"I would urge other writers, at whatever point in their careers, to take the time to read this indispensable handbook....Telling Lies for Fun & Profit should be a permanent part of every writer's library."

-- From the Introduction by Sue Grafton

Characters refusing to talk? Plot plodding along? Where do good ideas come from anyway? In this wonderfully practical volume, two-time Edgar Award-winning novelist Lawrence Block takes an inside look at writing as a craft and as a career.

From studying the market, to mastering self-discipline and "creative procrastination," through coping with rejections, Telling Lies for Fun & Profit is an invaluable sourcebook of information. It is a must read for anyone serious about writing or understanding how the process works.

Can there be a better, more romantic setting for a crime story than a ship on the open sea? Step onto any vessel - even an inter-island ferry - and you experience an aura of romance, adventure, and mystery. All the stories contained in Death Cruise are set aboard cruise ships. Written by members of the International Association of Crime Writers, a global fraternity of mystery writers, these compelling stories come from many nations, including England, Belgium, Denmark, Cuba, Brazil, America, Germany, Spain and France. This global line-up includes: "Problem at Sea" by Agatha Christie; "Nine Points for Murder" by Nancy Pickard; "Hodegetria" by Jeremiah Healy; "Under My Skin" by Chris Rippen; "S.O.S." by John Lutz; "Honeymoon Cruise" by Richard Deming; "Rhine Ablaze" by Jacques Toes; "The Merry Ghosts of the Grampus" by Arnaldo Correa; "Lost and Found" by Benjamin Schutz; "The Wind & Mary" by Piet Teigeler; "The Theft of the Bingo Card" by Edward D. Hoch; "Mutiny of the Bounty Hunter" by Ralph Mclnerny; "The Mermaid" by Jacob Vis; "Chess on Board" by Erik Amdrup; "A Cruise to Forget" by Barbara Collins and Max Allan Collins; "Havanightmare" by Jose Latour; "Miscalculation" by Jan Burke; "The Deep Blue Sea" by Ina Bouman; "Rumpole at Sea" by John Mortimer; "The Time of His Life" by Carolyn Wheat Bon Voyage! And be sure to take a good mystery with you.

This first volume in the Seven Deadly Sins Series, Speaking of Lust is a collection of outstanding short stories on that exceedingly deadly sin we call lust. In addition to being the title of this anthology, "Speaking of Lust" is also the title of Lawrence Block's original novella that leads off this unique collection. "I had as much fun writing 'Speaking of Lust' as I've had with anything in years," Block writes in the introduction, "and if you enjoy it half as much as I did you'll be happy indeed. As I already know you'll be happy with all the other stories in the book."

This second volume of Opening Shots is a collection of twenty-three first stories published by prominent mystery and crime writers. Some of these offerings are remarkably mature, professional work. Others are more obviously early works, before the writers' skills reached full maturity. But every one of them is a pleasure to read, and in each can be seen the seed of the writer's craft. "Each writer has included an introduction worth the price of admission all by themselves," observes Block. "Writers, it seems to me, are never more eloquent or more interesting that when they reminisce about their early days, and recalling one's first success seems a spur of anecdotage for most of us."Following on the heels of the successful first volume of this series, the stories in this stellar field include:"Final Rites" by Doug Allyn • "Don't Kill a Karate Fighter" by William Chambers • "Entrapped" by Harlan Coben • "Yellow Gal" by Michael Collins • "Together" by Jeffrey Deaver • "The Rough Boys" by Harlan Ellison • "Tole My Cap'n" by Joe Gores • "Layover" by Ed Gorman • "A Bunch of Mumbo-Jumbo" by Jan Grape • "The Cure" by David Handler • "Till Tuesday" by Jeremiah Healy • "Village of the Dead" by Edward D. Hoch • "Chalk" by Evan Hunter • "It's a Wise Child Who Knows" by Stuart Kaminsky • "Who Killed Cock Robin?" by H. R. F. Keating • "Medford & Son" by Dick Lochte • "Thieves' Honor" by John Lutz • "Not All Brides Are Beautiful" by Sharyn McCrumb • "Manslaughter" by Joyce Carol Oates • "You Don't Know What It's Like" by Bill Pronzini • "The Disappearance of Penny" by Robert J. Randisi • "A Victim Must Be Found" by Henry Slesar • "Blue Rose" by Peter Straub • "A Bad Night For Burglars" by Lawrence Block

"Death Cruise": Crime Stories on the Open Sea, edited by Lawrence Block, is a collection of murder mysteries with settings aboard cruise ships and written by several members of the International Association of Crime Writers, including Agatha Christie, Nancy Pickard, Piet Teigeler, Edward D. Hoch, Ralph McInerny, John Mortimer, and Carolyn Wheat.

