Abnormal Repetitive Behaviors explores how we respond to violence, grief, and loss, and the ways animals are emotionally akin to us in those responses.  Driven by the ways those primary emotions get tangled with memory, the ways the body informs the mind, we end up feeling and repeating behaviors linked to original struggles long after they have passed. Fighting against what threatened to cageus, the fight itself becomes the cage, affecting our lives and relationships in the most visceral ways.  Yet it is the simplest things that promote recovery and survival:  a calming animal touch.  Simple presence.

Young feminists have grown up with a plethora of cultural choices and images -- in the distance from Gloria Steinem to Courtney Love, a chasm has been traversed and an entire history made. In Third Wave Agenda, feminists born between the years 1964 and 1973 discuss the things that matter now, both in looking back at the accomplishments and failures of the past and in planning for the challenges of the future.

The women and men writing here are activists, teachers, cultural critics, artists, and journalists. They distinguish themselves from a group of young, conservative feminists, including Naomi Wolf and Katie Roiphe, who criticize second wave feminists and are regularly called on to speak for the "next generation" of feminism. In contrast, Third Wave Agenda seeks to complicate our understanding of feminism by not only embracing the second wave critique of beauty culture, sexual abuse, and power structures, but also emphasizing ways that desires and pleasures such as beauty and power can be used to enliven activist work, even while recognizing the importance of maintaining a critique of them.

Combining research, theory, and social practice with an autobiographical style, these writers are hard at work creating a new feminism that draws on the submerged histories of other feminisms -- black feminism, "womanism", and working-class feminism, among others. Some topics explored in Third Wave Agenda include feminism in popular music, interracial coalitions, and tensions between individual ambitions and collective action.

""Unbearable Weight is brilliant. From an immensely knowledgeable feminist perspective, in engaging, jargonless (!) prose, Bordo analyzes a whole range of issues connected to the body--weight and weight loss, exercise, media images, movies, advertising, anorexia and bulimia, and much more--in a way that makes sense of our current social landscape--finally! This is a great book for anyone who wonders why women's magazines are always describing delicious food as 'sinful' and why there is a cake called Death by Chocolate. Loved it!"--Katha Pollitt, Nation columnist and author of "Subject to Debate: Sense and Dissents on Women, Politics, and Culture (2001)

"This is a terrific book!"--Nancy J. Chodorow, author of "The Power of Feelings: Personal Meaning in Psychoanalysis, Gender, and Culture (2001) and "The Reproduction of Mothering: Psychoanalysis and the Sociology of Gender (California, 1999)

"Susan Bordo's "Unbearable Weight is a masterpiece of complex and nuanced thinking not only about a significant problem that faces women but about our culture. A very valuable book."--Susan Griffin, author of "The Book of Courtesans: A Catalogue of their Virtues (2001)

"A highly unique and refreshing contribution. Heywood not only theorizes the relationships among feminism, activism, and bodybuilding but also provides what so many works on built female bodies lack-a feminine historical context. . . . Heywood concludes with a call for women to 'feel our muscles, our power, our terrible, wonderful, monstrous strengths' by leaving behind aerobics, replacing light weights with heavy ones, and claiming our right to take up space. . . . Like all influential and groundbreaking works, this book raises new and important questions that should provide grist for much feminist debate and scholarship in coming years." --Signs "Bodymakers is most ambitious in terms of its engagement with feminist cultural criticism and its unconventional scope. Heywood comments on film, novels, magazine pictures, popular criticisms of feminism, the J. Crew catalog, [and] the concept of power feminism." --Gender and Society "In this brilliantly insightful and immensely readable book, Leslie Heywood makes us think about women's body building in an entirely new way. She argues persuasively that, far from being an individualistic, apolitical act, it is a powerful form of resistance, empowering women to overcome their victim status and heal past abuse." --Myra Dinnerstein, University of Arizona "Bodymakers has a power and an honesty that is unusual in a book with its theoretical sophistication." --Susan Bordo, author of Unbearable Weight and Twilight Zones: The Hidden Life of Cultural Images from Plato to O.J. "With clarity, force, and passionate investment grounded in both theory and her own experience, Heywood understands that women can strengthen body, mind, and spirit through everyday practice. Her argument that body building is this kind of activist practice is as inspirational as it is poignant." --Joanna Frueh, author of Erotic Faculties "Flexing her muscles through autobiographical, theoretical, and spectacular acts, Heywood insists that we read the muscular female body not as an 'extreme oddity' but as a 'form of activism' through which we can understand anew larger cultural issues and trends, including the American romance with individualism and the relationship of second and third wave feminisms. Muscular female bodies will never be read in the same way again." --Sidonie Smith, University of Michigan Women with muscles are a recent phenomenon, so recent that, while generating a good deal of interest, their importance to the cultural landscape has yet to be acknowledged. Leslie Heywood looks at the sport and image of female body building as a metaphor for how women fare in our current political and cultural climate. She argues that the movement in women's body building from small, delicate bodies to large powerful ones and back again is directly connected to progress and backlash within the abortion debate, the ongoing struggle for race and gender equality, and the struggle to define "feminism" in the context of the nineties. She discusses female body building as activism, as an often effective response to abuse, race and masculinity in body building, and the contradictory ways that photographers treat female body builders. Engaging and accessible, Bodymakers reveals how female body builders find themselves both trapped and empowered by their sport.

