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Neil LaBute directs this Hollywood remake of the 2007 British ensemble comedy farce. Comedian Chris Rock stars as Aaron, who is trying to get through his father's funeral in one piece despite the best efforts of his melodramatic mother (Loretta Devine), his baby-obsessed wife (Regina Hall) and his playboy brother (Martin Lawrence). Meanwhile, his father's secret gay lover (Peter Dinklage) turns up demanding money, and his beautiful cousin (Zoe Saldana) spends the day dodging her infatuated ex (Luke Wilson) while trying to look after her fiance (James Marsden) - who accidentally imbibed a hallucinogen while searching for a tranquiliser to calm his nerves.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
In a world economy that is becoming increasingly integrated and interdependent, the relationship between business and society is becoming ever more complex. The globalization of business, the emergence of civil society organizations in many nations, and new government regulations and international agreements have significantly altered the job of managers and the nature of strategic decision making within the firm. The Seventeenth Edition of Business and Society: Stakeholders, Ethics, Public Policy draws on the latest research to address the challenges facing business organizations and their stakeholders. The text builds on its legacy of market leadership by reexamining central issues.
The Routledge Handbook of Global Historical Archaeology is a multi-authored compendium of articles on specific topics of interest to today's historical archaeologists, offering perspectives on the current state of research and collectively outlining future directions for the field. The broad range of topics covered in this volume allows for specificity within individual chapters, while building to a cumulative overview of the field of historical archaeology as it stands, and where it could go next. Archaeological research is discussed in the context of current sociological concerns, different approaches and techniques are assessed, and potential advances are posited. This is a comprehensive treatment of the sub-discipline, engaging key contemporary debates, and providing a series of specially-commissioned geographical overviews to complement the more theoretical explorations. This book is designed to offer a starting point for students who may wish to pursue particular topics in more depth, as well as for non-archaeologists who have an interest in historical archaeology. Archaeologists, historians, preservationists, and all scholars interested in the role historical archaeology plays in illuminating daily life during the past five centuries will find this volume engaging and enlightening.
What happens to national HIV programmes when Science and Religion collide and when both ignore the setting of most infections: in or on the way to marriage? HIV and AIDS are serious social and public-health problems in Papua New Guinea. After long delays, community-, business- and faith-based organizations have launched an impressive multi-sectoral response. But health-service systems are overwhelmed by the need for HIV antibody testing and counselling, and for treatment with antiretrovirals. Foreign notions of epidemiology, such as 'sex worker', 'risk group' and 'rural/urban', have gained traction despite massive empirical evidence as to their inapplicability. Each of these has fuelled, rather than confronted, the gendered contradictions of marriage and sexuality in Papua New Guinea. Quantitative approaches have fetishized numbers at the expense of enabling changes in social-structure. Part One of Sin, Sex and Stigma draws upon ethnography, public discourse and archival data to critique public-health policy and epidemiological modelling. Christian-inflected sex-negativity and anti-condom rhetoric are shown to have stymied prevention initiatives. Part Two enlists experts in antiretroviral therapy, sex work activism and ethnography in dialogues focused on strengthening the national response to HIV and AIDS. 'A "hot glow of anger" compelled Lawrence Hammar to write this fiery account of the many factors preventing successful HIV and AIDS interventions in Papua New Guinea. Drawing on his extensive research experience on sexuality and sex work, on cultural and Christian ideologies, and on outrageous stories of denial, abuse, and stigma, Hammar paints a rich and devastating portrait of the history of AIDS in PNG. Read it and weep. Lawrence Hammar is an inspiring reminder for AIDS scholars and activists everywhere of the differences committed social scientists can make to the way things are done.', Leslie Butt, Dept. of Pacific and Asian Studies, University of Victoria
The Routledge Handbook of Global Historical Archaeology is a multi-authored compendium of articles on specific topics of interest to today's historical archaeologists, offering perspectives on the current state of research and collectively outlining future directions for the field. The broad range of topics covered in this volume allows for specificity within individual chapters, while building to a cumulative overview of the field of historical archaeology as it stands, and where it could go next. Archaeological research is discussed in the context of current sociological concerns, different approaches and techniques are assessed, and potential advances are posited. This is a comprehensive treatment of the sub-discipline, engaging key contemporary debates, and providing a series of specially-commissioned geographical overviews to complement the more theoretical explorations. This book is designed to offer a starting point for students who may wish to pursue particular topics in more depth, as well as for non-archaeologists who have an interest in historical archaeology. Archaeologists, historians, preservationists, and all scholars interested in the role historical archaeology plays in illuminating daily life during the past five centuries will find this volume engaging and enlightening.
