Karl Marx (1818-1883) was trained as a philosopher and steeped in the thought of Hegel and German idealism, but turned away from philosophy in his mid-twenties towards politics, economics and history. It is for his these subjects Marx is best known and in which his work and ideas shaped the very nature of the nineteenth and twentieth centuries. However, Marx's engagement with philosophy runs through most of his work, especially in his philosophy of history and in moral and political philosophy. In this outstanding introduction to Marx's philosophy Brian Leiter and Jaime Anderson begin with an overview of Marx's life and intellectual development, before examining and assessing the following important topics: Marx's theory of history: Hegel, dialectics, teleology, materialism functionalism and the causal explanation of historical change economics, history and the transition from communism to capitalism ideology, morality and religion human nature, alienation and the good life for human beings Marx's legacy and influence, including Western Marxism and the Frankfurt School. The addition of chapter summaries, annotated further reading and a glossary of technical terms make this an indispensable introduction to Marx's philosophy. It will also be useful to those in related disciplines such as politics, sociology, history and economics.

This volume delineates the ways in which key areas of healthcare, well-being, patient safety and organisational change overlap with and contribute to unhealthy workplaces for healthcare professionals. There is a growing realisation within healthcare that healthcare worker well-being, patient outcomes and organisational change are symbiotically linked. Burnout and stress in healthcare workers and toxic organisational cultures can lead to a cycle of patient neglect, medical errors, sub-optimal care and further stress. This topical volume therefore outlines the ways in which worker well-being, patient outcomes and organisational change can be aligned to contribute to a healthy workplace and therefore better medical care. The volume includes an array of authors from different disciplines including primary care, clinical medicine, psychology, sociology, management, clinical governance, health policy and health services research. It succeeds in integrating different voices and reaches meaningful conclusions to address the challenges facing the healthcare workforce.

This multifaceted study, the companion volume to Leiter's From Stanislavsky to Barrault: Representative Directors of the European Stage (Greenwood Press, 1991), provides exhaustively detailed, yet compact accounts of the careers and accomplishments of eight outstanding directors of the English-speaking stage as well as separate, thorough bibliographies and chronologies of each. Samuel L. Leiter selected directors David Belasco, Harley Granville-Barker, George Abbott, Sir Tyrone Guthrie, Margaret Webster, Elia Kazan, Joan Littlewood, and Peter Brook as exemplars of the broad spectrum of directorial art as it has developed in the twentieth century; his cogent introduction identifies salient aspects of that art and reveals the wide divergence of directorial styles and techniques employed by the group. From commercial to classic to avant garde, their stylistic attitudes toward production include Belasco's minutely detailed naturalism, Guthrie's whimsical interpretations of the classics, and Littlewood's improvisational, anti-establishment, left-wing stance. Their varied rehearsal methods show how these directorial greats transformed the nature of the theatre experience through their unique vision of what stage production could encompass. Innovations by these directors in both the shape and function of the performance space are highlighted as are their theatre writings, many of which form the foundation for Western theatrical thought in our times. Following the introduction, each of the eight chapters is organized into subsections that discuss the individual director's career, concept of theatre art and directing, and actual working methods. Each director is thoroughly assessed in terms ofrepertory, major productions, theoretical concerns, casting methods, rehearsal processes, and techniques of working with actors, playwrights, designers, and composers. Separate chronologies and a select bibliography complete the work, which will have significant appeal to a diverse group of readers, from stage directing students and their teachers to active professionals in the field and those general readers seeking a broader understanding of twentieth century theatre and stage direction. An excellent choice for text or supplementary reading for classes in stage directing.

This book offers an extensive look into the ways living through the COVID-19 pandemic has deepened our understanding of the crises people experience in their relationships with work. Leading experts explore burnout as an occupational phenomenon that arises through mismatches between workplace and individuals on the day-to-day patterns in work life. By disrupting where, when, and how people worked, pandemic measures upset the delicate balances in place regarding core areas of work life. Chapters examine the profound implications of social distancing on the quality and frequency of social encounters among colleagues, with management, and with clientele. The book covers a variety of occupational groups such as those in the healthcare and education sectors, and demonstrates the advantages and strains that come with working from home. The authors also consider the broader social context of working through the pandemic regarding risks and rewards for essential workers. By focusing on changes in organisational structures, policies, and practices, this book looks at effective ways forward in both recovering from this pandemic and preparing for further workplace disruptions. A wide audience of students and researchers in psychology, management, business, healthcare, and social sciences, as well as policy makers in government and professional organisations, will benefit from this detailed insight into the ways COVID-19 has affected contemporary work attitudes and practices.

