"A Meteor of Intelligent Substance""Something was Missing in our Culture, and Here It Is""Liberties is THE place to be. Change starts in the mind." Liberties, a journal of Culture and Politics, is essential reading for those engaged in the cultural and political issues and causes of our time. Liberties features serious, independent, stylish, and controversial essays by significant writers and leaders throughout the world; new poetry; and, introduces the next generation of writers and voices to inspire and impact the intellectual and creative lifeblood of today's culture and politics. This issue of Liberties includes: new work from Nobel Prize winner Mario Vargas Llosa; drawings by Leonard Cohen published for the first time; Mamtimin Ala's essay on China's genocide of the Uyghurs; Jaroslaw Anders' analysis of the crisis in Belarus; Cass R. Sunstein on liberalism inebriated; Richard Thompson Ford on what slavery does and does not explain; Sean Wilentz on the historical strategy of the Republican Party; Benjamin Moser writes about translation as a form of tourism in literary life; Jonathan Zimmerman on the scandal of college teaching; Mark Lilla on cults of innocence and their victims; Helen Vendler on Adrienne Rich; Holly Brewer on race and enlightenment; David Thomson asks, What shall we watch now?; Celeste Marcus (managing editor) on the legend of Alice Neel; Leon Wieseltier (editor) on Zionism's beautiful stubbornness of survival; and new poetry from Ange Mlinko and Shaul Tchernikhovsky, translated by Robert Alter.

"A Meteor of Intelligent Substance" "Something was Missing in our Culture, and Here It Is" "Liberties sure is needed in these times." In a short time since its launch, Liberties - A Journal of Culture and Politics, a quarterly, has become essential reading for those engaged in the cultural and political issues and causes of our time. The writers in Liberties offer deep experience from across borders, national identities, political affiliations and artistic achievements. As the introductory essay in the inaugural edition noted, "At this journal we are betting on what used to be called the common reader, who would rather reflect than belong and asks of our intellectual life more than a choice between orthodoxies." Each issue of Liberties features original in-depth essays and compelling new poetry from some of the world's most significant writers, artists, and scholars, as well as introducing new talent, to inspire and impact the intellectual and creative lifeblood of today's culture and politics. This spring issue of Liberties includes: Giles Kepel on the Murder of Samuel Paty; Ingrid Rowland's Long Live the Classics!; Vladimir Kara-Murza Surviving Putin's Poisons; Paul Starr on Reckoning with National Failure from Covid; Becca Rothfeld on Today's Sanctimony Literature; Enrique Krauze explores What is Latin America?; William Deresiewicz on Why Great Visual Art Forces Us to Think; Benjamin Moser on Rediscovering Frans Hals; David Nirenberg on What We Can Learn from Earlier Plagues; Agnes Callard's view of Romance without Love, Love without Romance; Mitchell Abidor looks back to "Social Media" in 1895 to Understand a Crowd's "Wisdom"; The Tallis Scholars' Peter Phillips on the Secrets of Josquin; David Thomson on Movies' Poetic Desire; Poetry from Henri Cole, Chaim Nachman Bialik, and Paul Muldoon; and, Leon Wieseltier (editor) asks "Where Are the Americans?" and Celeste Marcus (managing editor) writes for a Pluralistic Heart.

"A Meteor of Intelligent Substance" "Something was Missing in our Culture, and Here It Is" Liberties - A Journal of Culture and Politics features new essays and poetry from some of the world's best writers and artists to inspire and impact the intellectual and creative lifeblood of our current culture and today's politics. This summer issue of Liberties includes: Elliot Ackerman on Veterans Are Not Victims; Durs Grunbein on Fascism and the Writer; R.B. Kitaj's Three Tales; Thomas Chatterton Williams on The Blessings of Assimilation; Anita Shapira on The Fall of Israel's House of Labor; Sally Satel on Woke Medicine; Matthew Stephenson On Corruption's Honey and Poison; Helen Vender on Wallace Stevens; David Haziza on Illusions of Immunity; Paul Berman on the Library of America; Clara Collier's nostalgia for strong women in film; Michael Kimmage on American Inquisitions; Leon Wieseltier (editor) on the high price of Stoicism; Celeste Marcus (managing editor) on a Native American Tragedy; and new poetry from Adam Zagajewski, A.E. Stallings, and Peg Boyers.

"A Meteor of Intelligent Substance" "Something was Missing in our Culture, and Here It Is" "Liberties is THE place to be." Liberties, a journal of Culture and Politics, is essential reading for those engaged in the cultural and political issues and causes of our time. Liberties features serious, independent, stylish, and controversial essays by significant writers and leaders throughout the world; new poetry; and, introduces the next generation of writers and voices to inspire and impact the intellectual and creative lifeblood of today's culture and politics. In this issue of Liberties: Laura Kipnis on Genders Without Fear; Dorian Abbot's call to arms - Science to Politics: Drop Dead; Bernard Henri-Levy on What is Reading?; Bruce D. Jones on today's reality of Taiwan, China, America; David Greenberg examines The War on Objectivity; Helen Vendler on Art vs. Stereotypes through the work of Marianne Moore; Ingrid Rowland captures Thucydides on our Conflicts; David A. Bell exposes the Greatest Enemy of Democracy in France; Robert Cooper reports on Myanmar, Atrocity in the Garden of Eden; Steven M. Nadler on Bans and Excommunications, Then and Now; Morten Hoi Jensen on the State of Literary Biography; Clara Collier on Women with Whips - Joan Crawford, Marlene Dietrich, Barbara Stanwyck; Celeste Marcus on Unknown Heroes of Modern Art; Leon Wieseltier reveals Christianism in Modern Politics; and, new poetry from Durs Grunbein, Nathaniel Mackey, and Haris Vlavianos.

