Queer European Cinema commences with an overview of LGBTQ representation throughout cinematic history, interwoven with socio-political reality in Europe and beyond, to consider trends including the boarding school film, the gay road movie, and queer horror such as the lesbian vampire tale, before analysing case studies from the 'low culture' of pornography to the 'high culture' of arthouse cinema. This collection of essays explores borders and boundaries of geography, temporality, ethnicity, class, gender, sexuality, and desire in a range of European films at a time when both LGBTQ politics and the concept of Europe are under intense scrutiny in representation and reality, to demonstrate how LGBTQ film can serve as a political tool to create visibility and acceptance as well as providing entertainment. Chapters include an analysis of both trans and femme identities in Academy Award-winning Boys Don't Cry alongside German film, Unveiled; the intersection of lesbian visibility and the notion of nation on the Croatian screen at its point of entry into the European Union and during the gay marriage referendum; music and its relation to camp in Italian transnational cinema; European lesbian feminist pornography; and an analysis of liminal spaces and citizenship in queer French-language road movies. This book was originally published as a special issue of Studies in European Cinema.

Queer European Cinema commences with an overview of LGBTQ representation throughout cinematic history, interwoven with socio-political reality in Europe and beyond, to consider trends including the boarding school film, the gay road movie, and queer horror such as the lesbian vampire tale, before analysing case studies from the 'low culture' of pornography to the 'high culture' of arthouse cinema. This collection of essays explores borders and boundaries of geography, temporality, ethnicity, class, gender, sexuality, and desire in a range of European films at a time when both LGBTQ politics and the concept of Europe are under intense scrutiny in representation and reality, to demonstrate how LGBTQ film can serve as a political tool to create visibility and acceptance as well as providing entertainment. Chapters include an analysis of both trans and femme identities in Academy Award-winning Boys Don't Cry alongside German film, Unveiled; the intersection of lesbian visibility and the notion of nation on the Croatian screen at its point of entry into the European Union and during the gay marriage referendum; music and its relation to camp in Italian transnational cinema; European lesbian feminist pornography; and an analysis of liminal spaces and citizenship in queer French-language road movies. This book was originally published as a special issue of Studies in European Cinema.

Contributions exploring the representation and reality of LGBTQ+ individuals and issues in historical and contemporary German-speaking culture. The German-speaking lands have a long history of engagement, ranging from celebratory to horrific, with non-normative genders and sexualities, including through cultural output, language, and politics. Queering German Culture, volume 10 of the Edinburgh German Yearbook, foregrounds this via new analyses of a variety of LGBTQ+ cultural artifacts - archives both physical and digital, literature in the form of novels and periodicals, and film both narrative and documentary - to consider a spectrum of gender and sexual identities. Individual chapters employ a range of lenses, including psychoanalysis, feminism, and postcolonial and queer theory, to analyze work by ThomasMann, Thomas Brussig, Jenny Erpenbeck, Terezia Mora, Rainer Werner Fassbinder, and Fatih Akin, among others. Contributors: Nicholas Courtman, Leanne Dawson, Kyle Frackman, Sarra Kassem, Lauren Pilcher, John L. Plews, Gary Schmidt, Cyd Sturgess. Leanne Dawson is Lecturer in German and Film Studies at the University of Edinburgh.

My journey took me to England, USA, and Europe, through the guidance of Archangel Michael, activating Earth Acupuncture healing on major ley lines and power sites. The trip was life-changing, in that it provided me with answers to life's mysteries which I had been searching for and unknowingly found the love of a partner. This book delves into the following topics.

The heart healing aspect of the modality.

Includes the Earth Acupuncture process.

How to find and what to look for in a black stream.

How to work with angelic beings and elementals.

Examples of the space-clearing process.

The dowsing response and how to work with it.

Earth Acupuncture is a technique that sends healing to an area of environmental distress, restoring balance to the land and provides emotional and spiritual relief to the people who inhabit the area.

The process of Earth Acupuncture is built on the concept that there are many energy lines that crisscross the planet. These lines or grids have been mapped out and named by many dowsers who have journeyed across the globe.

Many of the sacred sites across the world such as Chartres in France and Stonehenge in England reside over these energy grids. However, these energy grids can get out of balance when affected by catastrophic events such a war, famine, and human atrocities. When these events happen, the energy that was once sacred, clear, and flowing energetically can turn into a black stream, absorbing and carrying with it energy that can have a detrimental effect on the mental, emotional, and physical health of all.