Twenty-six new short stories representing the state of the art in international science fiction, selected by Lavie Tidhar. The Best of World SF draws together stories from across the spectrum of science fiction - expect robots, spaceships and time travel, as well as some really weird stuff - representing twenty-one countries and five continents. Lavie Tidhar has selected stories that range from never-before-seen originals to award winners; from authors at every stage of their career; and a number of translations, including a story translated from Hebrew by Tidhar himself. Stories: 'Immersion' by Aliette de Bodard; 'Debtless' by Chen Qiufan (trans. from Chinese by Blake Stone-Banks); 'Fandom for Robots' by Vina Jie-Min Prasad; 'Virtual Snapshots' by Tlotlo Tsamaase; 'What The Dead Man Said' by Chinelo Onwualu; 'Delhi' by Vandana Singh; 'The Wheel of Samsara' by Han Song (trans. from Chinese by the author); 'Xingzhou' by Yi-Sheng Ng; 'Prayer' by Taiyo Fujii (trans. from Japanese by Kamil Spychalski); 'The Green Ship' by Francesco Verso (trans. from Italian by Michael Colbert); 'Eyes of the Crocodile' by Malena Salazar Macia (trans. from Spanish by Toshiya Kamei); 'Bootblack' by Tade Thompson; 'The Emptiness in the Heart of all Things' by Fabio Fernandes; 'The Sun From Both Sides' by R.S.A. Garcia; 'Dump' by Cristina Jurado (trans. from Spanish by Steve Redwood); 'Rue Chair' by Gerardo Horacio Porcayo (trans. from Spanish by the author); 'His Master's Voice' by Hannu Rajaniemi; 'Benjamin Schneider's Little Greys' by Nir Yaniv (trans. from Hebrew by Lavie Tidhar); 'The Cryptid' by Emil H. Petersen (trans. from Icelandic by the author); 'The Bank of Burkina Faso' by Ekaterina Sedia; 'An Incomplete Guide...' by Kuzhali Manickavel; 'The Old Man with The Third Hand' by Kofi Nyameye; 'The Green' by Lauren Beukes; 'The Last Voyage of Skidbladnir' by Karin Tidbeck; 'Prime Meridian' by Silvia Moreno-Garcia; 'If At First You Don't Succeed' by Zen Cho.

The Hood is the second book in Lavie Tidhar's ambitious Anti-Matter of Britain Quartet - a viscerally entertaining, ominously subversive and poetically profane remixing of the myths and legends that shaped our nation. God bless you, England, on this glorious Year of Our Lord, 1145. Don't cross the Templars. Everybody knows that. But Will Scarlet, back from the crusades, hopped up on khat and cider, did. Stabbed thrice in the belly but somehow still alive, he's heading home to Nottingham. And things are not right in Nottingham. It's the wood, you see. Sherwood. Ice-age ancient, impenetrable, hiding a dark and secret heart. As the ancient sages say, If you go into the woods today, you may not come out tomorrow, and the person who comes out may not be you... The Hood is Lavie Tidhar's narcotic remix of an ancient English myth, a tale knotted from legends lost to time, shredded and restitched for each passing century. A tale for today. 'A wild, inventive tapestry of myth and magic, with a wry sense of humor. Tidhar's writing is wonderfully vibrant' Silvia Moreno-Garcia, bestselling author of Mexican Gothic

OVER TWENTY CWA DAGGER AWARD-WINNING SHORT STORIES FROM THE BEST OF THE BEST IN CRIME FICTION Legendary editor, Maxim Jakubowski, delivers another chilling anthology collecting stories of cold-blooded murder, revenge and crimes-gone-wrong from the best of the best in crime fiction. Spine-chilling and gripping, these tales will grip you with their devious narrators and crafty twists. Featuring classic stories from Neil Gaiman, Ann Cleeves, Christopher Fowler, Val McDermid, Lavie Tidhar, Chris Simms, Christine Poulson, James Sallis, Victoria Selman, Conrad Williams, Stuart Neville, George Pelecanos, Simon Brett, John Lawton, Ken Bruen, Mickey Spillane & Max Allan Collins, Peter Robinson, Martyn Waites and Kevin Wignall

