New Selected Poems contains Les Murray's gathering from the full range of his poetry, from poems of the 1960s to work from Taller When Prone (2004) and new poems yet to appear in a collection. Les Murray is one of the finest poets writing today; endlessly inventive, his work celebrates the world and the power of the imagination. New Selected Poems is the poet's choice of his essential works: an indispensable collection for readers who already love his poetry, and an ideal introduction for those new to it.

'Bunyah has been my refuge and home place all my life. This book concentrates on the smallest habitats of community, the scattered village and the lone house, where space makes the isolated dwelling into an illusory distant city ruled by its family and their laws.' This updated edition of On Bunyah tells a story of rural Australia in verse and photographs. From blood and fenceposts to broad beans and milk lorries, Les Murray evokes the life and landscape of his part of the country.

The lyric and satirical muses have kept busy with Les Murray. Subhuman Redneck Poems, awarded the 1996 T.S. Eliot Prize, Dog Fox Field (1991), Translations from the Natural World (1993) and Conscious and Verbal (1999) are added to his expanded and corrected volume, bringing the first 60 years of his life into memorable focus. 'It would be as myopic to regard Mr Murray as an Australian poet as to call Yeats an Irishman. He is, quite simply, the one by whom the language lives', Joseph Brodsky said. And Derek Walcott: 'There is no poetry in the English language so rooted in its sacredness, so broad-leafed in its pleasures, and yet so intimate and conversational.'

Australia's greatest and best-loved poet, Les Murray (1938-2019) was awarded the Queen's Gold Medal for Poetry at the nomination of Ted Hughes (1999) and won the T.S. Eliot Award among many other distinctions. He is a poet of deep environmental commitment: born and raised on the land, he died at his farm in Bunyah in New South Wales. Continuous Creation is his last major offering, compiled in his final years at Bunyah and found there after his death. 'There is no poetry in the English language now so rooted in its sacredness, so broad-leafed in its pleasures, and yet so intimate and conversational,' wrote Derek Walcott in the New Republic. This last book, like his earlier collections, is many-toned: he is a comic writer, a satirist, elegist and hymnodist. He is a celebrator. He is a rainbow.

Les Murray's new volume of poems - his first in five years - continues his use of molten language. From 'The Black Beaches' to 'Radiant Pleats, Mulgoa', from 'High Speed Trap Space' to '1960 Brought the Electric', this is verse that renews and transforms our sense of the world. 'No poet has ever travelled like this, whether in reality or simply in mind ...Seeing the shape or hearing the sound of one thing in another, he finds forms.' CLIVE JAMES

This is Les Murray's first new volume of poems since "Poems the Size of Photographs "in 2002. In it we find Murray at his nearmiraculous best. The collection--named for a kind of house distinctive to Murray's native Australia--exhibits both his unfailing grace as a writer and his ability to write in any voice, style, or genre: there are story poems, puns extended to poem length, history--and myths in miniature, aphoristic fragments, and domestic portraits. As ever, Murray's evocation of the natural world is unparalleled in its inventiveness and virtuosity. "The Biplane Houses "is ardent, eloquent, enchanting poetry.

A riveting, beautiful novel in verse by Australia's greatest contemporary poet, winner of the 1996 T. S. Eliot Prize.

I never learned the old top ropes,
I was always in steam.
Less capstan, less climbing,
more re-stowing cargo.
Which could be hard and slow
as farming- but to say

Why this is Valparaiso!

Or: I'm in Singapore and know my way about
takes a long time to get stale
.-from Book I, "The Middle Sea"

When German-Australian sailor Friedrich "Fredy" Boettcher is shanghaied aboard a German Navy battleship at the outbreak of World War I, the sight of frenzied mobs burning Armenian women to death in Turkey causes him, through moral shock, to lose his sense of touch. This mysterious disability, which he knows he must hide, is both protection and curse, as he orbits the high horror and low humor of a catastrophic age.Told in a blue-collar English that regains freshness by eschewing the mind-set of literary language, Fredy's picaresque life-as, perhaps, the only Nordic Superman ever-is deep-dyed in layers of irony and attains a mind-inverting resolution.

Winner of the 1996 T. S. Eliot Prize for the Best Book of Poetry in English
Joseph Brodsky once said of Les Murray: "He is, quite simply, the one by whom the language lives." In these darkly funny and deeply observant "Subhuman Redneck Poems," farmers, fathers, poverty-stricken pioneers, and people blackened by the grist of sugar mills are exposed to the blazing midday sun of Murray's linguistic powers. Richly inventive, tenderly detailed, and fiercely honest, these poems both surprise and expose the human in all of us.

In 1988, shortly after moving from Sydney back to his birthplace in the rural New South Wales hamlet of Bunyah, Les Murray was struck with depression. In the months that followed, the "Black Dog" (as he calls it) ruled his life. He raged at his wife and children. He ducked a parking ticket on grounds of insanity, and begged a police officer to shoot him rather than arrest him. For days on end he lay in despair, a state in which, as he puts it precisely, "you feel beneath help."
"Killing the Black Dog "is Murray's recollection of those awful days: brief, pointed, wise, and full of beauty in the way of his poetry. The prose text--delicately balanced between personal and informative--gives a glimpse of the imprint that depression can leave on a life. The accompanying poems show their roots in his crisis--a crisis from which, he reports toward the close of this poignant book, he has fully recovered. "My thinking is no longer jammed and sooty with resentment," he recalls. "I no longer wear only stretch-knit clothes and drawstring pants. I no longer come down with bouts of weeping or reasonless exhaustion. And I no longer seek rejection in a belief that only bitterly conceded praise is reliable."
"Killing the Black Dog "is a crucial chapter in the life of an outstanding poet.

A bighearted selection from the inimitable Australian poet's diverse ten-book body of work

Les Murray is one of the great poets of the English language, past, present, and future. Learning Human contains the poems he considers his best: 137 poems written since 1965, presented here in roughly chronological order, and including a dozen poems published for the first time in this book.

Murray has distinguished between what he calls the "Narrowspeak" of ordinary affairs, of money and social position, of interest and calculation, and the "Wholespeak" of life in its fullness, of real religion, and of poetry.

Poetry, he proposes, is the most human of activities, partaking of reason, the dream, and the dance all at once -- "the whole simultaneous gamut of reasoning, envisioning, feeling, and vibrating we go through when we are really taken up with some matter, and out of which we may act on it. We are not just thinking about whatever it may be, but savouring it and experiencing it and wrestling with it in the ghostly sympathy of our muscles. We are alive at full stretch towards it." He explains: "Poetry models the fullness of life, and also gives its objects presence. Like prayer, it pulls all the motions of our life and being into a concentrated true attentiveness to which God might speak."

The poems gathered here give us a poet who is altogether alive and at full stretch toward experience. Learning Human, an ideal introduction to Les Murray's poetry, suggests the variety, the intensity, and the generosity of this great poet's work so far.