Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Growing is a portrait of a young man sent straight out from university to help govern Ceylon. It is doubtful that any Empire at any time has been served by such an intelligent, dutiful, hardworking and incorruptible civil servant as the young Leonard Woolf. He was determined to do what was good but discovered for himself that colonial rule, be it ever so high-minded, is fated to do wrong. Growing is also a deeply affectionate account of the mystery, magic and savage beauty of Ceylon at the turn of the century, an island whose diverse beliefs and cultures Woolf had the time and wit to explore in detail.

This classic novel of colonial Ceylon (Sri Lanka), was first published in 1913 and is written by a prominent member of the Bloomsbury group, husband of Virginia Woolf. It reads as if Thomas Hardy had been born among the heat, scent, sensuality and pungent mystery of the tropics. Translated into both Tamil and Sinhalese, it is one of the best-loved and best-known stories in Sri Lanka. It includes a new biographical afterword by Sir Christopher Ondaatje, author of "Woolf in Ceylon", and a short story, "Pearls before Swine", which vividly draws on Woolf's experience as a young District Commissioner. This book reeks of first-hand knowledge of the colonial experience, and of its profound, malign disregard for the psychology and culture of its subject peoples.

"The Wise Virgins" (1913) is a semi-autobiographical novel about a dilemma: whether Harry, the hero, should go into the family business and marry the suitable but dull girl next door or move in artistic circles and marry one of the entrancing 'Lawrence' girls. For, as Lyndall Gordon writes in her Persephone Preface: 'It is a truth widely acknowledged that Camilla Lawrence is a portrait of the author's wife - Virginia Woolf.' This is one reason why the novel is so intriguing. But it is also a Forsterian social comedy, funny, perceptive, highly intelligent, full of clever dialogue and at times bitterly satirical; while the dramatic and emotional denouement still retains a great deal of its power to shock. It was on his honeymoon in 1912 that Leonard Woolf began writing his second (and final) novel. He was 31, newly returned from seven years as a colonial administrator, and asking himself much the same questions as his hero. Helen Dunmore wrote in "The Sunday Times": 'It's a passionate, cuttingly truthful story of a love affair between two people struggling against the prejudices of their time and place. Woolf's writing is almost unbearably honest.'

In this book, first published in 1940, Leonard Woolf lays out the necessity for the establishment of a system providing for the rule of international law and cooperation, control of international power and collective defence against international aggression. He lays bare the issues at stake in the Second World War and draws lines on which a lasting peace could be framed.

In this book, first published in 1940, Leonard Woolf lays out the necessity for the establishment of a system providing for the rule of international law and cooperation, control of international power and collective defence against international aggression. He lays bare the issues at stake in the Second World War and draws lines on which a lasting peace could be framed.

In this title, originally published in 1920, Leonard Woolf traces the history of economic imperialism and explores the relations of Europe and Africa since 1876. This analysis of economic imperialism helped to shape attitudes to colonialism for more than one generation of radicals and socialists, and still has the power to influence and inform today.

In this title, originally published in 1920, Leonard Woolf traces the history of economic imperialism and explores the relations of Europe and Africa since 1876. This analysis of economic imperialism helped to shape attitudes to colonialism for more than one generation of radicals and socialists, and still has the power to influence and inform today.