Songs of the Darkness brings together a selection of poems for Christmas written over a period of more than thirty years. They are notable for their combination of a close focus and breadth, and for the way in which the seasonal is celebrated alongside the challenges of history and the beauty of the natural world. topographically the poems range from a Romanian convent to a Devon beach to an alpine cablecar. The finely drawn illustrations by Erica Sail, the writer's daughter, add their own note of precision and detail. Taken together with the poems, they help to create a perspective in which the darkness of winter really does yield up its music. All royalties from sales of Songs of the Darkness will be given to Trusts for African Schools, a registered charity which acts as a conduit for money raised in the UK to be sent out to some of the poorest schools in Africa. More information, and details of the ten individual schools currently supported by the Trusts, eight in Kenya, and one each in Uganda and Ethiopia, are available on the website www.trustsforafricanschools.org.

Lawrence Sail's poetry is noted for its scrupulous combination of close observation and broader reflections. In Guises he builds on the strengths of twelve previous collections, writing 'in praise of perception', which brings its own challenges and delights, embodied in the shifts and layers of language. A sense of the precious and the precarious informs poems with widely differing subjects and settings. There is, too, a new awareness of the threat to the sumptuousness of the natural world posed by human profligacy. Sounding the provisional nature of our earth-bound experiences, Sail knows the closeness of eulogy to elegy, and his poems celebrating the immediacy of human affections and experience sit aptly alongside those remembering friends who have died. Forty-six years on from the publication of Sail's first book, Guises offers the fruits of fullness.

Lawrence Sail's new collection encompasses a striking variety of subjects. He reflects on detail in the natural world, both in micro- and macrocosm, looking for example at flowers, birds, the sea, the earth seen from space; he explores the intricacies and balances of love and family relationships; he finds new resonances in the paintings of David Bomberg, Howard Hodgkin and Paul Klee, and affinities in his translations of Mallarme, Rilke and Trakl. His imaginative scope extends into a sequence of prose poems responding powerfully to Gabriel Faure's nine Preludes for piano. Throughout the collection, close attention to the physical world is paired with the perceptions such careful consideration provokes. Often this embodies a duality - instances of love carry the shadow of grief; a beached boat evokes the horizon; a book is both an object and an emblem of lost authority; the fragment of a Roman carving suggests wholeness restored. Above all, there is in Sail's writing a celebration of the world, its preciousness magnified by the ways in which he takes the measure of what appears in the title poem as 'all that lasts, / all that is gone', the juxtaposition of the transient and the enduring.

Lawrence Sail's poems balance dream and history, delight and unease: they weigh the art of the possible against the encroachment of time. This substantial retrospective covers work written over four decades, drawing on poems from ten collections, from "Opposite Views" (1974) to the "New Poems" (2010) first collected in this volume. The new poems continue to explore Sail's characteristic themes - the border country between belief and doubt; the interplay of memory and imagination; the possibilities of art; the context of silence: and they do so with a fresh inwardness. Attentive to the often alluring details of the material and natural world, many of them reflecting the writer's love of the sea, the poems also contemplate the relationship between appearance and essence. The closing poem, 'Ghostings', offsets a keen awareness of the world as it is against the parameters of a child's perceptions and a quest for a vision of wholeness.

A delightful anthology of poems sent by many contemporary writers as Christmas cards. From Advent to the New Year, these poems encompass the nativity, the natural world, weather and time's passing, religious and secular celebrations at home and abroad. Wendy Cope welcomes "the Christmas life into the house," Seamus Heaney remembers holly-gathering. Gillian Clarke cradles a newborn lamb, and Edwin Morgan tabulates a computer's Christmas card.... Here are eighty poems with a variety of Christmas messages - hopeful, cautionary, joyous, full of wonder.

The Heart's Granary marks the 50th anniversary of Enitharmon Press. Compiled by Lawrence Sail, it is a personal selection from all Enitharmon's publications. It also conveys the Press's striking range and coherence - international in reach, while true to its Blakean vision. Including prose as well as poems, with more than 120 contributors, and with full colour illustrations by some of the many well-known artists who represent another facet of Enitharmon's achievements, the anthology creates new contexts for writers, translators and artists, from Nobel Prize winners to emerging talents. The Heart's Granary is memorable not only on its own account, but as a touchstone of the journeys undertaken by writers in a world that has changed radically since Enitharmon's beginnings in 1967. Befittingly, this momentous publication marks the end of a much cherished poetry list.