'A masterpiece of the sacred and the profane... A literary triumph.' Jake Arnott, Guardian How do you build a nation? It takes statesmen and soldiers, farmers and factory workers, of course. But it also takes thieves, prostitutes and policemen. Nation-building demands sacrifice. And one man knows exactly where those bodies are buried: Cohen, a man who loves his country. A reasonable man for unreasonable times. A car bomb in the back streets of Tel Aviv. A diamond robbery in Haifa. Civil war in Lebanon. Rebel fighters in the Colombian jungle. A double murder in Los Angeles. How do they all connect? Only Cohen knows. Maror is the story of a war for a country's soul – a dazzling spread of narrative gunshots across four decades and three continents. It is a true story. All of these things happened. Praise for Maror: 'A bloody beast of a book.' Daily Mail 'This is crime writing in the tradition of Balzac and Dickens and a major achievement, full of sound, fury, drugs and blood... An earthquake of a book.' CrimeTime 'Some write in ink, others in song, Tidhar writes in fire... Maror is a kaleidoscopic masterpiece, immense in its sympathies, alarming in its irreverences and altogether exhilarating.' Junot Díaz 'One of the boldest, most visionary writers I've ever read creates both a vivid political exploration and a riveting crime epic. It's like the Jewish Godfather!' Silvia Moreno-Garcia 'Maror blends the page-turning wit of a hard-boiled detective noir with the stirring intrigue of a multi-national political epic. An ambitious achievement that weaves a tapestry of both story and statement.' Kevin Jared Hosein 'Radiant with [...] the richly nuanced complexity and style of Marlon James' A Brief History of Seven Killings ... Will catch your breath as it presents the history of Israel from unique points of view, with dazzling multi-generational scope.' LoveReading

Twenty-nine new short stories representing the state of the art in international science fiction. The second annual instalment to the 'rare and wonderful' (The Times) The Best of World SF Volume 1, this collection of twenty-nine stories, including eight original and exclusive additions, represents the state of the art in international science fiction. Navigating around the globe, The Best of World SF Volume 2 features writers from Bahrain, Bangladesh, Barbados, Bolivia, Brazil, China, Czech Republic, Greece, Grenada, India, Iraq, Italy, Jamaica, Japan, Korea, Malaysia, Mexico, Nigeria, Pakistan, The Philippines, Poland, Russia, Singapore, Uganda and Zimbabwe. Each story has been selected by World SF expert and award-winning author Lavie Tidhar. Taking us into space - Mars at first, then the stars - and then back to a strange, transformed Earth via AI, gods, aliens and the undead, the collection traces the ever-changing meaning of the genre from some of the most exciting voices writing today. This is not a retrospective of what science fiction around the world used to look like. This is a snapshot of what some of it looks like now. And it's never been more exciting. Reviews for The Best of World SF series: 'We need this anthology, and we need editors like Tidhar' The Times 'Just the start of a whole new game for speculative fiction authors around the world' LA Review of Books 'An excellent, lovingly curated collection' Financial Times 'This wonderful anthology should be a hit with any sci-fi fan' Publishers Weekly 'Tidhar gives a cheerful, fannish introduction to the stories, drawn from 26 countries on five continents, and encompassing a dizzying range of tones and approaches' The Times 'An outstanding assortment of international sci-fi shorts... a bold and powerful argument for non-Anglophone SF's potential to push the genre's boundaries.' Publishers Weekly Starred Review

Dark tales inspired by J. M. Barrie's classic stories of Neverland, Captain Hook, Tinkerbell, and of course Peter Pan, from some the masters of science-fiction, horror and fantasy including A. C. Wise, Claire North, Lavie Tidhar and more. Come with me where dreams are born and time is never planned... A wide range of stories inspired by J.M. Barrie's classic tale, the faraway Neverland and its beloved characters - such as Wendy, Captain Hook, The Lost Boys, Tinkerbell and of course Peter Pan himself! Masters of fantasy, science-fiction and horror come together to give their unique takes and twists on the mythos. Featuring stories from: Alison Littlewood Priya Sharma Muriel Gray Rio Youers Cavan Scott Guy Adams Edward Cox Anna Smith Spark Paul Finch Robert Shearman A.K. Benedict Premee Mohamed Lavie Tidhar Laura Mauro Seanan McGuire Kirsty Logan Claire North A.C. Wise Gama Ray Martinez.

