"As Normal as Possible" is the story of breast cancer from a caregiver's perspective. Ray Hall was the caregiver to his wife, Brenda, from her first diagnosis in 1996 to her passing in 2008. It tells of their journey through treatments, the effects of those treatments on their lives and the many medical evaluations she encountered through their ordeal with this dreaded disease. The story of the cancer and its issues is intertwined with the story of her life during their years together.
Ray wanted to tell this story because it helped him with the devastation of her being gone and often when a celebrity is diagnosed with this disease it becomes a huge story and is splashed all over the headlines, which is as it should be. Brenda Hall was not a celebrity known by the public by any stretch of the imagination; as a matter of fact she avoided the spotlight at all costs. She was a celebrity to her family and friends, the people who were part of their everyday lives. But, she was one of the thousands of ordinary women living ordinary lives who are diagnosed with this disease.
"As Normal as Possible" is Ray's loving tribute to his wife and their life together

A portion of the proceeds from all sales will go to fund breast cancer research.

Young Will Shakespeare has writer's block... the deadline for his new play is fast approaching but he's in desperate need of inspiration. That is, until he finds his muse - Viola. This beautiful young woman is Will's greatest admirer and will stop at nothing (including breaking the law) to appear in his next play. Against a bustling background of mistaken identity, ruthless scheming and backstage theatrics, Will's love for Viola quickly blossoms and inspires him to write his greatest masterpiece.

Young Will Shakespeare has writer's block... the deadline for his new play is fast approaching but he's in desperate need of inspiration. That is, until he finds his muse - Viola. This beautiful young woman is Will's greatest admirer and will stop at nothing (including breaking the law) to appear in his next play. Against a bustling background of mistaken identity, ruthless scheming and backstage theatrics, Will's love for Viola quickly blossoms and insp

Goldoni's eighteenth-century masterpiece is an enduring story of love, passion and mistaken identity. Young Venetian Clarice can't marry her lover, Silvio. She had been betrothed to Rasponi, who appears to have returned from the dead to claim her. But the Rasponi who appears is actually Beatrice, Rasponi's sister who is in disguise as her brother and has come to Venice to find her suitor, Florinda. Complications arise when a servant greedily seeks employment with both the disguised Beatrice and Florinda and spends the rest of the play trying to serve two masters while keeping the two unaware of the other's presence.

The play is based on the Italian Renaissance theatre style, "Commedia dell'arte," and reinvigorated the genre, which is so heavily based on carnival, while bringing to it an element of realism, mishaps, mix-ups, confusions, disguises and mistaken identity that come with the style.

In this new, rapid fire adaptation by award winning dramatist Lee Hall, the language has been updated to now in order to give the action the fast-paced feeling of a Christmas pantomime.

Racist abuse may at one time have been hurled across the sports stadium or scrawled on a wall. But in today's social media world it can be published to millions, from almost anywhere, in an instant. Sport, Racism and Social Media provides the first significant, academic account of how social media is shaping the nature of racisms in sport. Among the questions it addresses are: How, and why, is racism being expressed across different social media platforms and sporting contexts? To what extent is social media providing new platforms for traditional prejudices or actually creating new forms of racism? How can campaigners, authorities and individuals best challenge and counter these forms of racism? Combining analysis of social media content with in-depth interviews with athletes, fans, campaigners and officials, and including extensive case studies of soccer, boxing, the NHL, the NBA, and cricket, the book provides important new insights on a familiar but ever changing story. It is essential reading for any student, researcher, media professional, administrator or policy-maker with an interest in sport, new media or the issue of racism in wider society.

In 1934, a group of Ashington miners and a dental mechanic hired a professor from Newcastle University to teach an Art Appreciation evening class. Unable to understand each other, they embarked on one of the most unusual experiments in British art as the pitmen learned to become painters. Within a few years the most avant-garde artists became their friends, their work was taken for prestigious collections and they were celebrated throughout the British art world; but every day they worked, as before, down the mine. The Pitmen Painters premiered at Live Theatre, Newcastle-upon-Tyne, in September 2007, before transferring to the National Theatre in 2008.

Listen, girls, if we stick together there's no ways we'll even get to the second round... Young, lost and out of control, a bunch of Catholic schoolgirls go wild for a day in the big city, the singing competition a mere obstacle in the way of sex, sambuca and a night back home with the submarine crew in Mantrap. Funny, sad and raucously rude, Lee Hall's musical play Our Ladies of Perpetual Succour, adapted from Alan Warner's novel The Sopranos, premiered at the Traverse Theatre in August 2015, in a production by the National Theatre of Scotland and Live Theatre and transferred to the National Theatre, London, in August 2016. The play won the Olivier Award for Best New Comedy 2017 and transferred to the Duke of York's, London, in May 2017 in a co-production with Sonia Friedman Productions.

