This volume is dedicated to Jacob Aboudi, a ?ne scientist who has made seminal c- tributions in applied mechanics. The papers presented here re?ect the appreciation of many of Jacob's colleagues. A publication list f- lowing this introduction provides an indi- tion of his distinguished academic career, c- rently in its ?fth decade, and the breadth of hisknowledge. His papersconsistentlydem- strate originality, innovation and diligence. This list uncovers the methodical work of a dedicated researcher whose achievements established him as a leading authority in the area of mathematical modeling of the beh- ior of heterogeneous materials, the area which became known as homogenization theory. Starting in 1981, Jacob established a micromechanical model known as the Method of Cells (MOC) which evolved into the Generalized Method of Cells (GMC) that predicts the macroscopic response of composite materials as a function of the pr- erties, volume fractions, shapes, and constitutive behavior of its constituents. The versatility of the model has been demonstrated to effectively incorporate various types of constituent material behavior (i. e. , both coupled and uncoupled mecha- cal, thermal, electrical and magnetic effects). As a result of its potential in providing an ef?cient tool for the emerging ?eld of multiscale analysis, the method gained increasing attention and became a subject for further research.

This book explores the impact of Covid-19, and the associated state lockdown, on rural lives in a former homeland in South Africa. The 2020 Disaster Management Act saw the state sweep through rural areas, targeting funerals and other customary practices as potential 'super-spreader' events. This unprecedented clampdown produced widespread disruption, fear and anxiety. The authors build on path-breaking work concerning local responses to West Africa's Ebola epidemic, and examine the HIV/AIDS pandemic, to understand the impact of the Covid crisis on these communities, and on rural Africa more broadly. To shed light on the role of custom and ritual in rural social change during the pandemic, Covid and Custom in Rural South Africa applies long-term historical and ethnographic research; theories of people's science, local knowledge and the human economy; and fieldwork conducted in ten rural South African communities during lockdown. The volume highlights differences between developments in Southern Africa and elsewhere on the continent, while exploring how the former apartheid homelands-commonly, yet problematically, represented as former 'labour reserves'-have since been reconstituted as new home-spaces. In short, it explains why rural people have been so angered by the state's assault on their cultural practices and institutions in the time of Covid.

This volume is dedicated to Jacob Aboudi, a ?ne scientist who has made seminal c- tributions in applied mechanics. The papers presented here re?ect the appreciation of many of Jacob s colleagues. A publication list f- lowing this introduction provides an indi- tion of his distinguished academic career, c- rently in its ?fth decade, and the breadth of hisknowledge. His papersconsistentlydem- strate originality, innovation and diligence. This list uncovers the methodical work of a dedicated researcher whose achievements established him as a leading authority in the area of mathematical modeling of the beh- ior of heterogeneous materials, the area which became known as homogenization theory. Starting in 1981, Jacob established a micromechanical model known as the Method of Cells (MOC) which evolved into the Generalized Method of Cells (GMC) that predicts the macroscopic response of composite materials as a function of the pr- erties, volume fractions, shapes, and constitutive behavior of its constituents. The versatility of the model has been demonstrated to effectively incorporate various types of constituent material behavior (i. e., both coupled and uncoupled mecha- cal, thermal, electrical and magnetic effects). As a result of its potential in providing an ef?cient tool for the emerging ?eld of multiscale analysis, the method gained increasing attention and became a subject for further research."

Box set featuring six Shakespeare adaptations starring legendary actor Laurence Olivier. In 'King Lear' (1983), the ageing King Lear (Olivier) decides to split his kingdom between three daughters - Regan, Cordelia and Goneril - with each receiving a share appropriate to the amount of love they feel for him. However, when the faithful Cordelia refuses to protest her devotion, an enraged Lear foolishly cedes complete control to the devious remaining siblings - with terrible results. In 'Henry V' (1944), the young king (Olivier) puts his rakish past behind him and rallies his men to invade France, winning against the enemy's superior numbers. The film was shot in Ireland to avoid the constant bombardment of the Blitz and Olivier was discharged from the Navy to make the film. In 'Hamlet' (1948), Hamlet (Olivier), Prince of Denmark, is still mourning over the death of his father and his mother Gertrude's (Eileen Herlie) subsequent remarriage to Hamlet's despised uncle, Claudius (Basil Sydney), who is now King. When his father's ghost appears to Hamlet and reveals that it was Claudius who murdered him, the young prince vows revenge. However, a fatal flaw in his character - hesitation - mars his efforts, resulting in murder, madness and treachery. In 'The Merchant of Venice' (1974), Jewish moneylender Shylock (Olivier) provides young Antonio (Anthony Nichols) with a loan, stating that if it is not repaid he will claim a pound of flesh. When Antonio's bond defaults, Shylock attempts to claim his grisly compensation in a court of law, but Portia (Joan Plowright) pleads Antonio's case. In 'Richard III' (1955), Olivier stars as the cold and calculating king, a treacherous and untrustworthy fellow who makes plans to kill anyone who threatens his position. Henry Stafford (Ralph Richardson), the Duke of Clarence (John Gielgud) and Lady Anne Neville (Claire Bloom) are just some of those moving in his orbit. 'As You Like It' (1936) was filmed in England in 1936 when Olivier was still considered a promising young actor rather than one of the finest thespians ever, as he would later become, this is his first filmed Shakespeare performance and thus a milestone in film history.

David Lean directs this film based on the true story of a Glasgow woman accused of murdering her lover in 1857. Madeleine (Ann Todd) is the eldest daughter in a respectable Victorian Glasgow family. She begins an affair with Frenchman Piere Emile L'Anglier (Ivan Desny) without her father's knowledge. Meanwhile, Madeleine's father (Leslie Banks) insists on her seeing various suitors. When Madeleine becomes engaged to William Minnoch (Norman Wooland), Pierre threatens to reveal their relationship. Five weeks later, Pierre is found dead, and Madeleine is arrested for his murder.