THE THIRD ANNUAL INSTALMENT TO THE ‘EXCELLENT, LOVINGLY CURATED’ (FINANCIAL TIMES) THE BEST OF WORLD SF SERIES The Best of World SF series is a fixture on the global science fiction scene. If you want to find the most exciting SF authors writing today, look no further. In this third instalment, you’ll discover alien artists, rioting dinosaurs, shape-shifting rabbits, heartbreak-harvesting cafes and one robot on a quest for meaning. You will be transported to the stars and back down to Earth and sideways, with the order of the world turned upside down. Featuring authors from Austria, Bulgaria, China, Finland, Ghana, Greece, India, Korea, Malaysia, Mexico, the Netherlands, Nigeria, Pakistan, Palestine, the Philippines, Portugal, Russia, Singapore and South Africa, this collection’s stories have been selected by award-winning writer, editor and World SF expert Lavie Tidhar. The most exciting science fiction on the planet comes from all corners of the globe. And it’s all in the Best of World SF series. Reviews for The Best of World SF series: 'We need this anthology, and we need editors like Tidhar.' The Times 'Just the start of a whole new game for speculative fiction authors around the world' LA Review of Books 'An excellent, lovingly curated collection' Financial Times 'This wonderful anthology should be a hit with any sci-fi fan' Publishers Weekly ‘An outstanding assortment of international sci-fi shorts… a bold and powerful argument for non-Anglophone SF’s potential to push the genre’s boundaries.’ Publishers Weekly Starred Review

Twenty-six new short stories representing the state of the art in international science fiction. 'Rare and wonderful' The Times 'The most important anthology of SF short fiction since Dangerous Visions' Adam Roberts 'Fizzes with great ideas and wonderful writing... Now this book exists, it feels absurd it didn't exist sooner' SFX The future is coming. It knows no bounds, and neither should science fiction. They say the more things change the more they stay the same. But over the last hundred years, science fiction has changed. Vibrant new generations of writers have sprung up across the globe, proving the old adage false. From Ghana to India, from Mexico to France, from Singapore to Cuba, they draw on their unique backgrounds and culture, changing the face of the genre one story at a time. Prepare yourself for a journey through the wildest reaches of the imagination, to visions of Earth as it might be and the far corners of the universe. Along the way, you will meet robots and monsters, adventurers and time travellers, rogues and royalty. In The Best of World SF, award-winning author Lavie Tidhar acts as guide and companion to a world of stories, from never-before-seen originals to award winners, from twenty-three countries and seven languages. Because the future is coming and it belongs to us all. Stories: 'Immersion' by Aliette de Bodard; 'Debtless' by Chen Qiufan (trans. from Chinese by Blake Stone-Banks); 'Fandom for Robots' by Vina Jie-Min Prasad; 'Virtual Snapshots' by Tlotlo Tsamaase; 'What The Dead Man Said' by Chinelo Onwualu; 'Delhi' by Vandana Singh; 'The Wheel of Samsara' by Han Song (trans. from Chinese by the author); 'Xingzhou' by Yi-Sheng Ng; 'Prayer' by Taiyo Fujii (trans. from Japanese by Kamil Spychalski); 'The Green Ship' by Francesco Verso (trans. from Italian by Michael Colbert); 'Eyes of the Crocodile' by Malena Salazar Macia (trans. from Spanish by Toshiya Kamei); 'Bootblack' by Tade Thompson; 'The Emptiness in the Heart of all Things' by Fabio Fernandes; 'The Sun From Both Sides' by R.S.A. Garcia; 'Dump' by Cristina Jurado (trans. from Spanish by Steve Redwood); 'Rue Chair' by Gerardo Horacio Porcayo (trans. from Spanish by the author); 'His Master's Voice' by Hannu Rajaniemi; 'Benjamin Schneider's Little Greys' by Nir Yaniv (trans. from Hebrew by Lavie Tidhar); 'The Cryptid' by Emil H. Petersen (trans. from Icelandic by the author); 'The Bank of Burkina Faso' by Ekaterina Sedia; 'An Incomplete Guide...' by Kuzhali Manickavel; 'The Old Man with The Third Hand' by Kofi Nyameye; 'The Green' by Lauren Beukes; 'The Last Voyage of Skidbladnir' by Karin Tidbeck; 'Prime Meridian' by Silvia Moreno-Garcia; 'If At First You Don't Succeed' by Zen Cho

"Women are never to be entirely trusted - not the best of them." - Arthur Conan Doyle. It's 1902. Wounded in the Boer War, Jane Eyre returns to a London transmogrified by emerging modernity. An old friend, the glamorous inventor Lady Havisham, introduces her to the American adventuress Irene Adler, and the two seek lodging together. But Adler is engaged in a brutal secret war against a mortal enemy of the British Empire: Ayesh. She-Who-Must-Be-Obeyed, who seeks revenge against the colonisers who destroyed her country. As Queen Victoria holds on to her throne with the help of experimental new medicine, Adler and Ayesha both fight for the secret weapon developed by the scientist Madame Curie. And as Ayesha and her amazons (not to mention her pet assassin Carmilla) take over the London underworld, Adler must form a team of determined women to stop them - before the Empire is destroyed. From World Fantasy Award winning author Lavie Tidhar (The Violent Century, Central Station) and artist Paul McCaffrey (Anno Dracula) comes a pulse-pounding, gorgeously-illustrated graphic novel of Victorian menace, excitement and humour in Tidhar's inimitable style.