Vol. 1 contains nearly 600 letters from the period 1901-1913. They cover Lawrence's youth and his career as a teacher in Croydon, his entry into the literary world, the writing of his first three novels (including Sons and Lovers), his early love affairs and his elopement to Italy.
Britain and China share a rich, complex history. From the dramatic events of the First Opium War to the modern-day implications of the handover of Hong Kong, The Lion and the Dragon delves into the turbulent relationship between these two global powers. Charting the rise and fall of the British empire alongside the growth of China's powers, acclaimed historian Lawrence James unravels the intricate threads of British colonialism, China's struggle for sovereignty, and the impact of global events on their complex interplay. He follows the parallel trajectories of four competitive empires - the British, the Chinese, the Russian and the Japanese - during the nineteenth and twentieth centuries, and then the fortunes of a fifth imperial power, the United States. In doing so, he paints a vivid picture of the interactions, alliances and conflicts between the two nations over almost two centuries, from imperial ambitions and cultural clashes to economic interests and political manoeuvrings. Deeply researched and compellingly told, The Lion and the Dragon is an exploration of the tumultuous history between two powerful nations, providing crucial insights into a relationship that continues to shape the world today.
Lawrence's renowned creativity is conspicuous in his letters. Here in over 330 of them - many first published in the acclaimed seven-volume Cambridge Edition - are exemplified the remarkable variety and inventiveness he could command. He corresponded with the elite - aristocrats, fellow authors, painters, publishers and others from the intelligentsia; but not with these only. With equal concern he wrote to his sisters, a childhood friend suffering from tuberculosis, a Post Office clerk or an Italian servant-girl. Lawrence revelled in the act of communication, using a direct, unvarnished but invariably vivid style appropriate to each correspondent. His letters are notable for expressive and imaginative energy, wit and comedy, the tender and the tempestuous, combined with an extraordinary sensitivity to the natural world as well as to the human condition - and much besides. Few English letter-writers offer a comparable range of interest. In his introductory essay James Boulton provides a rare critical assessment of Lawrence's epistolary achievement. In addition to the annotated texts of the letters, also included are a biographical list of Lawrence's correspondents; brief chronological and descriptive introductions to each section; and a full general index.
In his last years D. H. Lawrence often wrote for newspapers; he needed the money, and clearly enjoyed the work. He also wrote several substantial essays during the same period. This meticulously-edited collection brings together major essays such as Pornography and Obscenity and Lawrence's spirited Introduction to the volume of his Paintings; a group of autobiographical pieces, two of which are published here for the first time; and the articles Lawrence wrote at the invitation of newspaper and magazine editors. There are thirty-nine items in total, thirty-five of them deriving from original manuscripts; all were written between 1926 and Lawrence's death in March 1930. They are ordered chronologically according to the date of composition; each is preceded by an account of the circumstances in which it came to be published. The volume is introduced by a substantial survey of Lawrence's career as a writer responding directly to public interests and concerns.
In his last years D. H. Lawrence often wrote for newspapers; he needed the money, and clearly enjoyed the work. He also wrote several substantial essays during the same period. This meticulously-edited collection brings together major essays such as Pornography and Obscenity and Lawrence's spirited Introduction to the volume of his Paintings; a group of autobiographical pieces, two of which are published here for the first time; and the articles Lawrence wrote at the invitation of newspaper and magazine editors. There are thirty-nine items in total, thirty-five of them deriving from original manuscripts; all were written between 1926 and Lawrence's death in March 1930. They are ordered chronologically according to the date of composition; each is preceded by an account of the circumstances in which it came to be published. The volume is introduced by a substantial survey of Lawrence's career as a writer responding directly to public interests and concerns.
Volume V covers the three years from March 1924 to March 1927. It comprises over 890 letters, of which about 350 are previously unpublished, and the others are printed in full for the first time. As in earlier volumes of this model edition of Lawrence's correspondence, texts have been established from the originals and are fully annotated to identify persons and illuminate allusions. Also included are a biographical introduction, two maps of Oaxaca (Mexico), illustrations, chronology and an index. In 1924 Lawrence is in the United States to check on the failing business of his American publisher and to rewrite his Mexican novel The Plumed Serpent. While in Mexico, the author falls dangerously ill and recovers at Kiowa. In the Autumn of 1925, he and Frieda visit family in England and Germany. They finally settle in Italy where, except for his final visit to the Midlands, they will remain.
