Architecture requires a broad definition. It involves more than simply questions of style, esoteric theory, or technical progress; it is the physical record of a culture's relationship to its technology and the land, and, most important, of the system of values concerning men's relationships with one another. Hence this volume, like my Concise Hist

More than fifteen years after the success of the first edition, this sweeping introduction to the history of architecture in the United States is now a fully revised guide to the major developments that shaped the environment from the first Americans to the present, from the everyday vernacular to the high style of aspiration. Eleven chronologically organized chapters chart the social, cultural, and political forces that shaped the growth and development of American towns, cities, and suburbs, while providing full description, analysis, and interpretation of buildings and their architects.The second edition features an entirely new chapter detailing the green architecture movement and architectural trends in the 21st century. Further updates include an expanded section on Native American architecture and contemporary design by Native American architects, new discussions on architectural education and training, more examples of women architects and designers, and a thoroughly expanded glossary to help today's readers. The art program is expanded, including 640 black and white images and 62 new color images. Accessible and engaging, American Architecture continues to set the standard as a guide, study, and reference for those seeking to better understand the rich history of architecture in the United States.

Architecture requires a broad definition. It involves more than simply questions of style, esoteric theory, or technical progress; it is the physical record of a culture's relationship to its technology and the land, and, most important, of the system of values concerning men's relationships with one another. Hence this volume, like my Concise History of American Architecture, deals with all the spatial and environmental arts. Conceived as a companion volume to the Concise History, this similarly surveys architecture, landscape architecture, and planning from the arrival of European settlers up to 1980. Like the Concise History, this sampling of source documents is offered in the hope of spurring the reader to further investigation.

More than fifteen years after the success of the first edition, this sweeping introduction to the history of architecture in the United States is now a fully revised guide to the major developments that shaped the environment from the first Americans to the present, from the everyday vernacular to the high style of aspiration. Eleven chronologically organized chapters chart the social, cultural, and political forces that shaped the growth and development of American towns, cities, and suburbs, while providing full description, analysis, and interpretation of buildings and their architects. The second edition features an entirely new chapter detailing the green architecture movement and architectural trends in the 21st century. Further updates include an expanded section on Native American architecture and contemporary design by Native American architects, new discussions on architectural education and training, more examples of women architects and designers, and a thoroughly expanded glossary to help today's readers. The art program is expanded, including 640 black and white images and 62 new color images. Accessible and engaging, American Architecture continues to set the standard as a guide, study, and reference for those seeking to better understand the rich history of architecture in the United States.

As China struggled to redefine itself at the turn of the twentieth century, nationalism, religion, and material culture intertwined in revealing ways. This phenomenon is evident in the twin biographies of North China's leading Catholic bishop of the time, Alphonse Favier (1837-1905), and the Beitang cathedral, epicenter of the Roman Catholic mission in China through incarnations that began in 1701. After its relocation and reconstruction under Favier's supervision, the cathedral-and Favier-miraculously survived a two-month siege in 1900 during the Boxer Rebellion. Featuring a French Gothic Revival design augmented by Chinese dragon-shaped gargoyles, marble balustrades in the style of Daoist and Buddhist temples, and other Chinese aesthetic flourishes, Beitang remains an icon of Sino-Western interaction. Anthony Clark draws on archival materials from the Vatican and collections in France, Italy, China, Poland, and the United States to trace the prominent role of French architecture in introducing Western culture and Catholicism to China. A principal device was the aesthetic imagined by the Gothic Revival movement of the eighteenth and nineteenth centuries, the premier example of this in China being the Beitang cathedral. Bishop Favier's biography is a lens through which to examine Western missionaries' role in colonial endeavors and their complex relationship with the Chinese communities in which they lived and worked.