The second volume in the Seven Deadly Sins Series, Speaking of Greed is a collection of short stories on the destructive deadly sin known as greed. In addition to being the title of this anthology, Speaking of Greed"" is also the title of Lawrence Block's original novella that leads off this unique collection.""My task as an anthologist in this series"", Block writes in the introduction, ""is threefold: first, I have to pick the stories; then I have to write a langoish novella with my four series characters, whom we know only as the priest, the doctor, the soldier, and the policeman; finally, I have to hammer out an introduction"".The stories Block has chosen are delightful. His novella delivers what he promises. And the introduction is a heads-up plea for authors to ensure that their work will continue to be read after they are no longer around to write any more.""

Stories that pay tribute to Rex Stout's legendary private detective by Lawrence Block, Loren D. Estleman, John Lescroart, Robert Goldsborough, and more. If imitation is the sincerest form of flattery, then Nero Wolfe and Archie Goodwin have been widely flattered almost from the moment Rex Stout first wrote about them in 1934. The Misadventures of Nero Wolfe collects two dozen literary tributes to one of crime fiction's best-loved private detectives and his Man Friday. Included are: A 1947 pastiche by award-winning crime writer Thomas Narcejac Rollicking new stories written especially for this collection by Michael Bracken and Robert Lopresti Stories by bestselling authors including Lawrence Block and Loren D. Estleman Chapters from Robert Goldsborough's authorized continuation of the Wolfe series; Marion Mainwaring's 1955 tour de force Murder in Pastiche; and John Lescroart's Rasputin's Revenge, which reimagines a young Wolfe as the son of Sherlock Holmes Also featuring a reminiscence from Rex Stout's daughter, this is a treasury of witty and suspenseful crime writing for every fan of the portly private detective.

Christmas Eve. While the world sleeps, snow falls gently from the sky, presents await under the tree ... and murder is afoot. In this collection of ten classic murder mysteries from the best crime writers in history, death and mayhem take many festive forms, from the inventive to the unexpected. From a Santa Claus with a grudge to a cat who knows who killed its owner on Christmas Eve, these are stories to enjoy - and be mystified by - in front of a roaring fire, mince pie to hand.

This second volume of Opening Shots is a collection of twenty-three first stories published by prominent mystery and crime writers. Some of these offerings are remarkably mature, professional work. Others are more obviously early works, before the writers' skills reached full maturity. But every one of them is a pleasure to read, and in each can be seen the seed of the writer's craft. "Each writer has included an introduction worth the price of admission all by themselves," observes Block. "Writers, it seems to me, are never more eloquent or more interesting that when they reminisce about their early days, and recalling one's first success seems a spur of anecdotage for most of us."Following on the heels of the successful first volume of this series, the stories in this stellar field include:"Final Rites" by Doug Allyn • "Don't Kill a Karate Fighter" by William Chambers • "Entrapped" by Harlan Coben • "Yellow Gal" by Michael Collins • "Together" by Jeffrey Deaver • "The Rough Boys" by Harlan Ellison • "Tole My Cap'n" by Joe Gores • "Layover" by Ed Gorman • "A Bunch of Mumbo-Jumbo" by Jan Grape • "The Cure" by David Handler • "Till Tuesday" by Jeremiah Healy • "Village of the Dead" by Edward D. Hoch • "Chalk" by Evan Hunter • "It's a Wise Child Who Knows" by Stuart Kaminsky • "Who Killed Cock Robin?" by H. R. F. Keating • "Medford & Son" by Dick Lochte • "Thieves' Honor" by John Lutz • "Not All Brides Are Beautiful" by Sharyn McCrumb • "Manslaughter" by Joyce Carol Oates • "You Don't Know What It's Like" by Bill Pronzini • "The Disappearance of Penny" by Robert J. Randisi • "A Victim Must Be Found" by Henry Slesar • "Blue Rose" by Peter Straub • "A Bad Night For Burglars" by Lawrence Block

Twelve years ago, Matthew Scudder lied to a jury to put James Leo Motley behind bars. Now the ingenious psychopath is free. And the alcoholic ex-cop-turned-p.i. must pay dearly for his sins. Friends and former lovers -- even strangers unfortunate enough to share Scudder's name -- are turning up dead. Because a vengeful maniac is determined not to rest until he's driven his nemesis back to the bottle...and then to the boneyard.

