Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Leonid Nikolaievich Andreyev (1871-1919) was a Russian playwright and short-story writer who led the Expressionist movement in the national literature. He was active between the 1905 revolution and the Communist revolution which overthrew the Tsarist government.

This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.

This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Sergey did not know that the colonel, having locked himself all the previous night in his little study, had deliberated upon this ritual with all his power. "We must not aggravate, but ease the last moments of our son," resolved the colonel firmly, and he carefully weighed every possible phase of the conversation, every act and movement that might take place on the following day. But somehow he became confused, forgetting what he had prepared, and he wept bitterly in the corner of the oilcloth-covered couch. In the morning he explained to his wife how she should behave at the meeting.

1915. A collection of stories that seem to be tinged with even more than the ordinary tone of sadness found in the works of Russian writers. An abstract idea is the germ of each of his tales. Andreyev's story, Silence, serves as an example of his method: The silence of the frightened girl, dying with her secret, and of her mother, stricken, through shock, with paralysis, crushes the pride of the priest whose training has so stiffened his nature that he cannot express or welcome affection. He cries for help; he entreats them to show him pity. His daughter lies dead; his wife motionless. Contents: The Little Angel; At the Roadside Station; Snapper; The Lie; An Original; Petka at the Bungalow; Silence; Laughter; The Friend; In the Basement; The City; The Marseillaise; The Tocsin; Bargamot and Garaska; and Stepping-Stones.

THIS 98 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: The Best Russian Short Stories, by Leonid Andreyev. To purchase the entire book, please order ISBN 1417915854.

1915. A collection of stories that seem to be tinged with even more than the ordinary tone of sadness found in the works of Russian writers. An abstract idea is the germ of each of his tales. Andreyev's story, Silence, serves as an example of his method: The silence of the frightened girl, dying with her secret, and of her mother, stricken, through shock, with paralysis, crushes the pride of the priest whose training has so stiffened his nature that he cannot express or welcome affection. He cries for help; he entreats them to show him pity. His daughter lies dead; his wife motionless. Contents: The Little Angel; At the Roadside Station; Snapper; The Lie; An Original; Petka at the Bungalow; Silence; Laughter; The Friend; In the Basement; The City; The Marseillaise; The Tocsin; Bargamot and Garaska; and Stepping-Stones.

Judas on his part pretended to believe in the extraordinary ignorance of the chief priest, and spoke in detail of the preaching of Jesus, of His miracles, of His hatred for the Pharisees and the Temple, of His perpetual infringement of the Law, and eventually of His wish to wrest the power out of the hands of the priesthood, and to set up His own personal kingdom. And so cleverly did he mingle truth with lies, that Annas looked at him more attentively, and lazily remarked: "There are plenty of impostors and madmen in Judah."