The post-war redevelopment of London has been the most extensive in its history, and has been accompanied by a dramatic social and cultural upheaval. This book explores the literary re-imagining of the city in post-war fiction and argues that the image, history, and narrative of the city has been transformed alongside the physical rebuilding and repositioning of the capital. Drawing on the ideas of Michel de Certeau, Henri Lefebvre, Anthony Vigler and others as well as the latest work on urban representation, this book is an important contribution to the study of the intersection between place, lived experience, and the literary imagination. Texts covered include novels by some of the most significant and lesser known authors of the period, including Graham Greene, George Orwell, J. G. Ballard, Stella Gibbons, David Lodge, Doris Lessing, B. S. Johnson, Sam Selvon, V. S. Naipaul, Peter Ackroyd and Iain Sinclair.

London has taken a central role in urban Gothic, from key canonic texts like Strange Case of Dr Jekyll and Mr Hyde. The Picture of Dorian Gray and Dracula through modern Gothic texts to the 'tourist gothic' of rebranded gastropubs and ghost tours. As a specific category, London Gothic is becoming as important for understanding ourselves today as it has been for thinking about the cultural productions of the late-nineteenth century. This is the first book to focus on Gothic representations of London, offering a range of essays from established and new scholars reading London Gothic as it is manifested in a variety of media and through varied critical approaches.

From 1888 to 1915 Robert Louis Stevenson and Jack London were uniquely placed to witness and record the imperial struggle for the South Pacific. Engaging the major European colonial empires and the USA, the struggle questioned ideas of liberty, racial identity and class like few other arenas of the time. Exploring a unique moment in South Pacific and Western history through the work of Stevenson and London, this study assesses the impact of their national identities on works like The Amateur Emigrant and Adventure; discusses their attitudes towards colonialism, race and class; shows how they negotiated different cultures and peoples in their writing and considers where both writers are placed in the Western tradition of writing about the Pacific. By contextualizing Stevenson's and London's South Pacific work, this study reveals two critical voices of late nineteenth-century and early twentieth-century colonialism that deserve to stand beside their contemporary Joseph Conrad in shaping contemporary attitudes towards imperialism, race, and class.

Bringing together leading international scholars of contemporary fiction and modern women writers, this book provides authoritative new critical readings of Angela Carter's work from a variety of innovative theoretical and disciplinary approaches. Angela Carter: New Critical Readings both evaluates Carter's legacy as feminist provocateur and postmodern stylist, and broaches new ground in considering Carter as, variously, a poet and a 'naturalist'. Including coverage of Carter's earliest writings and her journalism as well as her more widely studied novels, short stories and dramatic works, the book covers such topics as rescripting the canon, surrealism, and Carter's poetics.

Articles on the historical, social and political realities of postcolonialism as expressed in contemporary writing. Contemporary postcolonial studies represent a controversial area of debate. This collection seeks a more pragmatic approach to the subject, taking into account its historical, social and political realities, rather than ignoring aconsideration of material conditions. The contributors look at the oppositional power held and exercised by anti-colonial movements, a neglected topic; address the literary strategies devised by metropolitan writers to contain the insecurities of empire, given that unrest and opposition were integral to British imperialism; contest the charges of nativism and essentialism made by postcolonial critics against liberation writings; and investigate the voicesof both inhabitants of post-independence nation states, and those scattered by colonialism itself. Dr LAURA CHRISMAN teaches at Sussex University; BENITA PARRY is Honorary Professor at Warwick University. Contributors: Vilashini Cooppan, Fernando Coronil, Gautam Premnath, Ato Quayson, Tim Watson, Lawrence Phillips, Sukhdev Sandhu

A Drummer's Perspective is a stunning collection of live action photos celebrating the world of drumming. This large format book, with foreword written by renowned Drummer Terry Bozzio, brings together some of the finest unseen photographs of over hundred legendary drummers. It is a unique collection of pictures brought together by the author David Phillips, who has been given rare access on stage and behind the scenes to many of the biggest bands in the world. Drummers featured include photos of Zoro, Dave Grohl, Joey Jordison, Zak Starkey, Ginger Baker, Neil Peart, Nicko McBrain, Mitch Mitchell, Roger Taylor, Dennis Chambers, Mike Portnoy, Nick Mason, Alex Acuna, Dave Weckl, Josh Freese, Chad Smith, Joey Castillo, Thomas Lang and this list goes on and on! The powerful images include almost 200 photos of some of the most amazing rock concerts and give a fascinating insight to drummers, their playing and their world.

Bringing together leading international scholars of contemporary fiction and modern women writers, this book provides authoritative new critical readings of Angela Carter's work from a variety of innovative theoretical and disciplinary approaches. Angela Carter: New Critical Readings both evaluates Carter's legacy as feminist provocateur and postmodern stylist, and broaches new ground in considering Carter as, variously, a poet and a 'naturalist'. Including coverage of Carter's earliest writings and her journalism as well as her more widely studied novels, short stories and dramatic works, the book covers such topics as rescripting the canon, surrealism, and Carter's poetics.

From 1888 to 1915 Robert Louis Stevenson and Jack London were uniquely placed to witness and record the imperial struggle for the South Pacific. Engaging the major European colonial empires and the USA, the struggle questioned ideas of liberty, racial identity and class like few other arenas of the time. Exploring a unique moment in South Pacific and Western history through the work of Stevenson and London, this study assesses the impact of their national identities on works like The Amateur Emigrant and Adventure; discusses their attitudes towards colonialism, race and class; shows how they negotiated different cultures and peoples in their writing and considers where both writers are placed in the Western tradition of writing about the Pacific. By contextualizing Stevenson's and London's South Pacific work, this study reveals two critical voices of late nineteenth-century and early 20th-century colonialism that deserve to stand beside their contemporary Joseph Conrad in shaping contemporary attitudes towards imperialism, race, and class.

London has taken a central role in urban Gothic, from key canonic texts like Strange Case of Dr Jekyll and Mr Hyde, The Picture of Dorian Gray and Dracula through modern Gothic texts to the 'tourist gothic' of rebranded gastropubs and ghost tours. As a specific category, London Gothic is becoming as important for understanding ourselves today as it has been for thinking about the cultural productions of the late-nineteenth century. This is the first book to focus on Gothic representations of London, offering a range of essays from established and new scholars reading London Gothic as it is manifested in a variety of media and through varied critical approaches.

The post-war redevelopment of London has been the most extensive in its history, and has been accompanied by a dramatic social and cultural upheaval. This book explores the literary re-imagining of the city in post-war fiction and argues that the image, history, and narrative of the city has been transformed alongside the physical rebuilding and repositioning of the capital. Drawing on the ideas of Michel de Certeau, Henri Lefebvre, Anthony Vigler and others as well as the latest work on urban representation, this book is an important contribution to the study of the intersection between place, lived experience, and the literary imagination. Texts covered include novels by some of the most significant and lesser known authors of the period, including Graham Greene, George Orwell, J. G. Ballard, Stella Gibbons, David Lodge, Doris Lessing, B. S. Johnson, Sam Selvon, V. S. Naipaul, Peter Ackroyd and Iain Sinclair.