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X Troop - The Secret Jewish Commandos Who Helped Defeat the Nazis (Paperback): Leah Garrett X Troop - The Secret Jewish Commandos Who Helped Defeat the Nazis (Paperback)
Leah Garrett
Sold By Readers Warehouse - Fulfilled by Loot
R240 R190 Discovery Miles 1 900 Save R50 (21%) Ships in 5 - 7 working days

THE UNTOLD STORY OF BRITAIN'S MOST SECRETIVE SPECIAL FORCES UNIT June 1942. The shadow of the Third Reich falls across Europe. In desperation, Winston Churchill and his chief of staff form an unusual plan - a new commando unit made up of Jewish refugees. This top secret unit becomes known as X Troop. Others simply call them a suicide squad. From British internment camps, to the beaches of Normandy, the battlefields of Italy and Holland, and the hellscape of Terezin concentration camp, Leah Garrett follows this band of brothers who will stop at nothing to defeat the Nazis. 'A thrilling, stirring story' Daily Telegraph 'Gripping... Garrett's chief strength is her ability to relight the lamps of the past so that they glow anew' The Times

A Knight at the Opera - Heine, Wagner, Herzl, Peretz and the Legacy of 'Den Tannhauser' (Paperback, New): Leah Garrett A Knight at the Opera - Heine, Wagner, Herzl, Peretz and the Legacy of 'Den Tannhauser' (Paperback, New)
Leah Garrett
R1,197 R940 Discovery Miles 9 400 Save R257 (21%) Out of stock

A Knight at the Opera examines the remarkable and unknown role that the medieval legend (and Wagner opera) Tannhauser played in Jewish cultural life in the nineteenth and early twentieth centuries. The book analyzes how three of the greatest Jewish thinkers of that era, Heinrich Heine, Theodor Herzl, and I. L. Peretz, used this central myth of Germany to strengthen Jewish culture and to attack anti-Semitism. Readers will see how Tannhauser evolves from a medieval knight to Peretz's pious Jewish scholar in the Land of Israel. The book also discusses how the founder of Zionism, Theodor Herzl, was so inspired by Wagner's opera that he wrote The Jewish State while attending performances of it. A Knight at the Opera uses Tannhauser as a way to examine the changing relationship between Jews and the broader world during the advent of the modern era, and to question if any art, even that of a prominent anti-Semite, should be considered taboo.

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