This final volume of The Letters of D. H. Lawrence has a threefold purpose: to publish 148 letters to or from Lawrence that came to light too late to be entered in their correct chronological positions in earlier volumes; to correct errors in the first seven volumes and offer additional annotation; and--most importantly--to provide a comprehensive critical index to the entire edition. The Cambridge Edition of Lawrence's letters has been described as creating itself "a major new literary work." This volume brings that work to a fitting conclusion.
Vol. 1 contains nearly 600 letters from the period 1901-1913. They cover Lawrence's youth and his career as a teacher in Croydon, his entry into the literary world, the writing of his first three novels (including Sons and Lovers), his early love affairs and his elopement to Italy.
This volume contains Lawrence’s letters written between March 1927 and November 1928: almost 770 letters in just a year and nine months. The letters cover the period of Lawrence’s Etruscan tour in the spring of 1927 as preparation for the writing of Sketches of Etruscan Places; the performance of his play, David, in London in May, and - above all - the writing, typing, private publication, promotion and immediate consequences of Lady Chatterley’s Lover. He makes new acquaintances with writers and publishers in Europe (Max Mohr, Hans Carossa, Harry and Caresse Crosby); renews friendships which will stand him in good stead in times of poor health (the Huxleys, Aldington, the Brewsters); and rediscovers the bonds of family and old Eastwood friends. The volume provides annotation identifying persons and allusions, and includes a biographical introduction, illustrations, a full chronology and index.
In this compelling history of the men and ideas that radically changed the course of world history, Lawrence James investigates and analyses how, within a hundred years, Europeans persuaded and coerced Africa into becoming a subordinate part of the modern world. His narrative is laced with the experiences of participants and onlookers and introduces the men and women who, for better or worse, stamped their wills on Africa. The continent was a magnet for the high-minded, the philanthropic, the unscrupulous and the insane. Visionary pro-consuls rubbed shoulders with missionaries, explorers, soldiers, adventurers, engineers, big-game hunters, entrepreneurs and physicians. Between 1830 and 1945, Britain, France, Belgium, Germany, Portugal, Italy and the United States exported their languages, laws, culture, religions, scientific and technical knowledge and economic systems to Africa. The colonial powers imposed administrations designed to bring stability and peace to a continent that seemed to lack both. The justification for occupation was emancipation from slavery - and the common assumption that late nineteenth-century Europe was the summit of civilisation. By 1945 a transformed continent was preparing to take charge of its own affairs, a process of decolonisation that took a mere twenty or so years. There remained areas where European influence was limited (Liberia, Abyssinia) - through inertia and a desire for a quiet time, Africa's new masters left much undisturbed. This magnificent history also pauses to ask: what did not happen and why?
'Lawrence James is the doyen of Empire historians' The Spectator 'James' writing is always full of energy and animation; he has an excellent eye for revealing detail' William Dalrymple 'James has a genius for detail' A.N. Wilson Britain and China share a rich, complex history. From the dramatic events of the First Opium War to the modern-day implications of the handover of Hong Kong, The Lion and the Dragon delves into the turbulent relationship between these two global powers. Charting the rise and fall of the British empire alongside the growth of China's powers, acclaimed historian Lawrence James unravels the intricate threads of British colonialism, China's struggle for sovereignty, and the impact of global events on their complex interplay. He follows the parallel trajectories of four competitive empires - the British, the Chinese, the Russian and the Japanese - during the nineteenth and twentieth centuries, and then the fortunes of a fifth imperial power, the United States. In doing so, he paints a vivid picture of the interactions, alliances and conflicts between the two nations over almost two centuries, from imperial ambitions and cultural clashes to economic interests and political manoeuvrings. Deeply researched and compellingly told, The Lion and the Dragon is an exploration of the tumultuous history between two powerful nations, providing crucial insights into a relationship that continues to shape the world today.