The careers, directing accomplishments, ideas, and techniques of six distinguished directors of the European stage--each considered a master of the art--are surveyed in depth by author Samuel L. Leiter in this groundbreaking study. Konstantin Stanislavsky, Vsevolod Meyerhold, Max Reinhardt, Jacques Copeau, Bertolt Brecht, and Jean-Louis Barrault, representative of the broad spectrum of directorial art as it has developed in this century, are examined in six exhaustively detailed, yet compact chapters. In Leiter's informative introduction, salient aspects of the director's art exemplified by these innovators are identified and examined: choice of repertory from the intellectually provocative to the escapist; stylistic attitudes toward production from Stanislavsky's "spiritual naturalism" to Meyerhold's biomechanics and constructivism; rehearsal methods from the dictatorial to the openly collaborative; and a continuing fascination with the shape and function of the performance space. Many of the directors emerge as multifaceted hommes de theatre--writing, directing, acting, designing sets and lighting, and producing. The theoretical writings of the majority of these great directors have become the foundation for Western theatre thought in our time. Each chapter contains capsule descriptions of the landmark productions of the individual director and the volume concludes with a section of brief chronologies for each person and a select bibliography. A single director is the subject of each of the six chapters, which are organized into numerous subsections that discuss the individual's career, his overarching conceptions of theatre art and directing, and finally his actual working methods.Almost every chapter has information on a director's repertory, major productions, theoretical concerns, techniques of working with actors, playwrights, designers, and composers, casting methods, production preparations, and rehearsal processes. Taken as a whole, these chapters reveal the wide divergence of directorial styles and techniques and the multiplicity of approaches open to exponents of the art. The separate chronologies and select bibliography are especially helpful. Students of stage directing and their teachers, active professionals in the field, and literate general readers who seek a broader understanding of twentieth century theatre and stage direction will find this a handy and invaluable resources. This work could be profitably used as a text or supplementary reading for classes in stage directing and is a companion to Leiter's From Belasco to Brook: Representative Directors of the English-Speaking Stage (Greenwood Press, 1991).

"An important resource for any scholar working on the production history of Shakespeare's plays. . . . Because each entry has a complete list of sources, the book can be used as a helpful bibliography for locating reviews of productions." Choice

A photographer's gift to the viewer is sometimes beauty in the overlooked ordinary - Saul Leiter

Photography lovers the world over are now embracing Saul Leiter, who has enjoyed a remarkable revival since fading into relative obscurity in the 1980s. This collection reveals the secrets of his appeal, from his life philosophy and lyricism to masterful colours and compositions. Some 200 works including early street photographs, images for advertising, nudes and paintings cover Leiter s career from the 1940s onwards, accompanied by quotations from the artist himself that express his singular world view.

Karl Marx (1818-1883) was trained as a philosopher and steeped in the thought of Hegel and German idealism, but turned away from philosophy in his mid-twenties towards politics, economics and history. It is for his these subjects Marx is best known and in which his work and ideas shaped the very nature of the nineteenth and twentieth centuries. However, Marx's engagement with philosophy runs through most of his work, especially in his philosophy of history and in moral and political philosophy. In this outstanding introduction to Marx's philosophy Brian Leiter and Jaime Anderson begin with an overview of Marx's life and intellectual development, before examining and assessing the following important topics: Marx's theory of history: Hegel, dialectics, teleology, materialism functionalism and the causal explanation of historical change economics, history and the transition from communism to capitalism ideology, morality and religion human nature, alienation and the good life for human beings Marx's legacy and influence, including Western Marxism and the Frankfurt School. The addition of chapter summaries, annotated further reading and a glossary of technical terms make this an indispensable introduction to Marx's philosophy. It will also be useful to those in related disciplines such as politics, sociology, history and economics.

