Collecting together numerous examples of Augustine's musical imagery in action, Laurence Wuidar reconstructs the linguistic laboratory and the hermeneutics in which he worked. Sensitive and poetical, this volume is a reminder that the metaphor of music can give access not only to human interiority, but allow the human mind to achieve proximity to the divine mind. Composed by one of Europe's leading musicologists now engaging an English-speaking audience for the first time, this book is a candid exploration of Wuidar's expertise. Drawing on her long knowledge of music and the occult, from antiquity to modernity, Wuidar particularly focuses upon Augustine's working methods while refusing to be distracted by questions of faith or morality. The result is an open and at times frightening vista on the powers that be, and our complex need to commune with them.

This collection of essays analyzes the relationships that exist between esotericism and music from Antiquity to the 20th century, investigating ways in which magic, astrology, alchemy, divination, and cabbala interact with music. The volume seeks to dissolve artificial barriers between the history of art, music, science, and intellectual history by establishing an interdisciplinary dialogue about music as viewed against a specific cultural background. The synthesis of scientific and historical contexts with respect to music, explored here on a large scale for the first time, opens up a wealth of new approaches to music historical research, music performance, and musical composition. Each chapter presents either a unique example of music functioning within esoteric and scientific traditions or a demonstration of the influence of those traditions upon selected musical works. L ouvrage analyse les relations entre l sot risme et la musique de l Antiquit au 20 me si cle tudiant comment la magie, l astrologie, l alchimie, la divination et la cabale ont interagit avec la musique. Il vise d passer les fronti res entre l histoire de l art, l histoire de la musique et l histoire des sciences et des id es afin de nouer un dialogue interdisciplinaire sur la musique autour de contextes historiques et scientifiques pr cis. L ouvrage offre une premi re synth se sur les rapports entre sot risme et musique ainsi que diverses pistes de recherche poursuivre.