"No one, among American writers, was more contemporary or had a more powerful grasp of American history and American myth," writes Leon Edel of Henry James. This collection of James's essays on American letters, together with some of his miscellaneous writings on other American subjects, is a pivotal document in the reassessment of James as less cloistered--and more American--than previously supposed. James is relaxed and informal as he writes of Emerson, Hawthorne, Lowell, Godkin, Norton, and Howells: he is fondly recalling--but also criticizing--the cultural orthodoxy in which he was reared. The American Essays remarkably prefigures current efforts to revise and challenge the aesthetic idealism of the Emersonian tradition.

This is a new release of the original 1947 edition.

This is a new release of the original 1947 edition.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Unlike her ubiquitous brothers, psychologist and philosopher William and novelist Henry, Jr., Alice James (1848-1892)-the youngest child and only daughter of the wealthy, mercurial, and eccentric New Englander Henry James, Sr.-passed much of her brief lifetime at home, largely isolated from society, unafforded the opportunity to receive extensive formal education or to attain the public success or recognition of her famous siblings. She was, in many ways, a victim of a society that severely circumscribed the lives of women, and that deprived even privileged and talented women like Alice of their intellectual, spiritual, and emotional-as well as physical-freedom. Indeed, James spent many of her years as an invalid, afflicted with a depressive malaise that left her constantly trying to recover a sense of identity and integrity.
Yet, within the pages of the journal she kept during the last four years of her life, Alice James emerges neither as a downtrodden casualty of her era nor as merely an interesting footnote to the illustrious James family saga, but rather as a formidable and triumphant individual in her own right. Far from displaying any wholesale acceptance of the ruling assumptions about her gender-or, for that matter, about anything else-James's diary reveals a vigorously opinionated, intellectually curious, extremely gifted writer renegotiating her position within the discourses of her time.
Long unavailable to students, scholars, and the general reader, this volume reprints Leon Edel's 1964 edition, which is widely accepted as the most faithful reproduction of the original diary. A new introduction by Linda Simon draws extensively on recent scholarship to illuminate James's role both in the context of her family and nineteenth-century culture.

The Pulitzer Prize-winning biographer of Henry James presents here a revision of his Literary Biography expanded with six further essays illuminating what he calls the New Biography an approach that draws on the resources of psychoanalysis, the biographer s own subjectivity, and the skills of the novelist. Mr. Edel includes a history of the art of biography since Boswell, criticism of some of the best-known biographers, advice for the biographer on documentation and the use of psychological theory, and a discussion of what Edel calls the supreme problem in biography transference, the life-writer s emotional involvement with his or her subject."

This volume, the conclusion of Leon Edel's splendid edition, rounds off a half century of work on James by the noted biographer-critic. In the letters of the novelist's last twenty years a new Henry James is revealed. Edel's generous selection shows us, as he says, a "looser, less formal, less distant" personality, a man writing with greater candor and with more emotional freedom, who "has at last opened himself up to the physical things of life."

The decade embracing the turn of the century is the most productive period of James's career. Happily settled in an English country house and now dictating to a typist, he is able to write "The Ambassadors," "The Wings of the Dove," and "The Golden Bowl" in three years. The letters show clearly how his fiction turned from his world-famous tales of international society to the life of passion in his last novels.

His new friends and correspondents include Conrad, H. G. Wells, Stephen Crane, Edith Wharton, and several young men to whom he writes curious, half-inhibited love letters. Mrs. Wharton, with her chauffered "chariot of fire," introduces him to the thrill of motoring and welcomes him into her cosmopolitan circle; to him she embodies the affluence and driving energy of the America of the Gilded Age. For the first time in over twenty years he revisits his homeland, traveling not only in the East but through the South to Florida and west to California. He is dismayed by the materialism he finds and the changed ways of life. Back in England, he plunges into several projects; for the New York edition of his works he revises the early novels and writes his famous prefaces. His relations with agents and publishers as well as familyand friends are fully documented in the letters, as are his trips to the Continent and visits with Edith Wharton in Paris.

His last years are darkened by a long siege of nervous ill health and by the death of his beloved brother William. But he carries on, moves back to London, and continues to work. Among the most eloquent of all his letters are those describing his anguished reaction to the Great War. To show his allegiance to the Allied cause, he becomes a British citizen, six months before his death. The volume concludes with his "final and fading words" dictated on his deathbed.

Edmund Wilson has written a new introduction to his classic study of the modern conception of history in the West, and has restored the appendices which appeared in the first edition of 1940 but were dropped from subsequent editions. The book takes its title from the scene of Lenin's arrival from Germany in April 1917, ready to take over the leadership of the Russian Revolution and in doing so bring to a climax the political and intellectual movements which are the subject of this study.

"Henry D. Thoreau - American Writers 90 " was first published in 1970. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

"Henry James - American Writers 4 " was first published in 1960. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.