On May 20, 1976, the Economics Department of the City College of the City University of New York held its fourth annual conference. Eight papers followed by eight com ments were delivered on the topic of "Economics of Informa tion." These papers and comments are published in this volume along with a brief introduction. This publication has been made possible by income from the Harry Schwager Fund. My colleagues in the Economics Department have been generous when called upon to read and evaluate the papers. Professor Morris Silver, chairman of the department, was helpful at each stage of the project. Bob Leiter, my colleague and joint editor of these papers, died on August 19, 1976, while we were in the process of editing this volume. He was instrumental in organizing the Economics Department's annual conferences from their beginning in 1973 and for editing or jointly editing the con ference volumes. The Economics Department's Memorial Resolution, which follows, best expresses our sense of loss at his premature death."

This is a book on holomorphic operator functions of a single variable and their - plications,whichisfocussedontherelationsbetweenlocalandglobaltheories.Itis based on methods and technics of Complex analysis of scalar and matrix functions of several variables. The applications concern: interpolation, holomorphic families of subspaces and frames, spectral theory of polynomials with operator coe?cients, holomorphic equivalence and diagonalization, and Plemelj-Muschelishvili fact- ization. The book also contains a theory of Wiener-Hopf integral equations with operator-valued kernels and a theory of in?nite Toplitz .. matrices with operator entries. We started to work on these topics long ago when one of us was a Ph.D. s- dent of the other in Kishinev (now Cisinau) University. Then our main interests were in problems of factorization of operator-valued functions and singular in- gral operators. Working in this area, we realized from the beginning that di?erent methods and tools from Complex analysis of several variables and their modi?- tions are very useful in obtaining results on factorization for matrix and operator functions. We have in mind di?erent methods and results concerning connections between local and global properties of holomorphic functions. The ?rst period was very fruitful and during it we obtained the basic results presented in this book.

Over recent years, many companies have developed an awareness of the importance of an active, rather than passive, approach to wellbeing at work. Whilst the value of this approach is widely accepted, turning theory into effective practice is still a challenge for many companies. The Routledge Companion to Wellbeing at Work is a comprehensive reference volume addressing every aspect of the topic. Split into five parts, it explores different models of wellbeing; personal qualities contributing to wellbeing; job insecurity and organizational wellbeing; workplace supports for wellbeing; and initiatives to enhance wellbeing. The international team of contributors provide a solid foundation to research and practice, including contemporary topics such as architecture, coaching, and fitness in the workplace. Edited by two of the world's leading scholars on the subject, this text is a valuable tool for researchers, students, and practitioners in HRM and organizational psychology.

Unique in any Western language, this is an invaluable resource for the study of one of the world's great theatrical forms. It includes essays by established experts on Kabuki as well as younger scholars now entering the field, and provides a comprehensive survey of the history of Kabuki; how it is written, produced, staged, and performed; and its place in world theater. Compiled by the editor of the influential Asian Theater Journal, the book covers four essential areas - history, performance, theaters, and plays - and includes a translation of one Kabuki play as an illustration of Kabuki techniques.

America’s third largest city until 1890, Brooklyn, New York, had a striking theatrical culture before it became a borough of Greater New York in 1898. As the city gained size and influence, more and more theatres arose, with at least 15 venues ultimately vying for favor. But, for all its productivity, too many theatregoers preferred the discomforts of a ferry and horsecar trip to New York’s playhouses instead of supporting the local product. Nor did the completion of the Brooklyn Bridge in 1883 do Brooklyn’s theatres any favors. Manhattan’s Goliath slayed Brooklyn’s David.This first comprehensive study of Brooklyn’s old-time theatre describes the city’s early history, each of its many playhouses, its plays and actors (including nearly every foreign and domestic star), and its scandals and catastrophes, including the theatre fire that killed nearly 300. Brooklyn’s ongoing struggle to establish theatres in a society dominated by anti-theatrical preachers, including Henry Ward Beecher, is observed, as are all the ways that Brooklyn typified 19th century American theatre, from stock companies to combinations. Replete with fascinating anecdotes, this is the story of a major city from which theatre all but vanished before being reborn as a present-day artistic mecca.

