An engagement with the huge growth in neomedievalism forms the core of this volume, with other essays testing its conclusions. The focus on neomedievalism at the 2007 International Conference on Medievalism, in ever more sessions at the annual International Congress on Medieval Studies, and by many recent or forthcoming publications has left little doubtof the importance of this new, provocative area of study. In response to a seminal essay defining medievalism in relationship to neomedievalism [published in volume 18 of this journal], this book begins with seven essays definingneomedievalism in relationship to medievalism. Their positions are then tested by five articles, whose subjects range from modern American manifestations of Byzantine art, to the Vietnam War as refracted through non-heterosexual implications in the 1976 movie Robin and Marian, and versions of abjection in recent Beowulf films. Theory and practice are thus juxtaposed in a volume that is certain to fuel a central debate in not one but two of the fastest growing areas of academia. Contributors: Amy S. Kaufman, Brent Moberley, Kevin Moberley, Lesley Coote, Cory Lowell Grewell, M.J. Toswell, E.L. Risden, Lauryn S. Mayer, Glenn Peers, Tison Pugh, David W. Marshall,Richard H. Osberg, Richard Utz

Essays on the modern reception of the Middle Ages, built round the central theme of the ethics of medievalism. Ethics in post-medieval responses to the Middle Ages form the main focus of this volume. The six opening essays tackle such issues as the legitimacy of reinventing medieval customs and ideas, at what point the production and enjoyment of caricaturizing the Middle Ages become inappropriate, how medievalists treat disadvantaged communities, and the tension between political action and ethics in medievalism. The eight subsequent articles then build on this foundation as they concentrate on capitalist motives for melding superficially incompatible narratives in medievalist video games, Dan Brown's use of Dante's Inferno to promote a positivist, transhumanist agenda, disjuncturesfrom medieval literature to medievalist film in portrayals of human sacrifice, the influence of Beowulf on horror films and vice versa, portrayals of war in Beowulf films, socialism in William Morris's translation of Beowulf, bias in Charles Alfred Stothard's Monumental Effigies of Great Britain, and a medieval source for death in the Harry Potter novels. The volume as a whole invites and informs a much larger discussion on such vital issues as the ethical choices medievalists make, the implications of those choices for their makers, and the impact of those choices on the world around us. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Mary R. Bowman, Harry Brown, Louise D'Arcens, Alison Gulley, Nickolas Haydock, Lisa Hicks, Lesley E. Jacobs, Michael R. Kightley, Phillip Lindley, Pascal J. Massie, Lauryn S. Mayer, Brent Moberley, Kevin Moberley, Daniel-Raymond Nadon, Jason Pitruzello, Nancy M. Resh, Carol L. Robinson, Christopher Roman, M.J. Toswell.