In this magnificent work of narrative history Lawrence James investigates how, within the space of a hundred years, Europe coerced Africa into becoming subordinate to an emerging modern world. Laced with the experiences of participants and onlookers, Empires in the Sun introduces the men and women – the high-minded, philanthropic, unscrupulous and insane – who stamped their wills indelibly upon the continent. Between 1830 and 1945, Britain, France, Belgium, Germany, Portugal, Italy and the United States exported their languages, laws, cultures, religions, scientific knowledge and economic systems to Africa. Justifying occupation as emancipation from slavery and savagery, they imposed administrations they argued would bring stability and peace to a continent they regarded as a lacuna of civilisation. But by 1945 a transformed Africa was preparing to take charge of its own affairs, beginning a process of decolonisation that would take mere twenty or so years. In the wake of the damage wrought by its colonial powers, Africa’s new masters were left to choose a path of peace and order, or to answer force with force. Empires in the Sun is a compelling account of a vast system of exploitation that radically changed the course of world history. Within this story of the capture and recapture of Africa, James also pauses to ask: what did not happen and why?
THE RISE AND FALL OF THE BRITISH EMPIRE covers the history of British expansion overseas from the sixteenth to the twentieth centuries. Narrative and analysis are interwoven with revealing eyewitness quotation to provide keen insight into the minds of those involved in conquering, settling and ruling the greatest Empire the world has seen. Throughout, there are consistant themes; the search for profit and the moral misgivings it generated; domestic developments which made imperial expansion desirable; and the sense of national and personal destiny felt by the empire-builders. Spanning four centuries and six continents, James' magnificent survey examines the imperial experience and its legacy with tremendous verve. Informed, comprehensive and perceptive, it is the essential summary of the era. 'James' epic is not only a first-rate narrative, but also a penetrating portrait of the British…Having largely, if often inadvertently, selfishly or ham-fistedly, engineered the world we live in, we need the courage now to face up to our record as coolly and intelligently as Lawrence James has done' - John Spurling, TLS
This final volume of The Letters of D. H. Lawrence has a threefold purpose: to publish 148 letters to or from Lawrence that came to light too late to be entered in their correct chronological positions in earlier volumes; to correct errors in the first seven volumes and offer additional annotation; and--most importantly--to provide a comprehensive critical index to the entire edition. The Cambridge Edition of Lawrence's letters has been described as creating itself "a major new literary work." This volume brings that work to a fitting conclusion.
D.H. Lawrence's renowned creativity is conspicuous in his letters. He wrote to aristocrats, fellow authors, painters, publishers, and others from the intelligentsia--but with equal concern to his sisters, a childhood friend suffering from tuberculosis, a post office clerk or an Italian servant-girl. Lawrence reveled in the act of communication, using a direct, unvarnished but invariably vivid style appropriate to each correspondent. In this book, over 330 of Lawrence's letters, carefully chosen from the authoritative seven-volume Cambridge Edition exemplify Lawrence's artistry and humanness. In his introductory essay James T. Boulton provides a rare critical assessment of Lawrence's epistolary achievement. There are annotations to the letters, a biographical list of correspondents, brief chronological and descriptive introductions to each section and a full general index. This selection will appeal to Lawrence aficionados and will make good companion reading to his works.
A completely new selection of D. H. Lawrence's poetry
'A wonderfully enjoyable history of the changing fortunes of the middle orders over the past 500 years. A magisterial survey of the entire British class system, filled with richly detailed observation of the social differences on which it has thrived' Sunday Times 'Comprehensive, engaging, sharp-eyed and fair-minded. A treasure trove for anyone who wants to know how we get from yokels to 'Marks and Sparks plonk' Daily Telegraph 'An enchanting compendium of the games the English play, and the anxieties, frictions and resentments engendered in the pursuit of status' Times Literary Supplement This is the enthralling story of the great powerhouse of British history - the middle class. The death of feudalism, the advancement of democracy, the spread of literacy, the industrial and sexual revolutions, the development of mass media - the middle class is never far away, drawing up petitions, pushing for change in attitude and legislation, engaging in philanthropy. In this scholarly and hugely entertaining account, Lawrence James brings to life the stories of churchmen and charity-workers, lawyers and lobbyists to create an engaging and colourful social and political panorama. Richly textured and highly relevant, this is narrative history at its best.
Great Britain's geopolitical role has undergone many changes over
the last four centuries. Once a maritime superpower and ruler of
half the world, Britain now occupies an isolated position as an
economically fragile island often at odds with her European
neighbors. |
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