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This guide to Sanskrit metrics and figures of speech can be used as
a workbook for learning how to chant verses. It includes
fully-worked examples of the most popular types of verse. The book
has six sections: 1. "Poetic elements in Sanskrit literature"
explains the extensive use of verse in Indian texts. 2.
"Introduction to Metrics" gives a clear overview of Sanskrit
prosody. 3. "A Treasury of Common Meters" includes fully-worked
examples of verses drawn from many sources. 4. "Figures of Speech"
explains similes, metaphors, and other poetic uses of language. 5.
"Figures of Sound" explains techniques that affect sound, such as
rhyme and alliteration. 6. A metrical analysis of the
Hathapradipika, the best-known work on Hatha Yoga, is included. An
Introduction to the Hathapradipika by Anthony Biduck summarizes key
spiritual and philosophical ideas of Hatha Yoga. Includes a
Foreword by Consulting Editor Ram Karan Sharma, References,
Bibliography, Glossary, Index, and Appendices.
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Bhagavadgita (Paperback)
Carol Pitts, Les Morgan; Edited by Les Morgan
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R452
Discovery Miles 4 520
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Ships in 10 - 15 working days
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This ancient Chinese classic will put more balance and
understanding into your life. The Tao Te Ching is a cornerstone of
the world's wisdom literature. It is one of the most succinct yet
profound spiritual texts ever written. Despite the simplicity of
its message, it is one of the most influential Taoist texts.
Divided into 81 short sections, the book contains insights into the
"Way" of the natural world around us. The "Way" is Tao. Tao also
means path, method, and other things. You will understand what Tao
is through contemplation and reflection. The Tao Te Ching is
traditionally attributed to a philosopher named Lao-tzu, but even
his existence is debated. His name simply means "Old Master."
Estimates of when it was composed range from the 3rd century to the
6th century BCE. Peter Frentzel (Daisen Ryotoku) brings the work to
life in a concise way that is accessible for the modern reader. His
insightful new interpretation presents the gist of the Tao Te Ching
in simple language that is brief and clear. He elegantly conveys
Lao-tzu's laconic style of writing.
This book examines major theories about spiritual freedom and their
implications as presented in the Brahma Sutras, a major
philosophical work in Indian tradition. The sutras are examined
with regard to the views of major commentators and their connection
with other Indian philosophical texts. Contents includes 1) an
introduction to the Brahma Sutras, 2) a review of English
translations, 3) a review of basic concepts in Indian philosophy,
with emphasis on the importance of Brahman, Liberation, and Maya in
the Upanishads, 4) comparison of how different commentators have
understood the Brahma Sutras, 5) modern interpretations of the
Brahma Sutras, including Dr. Ramamurti Mishra (Brahmananda
Sarasvati). This is a facsimile edition of a Master of Arts
dissertation submitted in 1976.
Nancy Jaicks Alexander is one of the co-founders of the first
prison hospice in the world. She was a member of Elisabeth
Kubler-Ross' teaching and "Life, Death and Transition" workshop
staff. "Just Enough" is a collection of memoirs and short creative
writing pieces.
The author's own awareness of having a diasporic identity was
brought about by my having lived through two historical junctures
of heightened racism in my home countries of Britain and Australia.
As a consequence, this book presents material that relates to
historical moments relevant to the authors lived experience:
Powellism (the far-right British politician Enoch Powells
intervention in 1968 in the field of race relations) and Hansonism
(the racialised terrain of Australia, and Queensland in particular,
that surfaced following the creation of Pauline Hansons One Nation
party from the mid-1990s). The cultural counterweights to Powellism
and Hansonism Rock against Racism, The Black Art Movement and
Pauline Pantsdown each devised novel ways to resist the resurgence
of populist racism. More significantly perhaps, the book will shed
new light on the seemingly exhausted debate concerning art and
protest, by positioning the disaporic sensibility as thinking in
the interval and forging new ways of signifying belonging.
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