This volume is devoted to medievalism in England, including: The Antiquarian Impulse in England, 1500-1730, The Two Noble Kinsmen and the Problem of Chivalry, From Medievalism to Historicism, Catholic History and the MiddleAges, Rossetti's Quest for God's Graal. Medievalism - the whole spectrum of post-medieval response to the middle ages - is now accepted as a vital key to the understanding of Western culture and society from 1500 to the present, pervading every aspect of our time, fromthe popularto the scholarly and artistic. Studies in Medievalism, published annually, is the one series to provide a regular forum for discussion of issues related to medievalism. This volume is devoted to medievalism in England, appropriately, since England has always played a central part in the development of medievalism. Contributors from England, Germany, Japan, Canada and the United States deal with topics ranging from 16th-century antiquarianism to 20th-century detective fiction. Contributors: D.R. WOOLF, DENNIS O'BRIEN, PETER HADORN, A. CAMERON AIRHEART, MARTIN WALSH, R.J.SMITH, ROGER SIMPSON, RAYMOND CHAPMAN, CLARE SIMMONS, THOMAS COOKSEY, RENATE HAAS, YURIFUWA, ANTHONY HARRISON, ROBERT BURTON, EDWIN CHRISTIAN, BLAKE LINDSY, MARC BAER.

The first of a two-volume examination of medievalism and academic scholarship, this collection is divided into four sections: Canonizing Chaucer, Antiquarian loomings, Medievalism, medieval studies, and Medieval studies at the millennium. Medievalism, the "continuing process of creating the middle ages", engenders formal medieval studies from a wide variety of popular interests in the middle ages. This volume accordingly explores the common ground between artisticand popular constructions of the middle ages and the study of the middle ages within the academy. Essays treat the genesis of medieval studies in early modern antiquarianism; the erection of academic medievalism through persistent, indeed perverse, appeals to heroic medieval manliness and attenuated female spirituality; the current jeopardy of the book (a medieval invention) in the face of technological assault; the politics of the nineteenth-century academy (F.W. Furnival and others); the editorial practice of Sidney Lanier; and the cultural canonization of Chaucer. Contributors: DAVID O. MATTHEWS, STEVE ELLIS, ANTONIA WARD, GRAHAM PARRY, MARGARET CLUNIES ROSS, ANNA SMOL, DAVID ALLAN, MATILDE MATEO, MARYA DEVOTO, ULRIKE WIETHAUS, STEPHEN STEELE, JAMES KENNEDY, WILLIAM CALIN, JESSE D. HURLBUT, JOAN GRENIER-WINTHER, WILLIAM PADEN

The second study of medievalism in Europe shows how the influence of the middle ages has been manifested itself in various forms, throughout the modern age, in Germany, France, Denmark, Sweden - and Brazil. How have the middle ages been constructed in modern European culture? How have these constructions both reflected and refashioned national and political ideology? What has characterised the interplay between literary and artisticmedievalism and the rise of formal medieval studies in the academy? This international collection addresses medievalism in Germany, France, Scandinavia, and postcolonial South America. Contributors: RICHARD J. UTZ, ALBRECHT CLASSEN, OTFRID EHRISMANN, NILS HOLGER PETERSEN, ROBERT E. BJORK, MARTHA L. MACFARLANE, ADAM KNOBLER, WILLIAM CHESTER JORDAN, SUZY BEEMER, WILLIAM CALIN, ROY ROSENSTEIN

Concentrating on Europe, this volume's sixteen essays discuss different forms of medievalism in Germany, France, Italy, Spain, and Serbia. Medievalism, the whole spectrum of post-medieval response to the middle ages, is now accepted as a vital key to the understanding of Western culture and society from 1500 to the present, pervading every aspect of our time, from the popular and artistic to the scholarly. Studies in Medievalism, now published annually, is the one series to provide a regular forum for discussion of medievalism. This volume is devoted to medievalism in Europe, excludingEngland (the subject of Volume IV,1992). Contributors from Europe and America consider medievalism in Germany, Italy, France, Spain and Serbia over a wide range of topics from eighteenth-century French politics and nineteenth-century German nationalism to contemporary Italian film.

Twelve essays discuss how the middle ages are reflected in English culture from the sixteenth century to the present day. Eleven essays, by scholars from America, Australia and the United Kingdom, investigate reinventions of the middle ages in English culture from the end of sixteenth century to the present day. Topics addressed include medievalism in English popular literature; Sir Walter Scott's Sir Tristrem; Elizabeth Barrett Browning and Chaucer; George Stephens and Old Northern philology; Anglo-Saxonism and the Franco-Prussian War; Dante and the Victorian historical sense; the Grail paintings of G.F. Watts; heterogeneity and the Kelmscott Chaucer; revivals of the Chester Mystery plays; and the cinematic art of Terry Gilliam. KATHLEEN VERDUIN is Professor of English, Hope College,Michigan. Contributors: JOHN SIMONS, DAVID MATTHEWS, ALAN LUPACK, KAREN HODDER, ANDREW WAWN, MARILYNN LINCOLN BOARD, CLARE SIMMONS, ALISON MILBANK, DIANA ARCHIBALD, DAVID MILLS, RICHARD H. OSBERG