Don Quixote meets Who Framed Roger Rabbit in this slapstick epic about destiny, family demons, and revenge. In 1911, in a hockey game in Quebec's Gaspé Peninsula, local tough guy Billy Joe Pictou fires the puck into Monti Bouge's mouth. When Monti collapses with his head across the goal line, Victor Bradley, erstwhile referee and local mailman, rules that the goal counts. Monti's ensuing revenge for this injustice sprawls over three generations, one hundred years and dozens of alcohol-soaked tall tales, from treachery in northern gold-mining camps to the appearance of a legendary beast by turns playful and ferocious. It's up to Monti's grandson, François, to make sense of the vendetta between Monti and Bradley that has shaped the destiny of their town and everyone who lives there. In a sumptuous, unpredictable language and slapstick comedy, Christophe Bernard reveals himself as a master of epic storytelling.

How do people excluded from political life achieve political agency? Through a series of historical events that have been mostly overlooked by political theorists, Martin Breaugh identifies fleeting yet decisive instances of emancipation in which people took it upon themselves to become political subjects. Emerging during the Roman plebs's first secession in 494 BCE, the plebeian experience consists of an underground or unexplored configuration of political strategies to obtain political freedom. The people reject domination through political praxis and concerted action, therefore establishing an alternative form of power. Breaugh's study concludes in the nineteenth century and integrates ideas from sociology, philosophy, history, and political science. Organized around diverse case studies, his work undertakes exercises in political theory to show how concepts provide a different understanding of the meaning of historical events and our political present. The Plebeian Experience describes a recurring phenomenon that clarifies struggles for emancipation throughout history, expanding research into the political agency of the many and shedding light on the richness of radical democratic struggles from ancient Rome to Occupy Wall Street and beyond.

How do people excluded from political life achieve political agency? Through a series of historical events that have been mostly overlooked by political theorists, Martin Breaugh identifies fleeting yet decisive instances of emancipation in which people took it upon themselves to become political subjects. Emerging during the Roman plebs's first secession in 494 BCE, the plebeian experience consists of an underground or unexplored configuration of political strategies to obtain political freedom. The people reject domination through political praxis and concerted action, therefore establishing an alternative form of power. Breaugh's study concludes in the nineteenth century and integrates ideas from sociology, philosophy, history, and political science. Organized around diverse case studies, his work undertakes exercises in political theory to show how concepts provide a different understanding of the meaning of historical events and our political present. The Plebeian Experience describes a recurring phenomenon that clarifies struggles for emancipation throughout history, expanding research into the political agency of the many and shedding light on the richness of radical democratic struggles from ancient Rome to Occupy Wall Street and beyond.

Winner of the 2020 Governor General's Award in Translation A World Literature Today Notable Translation of 2020 Sliding doors open and close automatically, exit to the left, entrance to the right. Beyond it, cars go by, and pedestrians and cyclists. A large park behaves as if nothing has happened. The mirage of a world intact. In an instant, a life changes forever. After he falls from a scaffold on the construction site where he works, the comatose David is visited daily by his wife, Caroline, and their six-year-old son Bertrand-but despite their devoted efforts, there's no crossing the ineffable divide between consciousness and the mysterious world David now inhabits. A moving story of love and mourning, elegantly translated by Lazer Lederhendler, If You Hear Me asks what it means to be alive and how we learn to accept the unacceptable.

A sweet and quirky novel that follows three characters as they search for home while clinging to artifacts of their past: a misdirected compass, a book with no cover, and tales of piracy.
This is a story of three characters--Noah, Joyce, and the anonymous narrator--as each leave their far-flung birthplaces to follow their own personal songs of migration. All three end up in Montreal, each on his or her voyage of selfdiscovery, each compelled to deal with the mishaps of heartbreak and the twisted branches of their shared family tree. Filled with humor, charm, and marvelous storytelling, this novel links cartography, garbage-obsessed archeologists, pirates past and present, a mysterious book with no cover, and a broken compass whose needle obstinately points to the Aleutian village of Nikolski (a minuscule village inhabited by thirty-six people, five thousand sheep, and an indeterminate number of dogs). This is a sweet, well-told story about three characters
who break free from their families in order to live authentically.