The first NATO Advanced Workshop on Quantum Tunneling of Magnetization (QTM) was organized and co-directed by Bernard Barbara, Leon Gunther, Nicolas Garcia, and Anthony Leggett and was held from June, 27 through July 1, 1994 in Grenoble and Chichilianne, France. These Proceedings include twenty-nine articles that represent the contributions of the participants in the Workshop. Quantum Tunneling of Magnetization is not only interesting for purely academic reasons. It was pointed out in the review article by L. Gunther in the December, 1990 issue of Physics World, that QTM may be destined to play a significant role within the next two decades in limiting the density of information storage in magnetic systems. Recent advances have indicated that this limitation may well be reached even earlier than first predicted. Furthermore, the number of people who have entered the field of study of QTM during these past few years has increased many fi)ld. The time was therefore opportune to hold a Workshop to bring together for the first time the leading researchers of QTM, both theoretical and experimental, so as to discuss the current status of the field. The most controversial issue at the time of the Workshop was how to establish r.eliable criteria for determining whether experimental results do indeed reveal manifestations of QTM. We believe that much progress was made at the Workshop on this issue.

The Physics of Music and Color deals with two subjects, music and color - sound and light in the physically objective sense - in a single volume. The basic underlying physical principles of the two subjects overlap greatly: both music and color are manifestations of wave phenomena, and commonalities exist as to the production, transmission, and detection of sound and light. This book aids readers in studying both subjects, which involve nearly the entire gamut of the fundamental laws of classical as well as modern physics. Where traditional introductory physics and courses are styled so that the basic principles are introduced first and are then applied wherever possible, this book is based on a motivational approach: it introduces a subject by demonstrating a set of related phenomena, challenging readers by calling for a physical basis for what is observed. The Physics of Music and Color is written at level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. It contains numerous problems at the end of each chapter that help the reader to fully grasp the subject.

The first NATO Advanced Workshop on Quantum Tunneling of Magnetization (QTM) was organized and co-directed by Bernard Barbara, Leon Gunther, Nicolas Garcia, and Anthony Leggett and was held from June, 27 through July 1, 1994 in Grenoble and Chichilianne, France. These Proceedings include twenty-nine articles that represent the contributions of the participants in the Workshop. Quantum Tunneling of Magnetization is not only interesting for purely academic reasons. It was pointed out in the review article by L. Gunther in the December, 1990 issue of Physics World, that QTM may be destined to play a significant role within the next two decades in limiting the density of information storage in magnetic systems. Recent advances have indicated that this limitation may well be reached even earlier than first predicted. Furthermore, the number of people who have entered the field of study of QTM during these past few years has increased many fi)ld. The time was therefore opportune to hold a Workshop to bring together for the first time the leading researchers of QTM, both theoretical and experimental, so as to discuss the current status of the field. The most controversial issue at the time of the Workshop was how to establish r.eliable criteria for determining whether experimental results do indeed reveal manifestations of QTM. We believe that much progress was made at the Workshop on this issue.

This undergraduate textbook aids readers in studying music and color, which involve nearly the entire gamut of the fundamental laws of classical as well as atomic physics. The objective bases for these two subjects are, respectively, sound and light. Their corresponding underlying physical principles overlap greatly: Both music and color are manifestations of wave phenomena. As a result, commonalities exist as to the production, transmission, and detection of sound and light. Whereas traditional introductory physics textbooks are styled so that the basic principles are introduced first and are then applied, this book is based on a motivational approach: It introduces a subject with a set of related phenomena, challenging readers by calling for a physical basis for what is observed. A novel topic in the first edition and this second edition is a non-mathematical study of electric and magnetic fields and how they provide the basis for the propagation of electromagnetic waves, of light in particular. The book provides details for the calculation of color coordinates and luminosity from the spectral intensity of a beam of light as well as the relationship between these coordinates and the color coordinates of a color monitor. The second edition contains corrections to the first edition, the addition of more than ten new topics, new color figures, as well as more than forty new sample problems and end-of-chapter problems. The most notable additional topics are: the identification of two distinct spectral intensities and how they are related, beats in the sound from a Tibetan bell, AM and FM radio, the spectrogram, the short-time Fourier transform and its relation to the perception of a changing pitch, a detailed analysis of the transmittance of polarized light by a Polaroid sheet, brightness and luminosity, and the mysterious behavior of the photon. The Physics of Music and Color is written at a level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. The numerous problems at the end of each chapter help the reader to fully grasp the subject.