Power Girl takes center stage! With new powers and a new mission, Power Girl faces a challenge unlike any she’s experienced before! With Omen’s guidance, Power Girl now strives to battle the demons—literal and figurative—lurking within the minds of some of the greatest superheroes in the DC Universe! But the nefarious Johnny Sorrow has been searching for a connection to Earth-0, and the superheroines’ work may unwittingly give him the means to make their world his personal stage! Can Power Girl and her estranged Super-Family bring down the curtain on Sorrow’s evil plans? And at what cost? Collects stories from Lazarus Planet: Assault on Krypton, Action Comics #1051-1053 and Power Girl Special.

This book explores the experiences of migrant mothers through the lens of the online communities they have created and participate in. Examining the ways in which migrant mothers build relationships with each other through these online communities and find ways to make a place for themselves and their families in a new country, it highlights the often overlooked labour that goes into sustaining these groups and facilitating these new relationships and spaces of trust. Through the concept of 'digital community mothering,' the author draws links to Black feminist scholarship that has shed light on the kinds of mothering that exist beyond the mother-child dyad. Providing new insights into the experiences of women who mother 'away from home' in this contemporary digital age, this volume explores the concepts of imagined maternal communities, personal maternal narratives, and migrant maternal imaginaries, highlighting the ways in which migrant mothers imagine themselves within local, national, and diasporic maternal communities. As such, it will appeal to scholars and students with interests in migration and diaspora studies, contemporary motherhood and the sociology of the family, and modern forms of online sociality. Winner of The Australian Sociological Association Raewyn Connell Prize for best first book published in Australian sociology, 2020-2021.

This book explores the experiences of migrant mothers through the lens of the online communities they have created and participate in. Examining the ways in which migrant mothers build relationships with each other through these online communities and find ways to make a place for themselves and their families in a new country, it highlights the often overlooked labour that goes into sustaining these groups and facilitating these new relationships and spaces of trust. Through the concept of 'digital community mothering,' the author draws links to Black feminist scholarship that has shed light on the kinds of mothering that exist beyond the mother-child dyad. Providing new insights into the experiences of women who mother 'away from home' in this contemporary digital age, this volume explores the concepts of imagined maternal communities, personal maternal narratives, and migrant maternal imaginaries, highlighting the ways in which migrant mothers imagine themselves within local, national, and diasporic maternal communities. As such, it will appeal to scholars and students with interests in migration and diaspora studies, contemporary motherhood and the sociology of the family, and modern forms of online sociality. Winner of The Australian Sociological Association Raewyn Connell Prize for best first book published in Australian sociology, 2020-2021.

Chastity Jack has been kidnapped, to the great misfortune of her kidnappers. She, along with a dozen other young women, arrive at an audition for a prestigious New York City burlesque act hoping to land a coveted spot in the popular show. When they wake up in chains on a spooky cruise ship in the middle of nowhere, they're congratulated on joining the cast. Realizing they've been drugged and kidnapped by human traffickers, Chastity Jack declines the offer. Grindhouse-style.

MUTANTS HAVE CONQUERED DEATH! By the grace of The Five, the resurrection protocols can bring back any fallen mutant. But such a huge enterprise isn’t without its problems and complications… When a mutant dies, X–Factor is there to investigate how and why to keep the rules of reincarnation. Writer Leah Williams (AMAZING MARY JANE, X–TREMISTS) and artist David Baldeón (DOMINO, WEB WARRIORS) take Northstar, Polaris, Prodigy, Eye-boy, Daken and Prestige into the world of murder and missing persons…

Winter and Arden Allister are two teenage sisters who've just moved from Memphis to San Francisco and their interracial family is thrust into the bourgeoisie of San Francisco's elite once the girls begin the year at an exclusive private school. But when Winter starts having problems with a boy at school and Arden continues to suffer inexplicable and terrifying blackouts, each girl must tease loose a separate thread of fate from their interwoven, close-knit identity as sisters in order to unravel the arcane mystery of who they really are. Once their futures are disentangled, Winter and Arden find that destiny has drafted them both into the oldest war the world's ever known-but placed them on opposite sides.

Winter and Arden Allister are two teenage sisters who've just moved from Memphis to San Francisco and their interracial family is thrust into the bourgeoisie of San Francisco's elite once the girls begin the year at an exclusive private school. But when Winter starts having problems with a boy at school and Arden continues to suffer inexplicable and terrifying blackouts, each girl must tease loose a separate thread of fate from their interwoven, close-knit identity as sisters in order to unravel the arcane mystery of who they really are. Once their futures are disentangled, Winter and Arden find that destiny has drafted them both into the oldest war the world's ever known-but placed them on opposite sides.