Two pioneering researchers identify key causes of workplace burnout and reveal what managers can do to promote increased productivity and health. Burnout is among the most significant on-the-job hazards facing workers today. It is also among the most misunderstood. In particular, we tend to characterize burnout as a personal issue-a problem employees should fix themselves by getting therapy, practicing relaxation techniques, or changing jobs. Christina Maslach and Michael P. Leiter show why this is not the case. Burnout also needs to be managed by the workplace. Citing a wealth of research data and drawing on illustrative anecdotes, The Burnout Challenge shows how organizations can change to promote sustainable productivity. Maslach and Leiter provide useful tools for identifying the signs of employee burnout, most often exhaustion, cynicism, and ineffectiveness. They also advise managers on assembling and interpreting worker self-evaluation surveys, which can reveal workplace problems and potential solutions. And when it comes to implementing change, Maslach and Leiter offer practical, evidence-driven guidance. The key, they argue, is to begin with less-taxing changes that employees nonetheless find meaningful, seeding the ground for more thorough reforms in the future. Experts estimate that more than $500 billion and 550 million workhours are lost annually to on-the-job stress, much of it caused by dysfunctional work environments. As priorities and policies shift across workplaces, The Burnout Challenge provides pragmatic, creative, and cost-effective solutions to improve employee efficiency, health, and happiness.

The most reliable source for data on productions of the New York stage, both Broadway and Off Broadway, is now complete from 1920 through 1950 with the publication of this third volume devoted to the 1940s. The volumes for 1920-1930 and 1930-1940 have been called invaluable, indispensable, essential, and other superlatives by reviewers, widely utilized by theatre scholars and researchers, consulted by companies producing revivals, and quoted by Playbill magazine in answering readers' queries. The continuing series represents a remarkable achievement for theatre historian Samuel Leiter, who singlehandedly has set out to provide such detailed coverage of New York theatre in the twentieth century.

Like its predecessor volumes, "The Encyclopedia of the New York Stage, 1940-1950" provides a description of every legitimate production--play, musical, revue, or revival; English-language or foreign-language, domestic or import--staged in the New York professional theatre and reviewed by the press during the decade: in this case, nearly 1150 productions. Each listing begins with genre designation and subject categorization and proceeds to writing and production credits, theatre, opening dates, and run. The narrative text that follows, provides, along with plot summary, a lively account of background, anecdotal commentary from biographies and autobiographies, and critical responses to play and production with reference to and quotes from reviews. Ten appendixes offer listings of plays chronologically and in categories as well as play sources, awards, information on theatres, institutional theatres, foreign companies, reviewers, and various statistics. A selected bibliography and indexes of proper names and titles complete the work. The volume introduction is itself a history of New York theatre in the period of World War II and its aftermath. It deals with the hazardous business of theatre, both commercial and nonprofit, with the critical establishment of the day, with the increasing professionalism of Off Broadway, with ethnic theatre and visiting companies, and provides a fascinating overview of production highlights. Although the 1940s is not regarded as a landmark era in American theatre, it did see first productions of such classics as Tennessee Williams's "A Streetcar Named Desire," Arthur Miller's "Death of a Salesman," and Rodgers and Hammerstein's breakthrough musical "Oklahoma " This volume and the predecessor volumes of this encyclopedia series are indispensable reference tools.

A new collection of Saul Leiter's work, much of it published here for the first time. Saul Leiter remained relatively unsung until he was rediscovered by curators and critics in his early 80s, and his work has been drastically re-evaluated over the last two decades. Leiter's painterly images evoked the flow and rhythm of life on the mid-century streets of New York in luminous colour, at a time when his contemporaries were shooting in black and white. His complex and impressionistic photographs are as much about evoking an atmosphere as nailing the decisive moment. In recent years, Leiter has been in the spotlight more and more with a series of exhibitions and publications. His studio in New York's East Village, where he had lived since 1952 until his death in 2013, is now the home of the Saul Leiter Foundation. The foundation has begun a full-scale survey and organization of his more than 80,000 works, with the aim of compiling the 'complete' archive. This volume contains works discovered through this process, valuable documents that reveal the secrets of Saul Leiter's creation, unpublished works, popular colour works and black-and-white works that have not been published so far, as well as works that trace the memories of those closest to him taken in private. As Saul Leiter said, 'Photographs are often treated as capturing important moments, but they are really small fragments and memories of the world that never ends.' This is Forever Saul Leiter.