Part I of this SpringerBrief presents the problem of a crack between two dissimilar isotropic materials and describes the mathematical background. A fracture criterion is discussed and Methods for calculating fracture parameters such as stress intensity factors using the finite element method and three post-processors are considered. Actual test data and both deterministic and statistical failure curves are presented.In Part II of the book, similar descriptions are given for delaminations in composite laminates. The mathematical treatment of this type of damage including the first term of the asymptotic expansion of the stress and displacement fields is considered. Numerical post-processors for determining stress intensity factors for these cases are reviewed. Two examples of specific laminates are presented: one with a failure curve and the other with a failure surface. Finally, beam specimens used for testing such failures are discussed.

Classic British crime drama starring Vivien Leigh, Leslie Banks and Laurence Olivier. Keith Durrant (Banks) is a brilliant young barrister on the verge of being promoted to the bench. His plans hit a snag when his younger brother, Larry (Olivier), accidentally kills the ex-husband of his girlfriend, Wanda (Leigh), and asks Durrant for help. Durrant realises that he cannot go to the police because he may run the risk of ruining his promotion, so he says nothing. When a tramp is arrested for the murder, Larry knows he must turn himself in before the man is sentenced for a crime he did not commit. Sentencing takes place in 21 days, so Larry and Wanda decide to enjoy those days in the best way they can. However, when the tramp dies in prison, Larry is torn between confessing or living with the guilty secret forever.

Laurence Olivier directs and stars in this classic adaptation of Shakespeare's play about the king who led England to victory in the Battle of Agincourt. The film pays tribute to its origins by opening in a version of the Globe Theatre in 17th century London, where Henry (Olivier) takes to the stage along with a variety of nobles to discuss his plans to stake a claim to the French throne. As the range of Henry's ambitions make themselves known, the theatrical artifice gives way to a more naturalised style and follows Henry as he sets sail from Southampton with his army. Inspired by Henry, the invading English hand the French several defeats, culminating in a triumph against far superior numbers at Agincourt. Shot during WWII, the film was designed to raise morale in the ongoing battle against Nazi Germany and earned Olivier an Academy Award for his 'outstanding achievement' in bringing the film to screen.

One of the lesser-known Powell and Pressburger collaborations. During the Second World War, scientist Sammy Rice (David Farrar) works at a British research unit set up to solve the enemy's methods of attack. Embittered after losing a foot in a bomb blast, Sammy is increasingly seeking solace in drink. However, a budding romance with his secretary, Susan (Kathleen Byron), and the challenge of analysing a new German bomb provide him with a new sense of meaning.

Collection of ten classic films from the award-winning British director. In 'The Sound Barrier' (1952), Ralph Richardson stars as an aircraft manufacturer whose all-consuming passion with making the ultimate supersonic jet kills both his son and son-in-law and almost destroys him and the rest of his family. In 'Hobson's Choice' (1953), Lancashire bootmaker Henry Horatio Hobson (Charles Laughton) keeps a tight rein on his three daughters until his eldest, Maggie (Brenda De Banzie), marries his assistant, Willie Mossop (John Mills), and sets him up in his own bootmaking firm. To Hobson's consternation, Willie has soon become his father-in-law's main business rival. In 'Blithe Spirit' (1945), cynical writer, Charles Condomine (Rex Harrison), asks a medium (Margaret Rutherford) to hold a seance in his house so he can collect material for his latest book. No one is more surprised than the medium when she inadvertently conjures up the ghost of Condomine's first wife (Kay Hammond). The ghost refuses to go away, preferring to taunt her less sophisticated replacement (Constance Cummings). In 'Brief Encounter' (1945), a respectable, happily married doctor (Trevor Howard) comes to the aid of an equally upstanding housewife (Celia Johnson) when a passing train blows cinder into her eye. Thus begins a tentative romance, conducted in the tearooms and railway cafe of a small English town. In 'Great Expectations' (1946), orphan, Pip (Anthony Wager), befriends an escaped convict before being elevated to higher circles as the companion of Miss Havisham and her niece, Estella (Jean Simmons), with whom the boy quickly falls in love. When the adult Pip (Mills) discovers a mysterious benefactor has paved the way for him to become a gentleman, he assumes Miss Havisham is responsible. In 'Oliver Twist' (1948), Oliver (John Howard Davis) is a young orphan boy who is expelled from the workhouse run by Mr Bumbel (Francis L. Sullivan). After becoming an apprentice to an undertaker, Oliver decides to run away to London, only to meet the Artful Dodger (Anthony Newley) and fall amongst his gang of thieves, led by the scheming Fagin (Alec Guinness). In 'Madeleine' (1949), Madeleine (Ann Todd) is the eldest daughter in a respectable Victorian Glasgow family. She begins an affair with Frenchman, Emile L'Anglier (Ivan Desny), without her father's knowledge. Meanwhile, Madeleine's father insists on her seeing various suitors. When Madeleine becomes engaged to William Minnoch (Norman Wooland), Emile threatens to reveal their relationship. 'The Passionate Friends' (1944) is an episodic tale of an average working class family in the interwar years. The story traces the melodrama caused by illicit affairs, family bereavement, the first ripples of women's liberation and political instability in the country during the General Strike. It highlights the fact that these internal wranglings are all happening in one house in an average street, and that each average house has its own dramatic stories to tell. Finally, 'In Which We Serve' (1942) is a World War II drama about a destroyer, told through flashbacks and the reminiscences of the surviving crew after their beloved ship is torpedoed.