Twenty-nine new short stories representing the state of the art in international science fiction. The second annual instalment to the 'rare and wonderful' (The Times) The Best of World SF Volume 1, this collection of twenty-nine stories, including eight original and exclusive additions, represents the state of the art in international science fiction. Navigating around the globe, The Best of World SF Volume 2 features writers from Bahrain, Bangladesh, Barbados, Bolivia, Brazil, China, Czech Republic, Greece, Grenada, India, Iraq, Italy, Jamaica, Japan, Korea, Malaysia, Mexico, Nigeria, Pakistan, The Philippines, Poland, Russia, Singapore, Uganda and Zimbabwe. Each story has been selected by World SF expert and award-winning author Lavie Tidhar. Taking us into space - Mars at first, then the stars - and then back to a strange, transformed Earth via AI, gods, aliens and the undead, the collection traces the ever-changing meaning of the genre from some of the most exciting voices writing today. This is not a retrospective of what science fiction around the world used to look like. This is a snapshot of what some of it looks like now. And it's never been more exciting. Reviews for The Best of World SF series: 'Just the start of a whole new game for speculative fiction authors around the world' LA Review of Books 'An excellent, lovingly curated collection' Financial Times 'This wonderful anthology should be a hit with any sci-fi fan' Publishers Weekly 'Tidhar gives a cheerful, fannish introduction to the stories, drawn from 26 countries on five continents, and encompassing a dizzying range of tones and approaches' The Times 'An outstanding assortment of international sci-fi shorts... A bold and powerful argument for non-Anglophone SF's potential to push the genre's boundaries' Publishers Weekly Starred Review

'A twisted masterpiece' Guardian 1939: Adolf Hitler, fallen from power, seeks refuge in a London engulfed in the throes of a very British Fascism. Now eking a miserable living as a down-at-heels private eye and calling himself Wolf, he has no choice but to take on the case of a glamorous Jewish heiress whose sister went missing. It's a decision Wolf will very shortly regret. For in another time and place a man lies dreaming: Shomer, once a Yiddish pulp writer, who dreams lurid tales of revenge in the hell that is Auschwitz. Prescient, darkly funny and wholly original, the award-winning A Man Lies Dreaming is a modern fable for our time.

'Adama is an unstoppable masterpiece... If history is a nightmare we’re all trying to wake up from, then Adama is a trumpet blast that rings out the past and into the future' Junot Díaz 'Word by word I was drawn deeper and deeper into this incredible book – a story of inheritance, loss, longing and what could have been. Lavie Tidhar's prose is beautiful, his characters lacerating and heartbreaking by turns. I loved it.' Catriona Ward 'A brutal but compassionate and compelling view of the compromises required to sustain a nation' Maxim Jakubowski There is no land without blood – no adama without dam. In 1946, a young Ruth begins building a new life in Palestine, haunted by the death of her family in Europe and driven by youthful ideals in a land hostile to her presence. Her sister, Shoshana, survives in the Displaced Persons camps of Germany and joins her in Palestine, but dreams of escaping to distant America. Her lovers, Dov and Israel, die in war and misfortune, and her children try to serve the land Ruth bled for, only to find their own tragic ends or means of escape. As one generation begets another, their lives become entwined into a dark tapestry of secrets and lies, of revenge, forbidden love and murder. A sweeping historical epic following four generations of a single family as they struggle to hold on to their land and each other.

