Advertising is selling us a dream, a lifestyle. It promises us fulfilment and tells us where to buy it – in international flights, beef from (what was once) the Amazon, and a vast array of goods we consume like there is no tomorrow. And if advertising succeeds in keeping us on our current trajectory – there may not be a tomorrow. In Badvertising, Andrew Simms and Leo Murray raise the alarm on an industry that is making us both unhealthy and unhappy, and that is driving the planet to the precipice of environmental collapse in the process. The book asks what is the psychological impact of being barraged by literally thousands of advertisements a day? How does the commercialisation of our public spaces weaken our sense of belonging? What are the pitfalls of regulation? How are car manufacturers, airlines and oil companies lobbying to weaken climate action? And most crucially of all, what can we do to stop it?

Sound Design Theory and Practice is a comprehensive and accessible guide to the concepts which underpin the creative decisions that inform the creation of sound design. A fundamental problem facing anyone wishing to practice, study, teach or research about sound is the lack of a theoretical language to describe the way sound is used and a comprehensive and rigorous overarching framework that describes all forms of sound. With the recent growth of interest in sound studies, there is an urgent need to provide scholarly resources that can be used to inform both the practice and analysis of sound. Using a range of examples from classic and contemporary cinema, television and games this book provides a thorough theoretical foundation for the artistic practice of sound design, which is too frequently seen as a 'technical' or secondary part of the production process. Engaging with practices in film, television and other digital media, Sound Design Theory and Practice provides a set of tools for systematic analysis of sound for both practitioners and scholars.

Sound Design Theory and Practice is a comprehensive and accessible guide to the concepts which underpin the creative decisions that inform the creation of sound design. A fundamental problem facing anyone wishing to practice, study, teach or research about sound is the lack of a theoretical language to describe the way sound is used and a comprehensive and rigorous overarching framework that describes all forms of sound. With the recent growth of interest in sound studies, there is an urgent need to provide scholarly resources that can be used to inform both the practice and analysis of sound. Using a range of examples from classic and contemporary cinema, television and games this book provides a thorough theoretical foundation for the artistic practice of sound design, which is too frequently seen as a 'technical' or secondary part of the production process. Engaging with practices in film, television and other digital media, Sound Design Theory and Practice provides a set of tools for systematic analysis of sound for both practitioners and scholars.

Three stories run through this book. One story comes from a collection of eyewitness accounts of combat. Intense, personal and often laced with dark humour, this story ties readers to the experience of combat. It encourages readers to see war through a soldier’s eyes. The main body tells the second story. This describes the hard science of tactical psychology, from its basic components to its most compelling effects. Each chapter comes with a key fact: • The strength of aversion to killing. • How many artillery shells or rifle bullets are needed to pin down a unit • The extent to which combat degrades rational thought. These facts are linked to build through the book. Together, they provide a complete picture of how soldiers react to combat and how wars can be won by understanding the way enemy soldiers think. The third story is woven through the scientific themes and tied to the eyewitness accounts. It tells how the author was sucked into a secretive world of fighters and thinkers. War Games is a fascinating insight into how the human mind operates in combat situations.