(Vocal Selections). A dozen songs from the Elton John/Lee Hall tuner based on the 2000 film about a poor British boy who trades boxing gloves for ballet shoes. Includes: Born to Boogie * Grandma's Song * Once We Were Kings * Shine * Solidarity * The Stars Look Down * and more, in standard piano/vocal format with the melody in the piano part. Winner of four Laurence Olivier Awards including Best New Musical

In the second case recorded by Benjamin Franklin's young charge and assistant Nick Handy, the great Doctor Franklin is confronted with a shocking event. While attending a mummers' play at the home of a popular merchant Roddy Fairbrass on Christmas Eve 1757, their host suddenly collapses and dies. Although the bereaved family denies it, Franklin is convinced that he has witnessed a murder. Franklin had been to the Fairbrass home one time before to investigate the report of a ghost and now believes that there must be some sinister connection between the two events. Determined to uncover the truth, the intrepid inventor and statesman, accompanied by Nick, unravels a tangled plot of intrigue and scandal while matching wits with some of London's most notorious criminal minds.

More than ten years ago, Robert Lee Hall made a startling discovery. Within a secret compartment of an old armoire once owned by his great aunt, he found a yellowing manuscript describing a series of mysterious criminal cases. What made these stories so unusual was that they were solved by the renowned scientist and statesman, Benjamin Franklin, while he was a resident of London to plead the case of the American colonies before the British crown. Written by Hall's ancestor, Nick Handy, who happened to be Franklin's assistant throughout these adventures, Hall transcribed the tales and presented them in the order of their occurrence. In Benjamin Franklin Takes the Case, the first mystery in Hall's series, the great Doctor Franklin meets the young orphan Nick Handy in the print shop of an old friend. When his friend is suddenly murdered, it is up to Franklin and Nick to prove who was responsible for the grisly deed. Turning detective, Franklin pursues the strange case along the dark byways of London and into its grand houses, uncovering a theft ring, a profitable trade in slaves and prostitutes, and strong reasons to believe that Nick is in grave danger. Employing his keen sense of scientific observation and his inventor's creative mind, the doctor is able to solve a case that the constables had thought would be impossible to break.

Plagued by debt, tormented by writer's block, and in desperate need of a new hit, promising new playwright Will Shakespeare finds his muse in the form of passionate young noblewoman Viola De Lesseps. Their forbidden love soon draws everyone, including Queen Elizabeth, into the drama, and inspires Will to write the greatest love story of all time: Romeo and Juliet. Based on the Oscar-winning screenplay by Marc Norman and Tom Stoppard, Shakespeare in Love has been deftly adapted for the stage by Lee Hall and played to rave reviews and a sold-out theater at the Noel Coward in London. The London production was directed by Declan Donnellan and designed by Nick Ormerod, the driving force behind the world-renowned theater company, Cheek by Jowl.

Steven Spielberg directs this drama based on Michael Morpurgo's novel about a boy who searches for his horse after it is taken away to serve in World War I. Growing up in Devon, Albert (Jeremy Irvine) trains his horse, Joey, and forms a strong bond with the animal. Joey is taken from his owner, however, when he is sold to the French as a war horse. Joey touches the hearts of those he meets as he serves in the cavalry. Too young to become a soldier himself, the determined Albert sets off on a journey in the hope that he can save his beloved horse from the horrors of war. Benedict Cumberbatch, David Thewlis, Emily Watson and David Kross co-star.

Racist abuse may at one time have been hurled across the sports stadium or scrawled on a wall. But in today's social media world it can be published to millions, from almost anywhere, in an instant. Sport, Racism and Social Media provides the first significant, academic account of how social media is shaping the nature of racisms in sport. Among the questions it addresses are: How, and why, is racism being expressed across different social media platforms and sporting contexts? To what extent is social media providing new platforms for traditional prejudices or actually creating new forms of racism? How can campaigners, authorities and individuals best challenge and counter these forms of racism? Combining analysis of social media content with in-depth interviews with athletes, fans, campaigners and officials, and including extensive case studies of soccer, boxing, the NHL, the NBA, and cricket, the book provides important new insights on a familiar but ever changing story. It is essential reading for any student, researcher, media professional, administrator or policy-maker with an interest in sport, new media or the issue of racism in wider society.

Steven Spielberg directs this drama based on Michael Morpurgo's novel about a boy who searches for his horse after it is taken away to serve in World War I. Growing up in Devon, Albert (Jeremy Irvine) trains his horse, Joey, and forms a strong bond with the animal. Joey is taken from his owner, however, when he is sold to the French as a war horse. Joey touches the hearts of those he meets as he serves in the cavalry. Too young to become a soldier himself, the determined Albert sets off on a journey in the hope that he can save his beloved horse from the horrors of war. Benedict Cumberbatch, David Thewlis, Emily Watson and David Kross co-star.

A new version of Holland's most popular play, brilliantly adapted by Lee Hall Displaying his characteristic disdain for bourgeois hypocrisy, in The Good Hope Heijermans takes up the cause of exploited fishermen. Set in Whitby, this fresh adaptation by Lee Hall breathes new life into a modern European classic.This adaptation is published to tie in with the play's premiere at London's National Theatre in November 2001, to be followed by a nationwide tour.

I'm as mad as hell, and I'm not going to take this anymore. Howard Beale, news anchorman, isn't pulling in the viewers. In his final broadcast he unravels live on screen. But when the ratings soar, the network seize on their newfound populist prophet, and Howard becomes the biggest thing on TV. Adapted for the stage by Lee Hall from the Paddy Chayefsky film, Network premiered at the National Theatre, London, in November 2017.