There is a legend... Britannia, AD 535 The Romans have gone. While their libraries smoulder, roads decay and cities crumble, men with swords pick over civilisation's carcass, slaughtering and being slaughtered in turn. This is the story of just such a man. Like the others, he had a sword. He slew until slain. Unlike the others, we remember him. We remember King Arthur. This is the story of a land neither green nor pleasant. An eldritch isle of deep forest and dark fell haunted by swaithes, boggarts and tod-lowries, Robin-Goodfellows and Jenny Greenteeths, and predators of rarer appetite yet. This is the story of a legend forged from a pack of self-serving, turd-gilding, weasel-worded lies told to justify foul deeds and ill-gotten gains. This is the story - viscerally entertaining, ominously subversive and poetically profane - of a Dark Age myth that shaped a nation. EVERYONE'S TALKING ABOUT BY FORCE ALONE: 'A bloody, bravura performance, which Tidhar pulls off with graphic imagery and modern vernacular' Guardian. 'As eclectic as the Sword in the Stone and as ruthless as A Game of Thrones, this retelling of the whole Arthurian legend stands alongside the very best' Daily Mail. 'The narrative voice is deadly serious but there's a strong undercurrent of gleefulness to the profanity, violence and otherworldly magic that makes By Force Alone a whole lot of fun to dive into' Spectator. 'Lavie Tidhar has crafted a punk epic on the mouldering bones of legend and jolted it to life with ten thousand volts of knowing wit and fury. By Force Alone eviscerates the complacent posturing of the Arthurian myth, explodes the well-worn conventions of the tale and from the shiny jagged pieces assembles a wholly fresh rollercoaster ride of cheap violence, vicious magic and messy human truth' Richard Morgan. 'A twisted Arthur retelling mixing the historical and the magical with a very modern eye. Brutal and vicious, funny, Peaky Blinders of the Round Table' Adrian Tchaikovsky.

Winner of the World Fantasy Award Tenth Anniversary Edition, with a new introduction and three extra stories. It's a rainy day when the woman approaches Joe. He is a private detective and she is looking for someone, as these things often go. Her quarry is the obscure author of a series of pulp novels featuring one Osama bin Laden: Vigilante. Joe's quest will take him across the world in search of the writer. And every step of the way – from the backwaters of Laos to Paris and London – he is plagued, by assailants he cannot name, by questions he cannot hope to answer and by ghostly entities he cannot seem to shake. Joe knows how the story should end, but even he is not ready for the truths he will find in New York and atop a quiet hill above Kabul, nor for the choice he will have to make there...

God bless you, England, on this glorious Year of Our Lord, 1145. Things are definitely not right in Nottingham. Rebecca, daughter of a Jewish money-lender, has a sense for it. A mad monk schemes to resurrect the Christ from body parts. A bone harpist murders creatures of legend for a price. A fae creature binds its wings and embraces a new God and his son. And don't even mention the Hood. The Man in Green. The Prince of Thieves. The tick-tock taker of the ten-toll tax. What hope have the series of sheriffs sent to hold the peace? It's the forest, you see. Sherwood. Ice Age ancient, impenetrable, hiding a dark and secret heart. But hearts, no matter how black, no matter how hidden, are not immune to change. The old world is dying... and a terrifying new one is waiting to take its place. Rebecca senses an opportunity. But how far is she willing to go, and what price - because there is always a price - will she have to pay? The Hood is Lavie Tidhar's narcotic reweirding of an ancient English myth, a tale stitched together from legends lost to time, a tale told and retold, reworked and renewed for each passing century. A tale, reader, for today. 'A wild, inventive tapestry of myth and magic, with a wry sense of humor. Tidhar's writing is wonderfully vibrant' Silvia Moreno-Garcia, bestselling author of Mexican Gothic

The multi-award winning Infinity Project undertakes its seventh and final voyage in the imagination of the finest science fiction authors alive... Infinity's End Humanity has made the universe home. On the outskirts of the solar system, beyond the asteroid fields, deep in space, under the surface of planets, in the ruins of fallen civilisations, in the flush of new creation: life finds a way. From intelligent velociraptors to digital ghosts; from a creche on an asteroid to an artist using a star system as a canvas, this is a future where Earth's children have adapted to every nook and cranny of existence. This is life on the edge of the possible. Featuring astonishing tales from Stephen Baxter, Alastair Reynolds, Naomi Kritzer, Paul McAuley, Seanan McGuire, Linda Nagata, Hannu Rajaniemi, Justina Robson, Kelly Robson, Kristine Kathryn Rusch, Lavie Tidhar, Peter Watts, Fran Wilde and Nick Wolven.

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. The city is literally a weed, its growth left unchecked. Life is cheap, and data is cheaper. When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris's ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik--a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return. Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation--a shifting, flowing stream of consciousness--are just the beginning of irrevocable change. At Central Station, humans and machines continue to adapt, thrive...and even evolve.

THE CLASSIC COLLECTION OF JEWISH FANTASY! In HebrewPunk, World Fantasy Award winning author Lavie Tidhar had reinvented pulp fantasy fiction in Jewish terms, creating a hidden world where fantasy, horror and history intertwine. Featuring the Rabbi, the Rat and the Tzaddik, their stories take us on a journey from an expedition to an alternate world in Kenya in 1904 to the drug-soaked streets of 1920s London and to Transylvania in the Second World War.