"A Meteor of Intelligent Substance" "Something was Missing in our Culture, and Here It Is" "Invaluable" "Liberties is THE place to be. Change starts in the mind." Liberties, a journal of Culture and Politics, is essential reading for those engaged in the cultural and political issues and causes of our time. Liberties features serious, independent, stylish, and controversial essays by significant writers and leaders throughout the world; new poetry; and, introduces the next generation of writers and voices to inspire and impact the intellectual and creative lifeblood of today's culture and politics. In this issue of Liberties: Cass R. Sunstein - The Supreme Court Gone Wrong; Carissa Veliz - Digitization is Surveillance; Ekaterina Pravilova - The Autocrat's War; Richard Taruskin - What is Bad Taste; Jonathan Zimmerman - Memoirs of a White Savior; Richard Wolin - The Cult of Carl Schmitt; Mark Polizzotti - Surrealism and Cancellation; Andrew Butterfield - Dante During Covid; Scott Spillman - The Strange History of the Slave Songs; Leora Batnitzky - The Sacrifice of Edith Stein; Helen Vendler - Sylvia Plath on Motherhood; Jared Marcel Pollen - Was Havel Right?; Celeste Marcus - The Curse of the Radical Israeli Right; Leon Wieseltier - The Future of Nature; and new poems by Claire Malroux, Marissa Grunes, Paula Bohince.

Bringing together the thoughts of one of American literature's sharpest cultural critics, this compendium will open the eyes of a whole new audience to the work of Lionel Trilling. Trilling was a strenuous thinker who was proud to think "too much." As an intellectual he did not spare his own kind, and though he did not consider himself a rationalist, he was grounded in the world.This collection features 32 of Trilling's essays on a range of topics, from Jane Austen to George Orwell and from the Kinsey Report to "Lolita," Also included are Trilling's seminal essays "Art and Neurosis" and "Manners, Morals, and the Novel." Many of the pieces made their initial appearances in periodicals such as "The Partisan Review" and "Commentary"; most were later reprinted in essay collections. This new gathering of his writings demonstrates again Trilling's patient, thorough style. Considering "the problems of life"--in art, literature, culture, and intellectual life--was, to him, a vital occupation, even if he did not expect to get anything as simple or encouraging as "answers." The intellectual journey was the true goal.No matter the subject, Trilling's arguments come together easily, as if constructing complicated defenses and attacks were singularly simple for his well-honed mind. The more he wrote on a subject and the more intricate his reasoning, the more clear that subject became; his elaboration is all function and no filler. Wrestling with Trilling's challenging work still yields rewards today, his ideas speaking to issues that transcend decades and even centuries.

Henry Fairlie was one of the most colorful and trenchant journalists of the twentieth century. The British-born writer made his name on Fleet Street, where he coined the term "The Establishment," sparred in print with the likes of Kenneth Tynan, and caroused with Kingsley Amis, among many others. In America his writing found a home in the pages of the" New Yorker" and other top magazines and newspapers. When he died, he was remembered as "quite simply the best political journalist, writing in English, in the last fifty years."

Remarkable for their prescience and relevance, Fairlie's essays celebrate Winston Churchill, old-fashioned bathtubs, and American empire; they ridicule Republicans who think they are conservatives and yuppies who want to live forever. Fairlie is caustic, controversial, and unwavering--especially when attacking his employers. With an introduction by Jeremy McCarter, "Bite the Hand That Feeds You "restores a compelling voice that, among its many virtues, helps Americans appreciate their country anew.

When Leon Wieseltier's father died in 1996, he began to observe the rituals of the traditional year of mourning, going daily to the synagogue to recite the Kaddish. This is the story of Wieseltier's search for an understanding of the Kaddish.

Winner of the 1998 National Jewish Book Award

"An astonishing fusion of learning and psychic intensity; its poignance and lucidity should be an authentic benefit to readers, Jewish and gentile." --The New York Times Book Review

Children have obligations to their parents: the Talmud says "one must honor him in life and one must honor him in death." Leon Wieseltier, a diligent but doubting son, recites the Jewish prayer of mourning at his father's grave, and then embarks on the traditional year of saying the kaddish daily.

Wieseltier's highly acclaimed Kaddish is the spiritual and thoughtful journal of one of America's most brilliant intellectuals. Driven to explore th origins of the kaddish, from the ancient legend of a wayeard ghost to a 17th-century Ukranian pogrom, he offers as well a mourner's response to the questions of fate, freedom, and faith stirred up in death's wake. Lyric, learned, and deeply moving, Kaddish>/b> is suffused with love: a son's embracing of the traditon bequethed to him by his father, a scholar's savoring of its beauty, and a writer's revealing it, proudly unadorned, to the reader.