Writing as a competitive athlete, an academic, and a woman, Leslie Heywood merges personal history and scholarship to expose the "anorexic logic" that underlies Western high culture. She maneuvers deftly across the terrain of modern literature, illustrating how this logic—the privileging of mind over body, of hard over soft, of masculine over feminine—is at the heart of the modernist style. Her argument ranges from Plato to women's bodybuilding, from Franz Kafka to Nike ads. In penetrating examinations of Kafka, Pound, Eliot, William Carlos Williams, and Conrad, Heywood demonstrates how the anorexic aesthetic is embodied in high modernism. In a compelling chapter on Jean Rhys, Heywood portrays an author who struggles to develop a clean, spare, "anorexic" style in the midst of a shatteringly messy emotional life. As Heywood points out, students are trained in the aesthetic of high modernism, and academics are pressured into its straitjacket. The resulting complications are reflected in structures as diverse as gender identity formation, sexual harassment, and eating disorders. Direct, engaging, and intensely informed by the author's personal involvement with her subject, Dedication to Hunger offers a powerful challenge to cultural assumptions about language, gender, subjectivity, and identity. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

Writing as a competitive athlete, an academic, and a woman, Leslie Heywood merges personal history and scholarship to expose the "anorexic logic" that underlies Western high culture. She maneuvers deftly across the terrain of modern literature, illustrating how this logic—the privileging of mind over body, of hard over soft, of masculine over feminine—is at the heart of the modernist style. Her argument ranges from Plato to women's bodybuilding, from Franz Kafka to Nike ads. In penetrating examinations of Kafka, Pound, Eliot, William Carlos Williams, and Conrad, Heywood demonstrates how the anorexic aesthetic is embodied in high modernism. In a compelling chapter on Jean Rhys, Heywood portrays an author who struggles to develop a clean, spare, "anorexic" style in the midst of a shatteringly messy emotional life. As Heywood points out, students are trained in the aesthetic of high modernism, and academics are pressured into its straitjacket. The resulting complications are reflected in structures as diverse as gender identity formation, sexual harassment, and eating disorders. Direct, engaging, and intensely informed by the author's personal involvement with her subject, Dedication to Hunger offers a powerful challenge to cultural assumptions about language, gender, subjectivity, and identity. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

The sculpted speed of Marion Jones. The grit and agility of Mia Hamm. The slam-dunk style of Lisa Leslie. The skill and finesse of these sports figures are widely admired, no longer causing the puzzlement and discomfort directed toward earlier generations of athletic women. Built to Win explores this relatively recent phenomenon--the confident, empowered female athletes found everywhere in American popular culture. Leslie Heywood and Shari L., Dworkin examine the role of female athletes through interviews with elementary- and high school-age girls and boys; careful readings of ad campaigns by Nike, Reebok, and others; discussions of movies like Fight Club and Girlfight; and explorations of their own sports experiences. They ask: what, if any, dissonance is there between popular images and the actual experiences of these athletes? Do these images really "redefine femininity" and contribute to a greater inclusion of all women in sport? Are sexualized images of these women damaging their quest to be taken seriously? Do they inspire young boys to respect and admire female athletes, and will this ultimately make a difference in the ways gender and power are constructed and perceived? Proposing a paradigm shift from second- to third-wave feminism, Heywood and Dworkin argue that, in the years since the passage of Title IX, gender stereotypes have been destabilized in profound ways, and they assert that female athletes and their imagery are doing important cultural work to that end. Important, refreshing, and engrossing, Built to Win examines sport in all its complexity.