In the dark days, in a sad and lonely place, ex-cop Matt Scudder is drinking his life away -- and doing "favors" for pay for his ginmill cronies. But when three such assignments flow together in dangerous and disturbing ways, he'll need to change his priorities from boozing to surviving.

The pretty young prostitute is dead. Her alleged murderer -- a minister's son -- hanged himself in his jail cell. The case is closed. But the dead girl's fatherhas come to Matthew Scudder for answers, sending the unlicensed private investigator in search of terrible truths about a life that was lived and lost in a sordid world of perversion and pleasures.

Even before Lawrence Block could rest on his laurels from In Sunlight or In Shadow, a question arose. What would he do for an encore? Any number of artists have produced evocative work, paintings that could trigger a literary response. But none came to mind who could equal Hopper in turning out canvas after canvas. If no single artist could take Hopper's place, how about a full palette of them? Suppose each author was invited to select a painting from the whole panoply of visual art-From the cave drawings at Lascaux to a contemporary abstract canvas on which the paint has barely dried. And what a dazzling response! Joyce Carol Oates picked Le Beaux Jours by Balthus. Warren Moore chose Salvador Dali's The Pharmacist of Ampurdam Seeking Absolutely Nothing. Michael Connelly, who sent Harry Bosch to Chicago for a close look at Nighthawks, has a go at The Garden of Earthly Delights by Harry's namesake Hieronymous Bosch. S. J. Rozan finds a story in Hokusai's The Great Wave, while Jeffery Deaver's "A Significant Find" draws its inspiration from-yes-those prehistoric cave drawings at Lascaux. And Kristine Kathryn Rusch moves from painting to sculpture and selects Rodin. In artists ranging from Art Frahm and Norman Rockwell to Rene Magritte and Clifford Still, the impressive concept goes on to include Thomas Pluck, Sarah Weinman, David Morrell, Craig Ferguson, Joe R. Lansdale, Jill D. Block, Justin Scott, Jonathan Santlofer, Gail Levin, Nicholas Christopher, and Lee Child, with each story accompanied in color by the work of art that inspired it.

Cashed out from the NYPD after 24 years, Doak Miller operates as a private eye in steamy small-town Florida, doing jobs for the local police. Like posing as a hit man and wearing a wire to incriminate a local wife who's looking to get rid of her husband. But when he sees the wife, when he looks into her deep blue eyes...He falls - and falls hard. Soon he's working with her, against his employer, plotting a devious plan that could get her free from her husband and put millions in her bank account. But can they do it without landing in jail? And once he's kindled his taste for killing...will he be able to stop at one?

To escape punishment for a murder he didn't mean to commit, insurance man Don Barshter has to take on a new identity: Nathaniel Crowley, ferocious up-and-comer in the New York mob. But can he find safety in the skin of another man...a worse man...a sinner man...?

It’s no secret that authors have a love-hate relationship with Hollywood. The oft-repeated cliché that “the book was better than the movie” holds true for more reasons than the average reader will ever know. When asked about selling their book rights to Hollywood authors like to joke that they drive their manuscripts to the border of Arizona and California and toss them over the fence, driving back the way they came at breakneck speed. This is probably because Hollywood just doesn’t “get it.” Its vision for the film or TV series rarely seems to match the vision of the author. And for those rare individuals who’ve had the fortune of sitting across the desk from one of the myriad, interchangeable development execs praising the brilliance of their work while ticking off a never-ending list of notes for the rewrite, the pros of pitching their work to Hollywood rarely outweigh the cons.

Stephen Jay Schwartz has sat on both sides of that desk―first as the Director of Development for film director Wolfgang Petersen, then as a screenwriter and author pitching his work to the film and television industry. He’s seen all sides of what is known in this small community as “Development Hell.” The process is both amusing and heartbreaking. Most authors whose work contains a modicum of commercial potential eventually find themselves in “the room” taking a shot at seeing their creations re-visualized by agents, producers or development executives. What they often discover is that their audience is younger and less worldly as themselves. What passes for “story notes” is often a mishmash of vaguely connected ideas intended to put the producer’s personal stamp on the project.

Hollywood Versus The Author is a collection of non-fiction anecdotes by authors who’ve had the pleasure of experiencing the development room firsthand―some who have successfully managed to straddle the two worlds, seeing their works morph into the kinds of feature films and TV shows that make them proud, and others who stepped blindsided into that room after selling their first or second novels. All the stories in this collection illustrate the great divide between the world of literature and the big or small screen. They underscore the insanity of every crazy thing you’ve ever heard about Hollywood. For insiders and outsiders alike, Hollywood Versus The Author delivers the goods.