R427 Discovery Miles 4 270 Save R47 (10%) Ships in 9 - 17 working days

SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE FOR NON-FICTION 2015 WINNER OF THE JERWOOD PRIZE ONE OF WIRED's NON-FICTION BOOKS OF THE DECADE We spend more time than ever online, and the digital revolution is rewiring our sense of what it means to be human. Smartphones let us live in one another's pockets, while websites advertise our spare rooms all across the world. Never before have we been so connected. Increasingly we are coaxed from the three-dimensional world around us and into the wonders of a fourth dimension, a world of digitised experiences in which we can project our idealised selves. But what does it feel like to live in constant connectivity? What new pleases and anxieties are emerging with our exposure to this networked world? How is the relationship to our bodies changing as we head deeper into digital life? Most importantly, how do we exist in public with these recoded inner lives, and how do we preserve our old ideas of isolation, disappearance and privacy on a Google-mapped planet?

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