“Beautiful. The human condition is on full display in these glimpses of our essential connectedness. Perfect for our times.” —Dani Shapiro, author of Inheritance Sixty-five extraordinary writers grapple with this mystery: How can an ephemeral encounter with a stranger leave such an eternal mark? When Colleen Kinder put out a call for authors to write a letter to a stranger about an unforgettable encounter, she opened the floodgates. The responses—intimate and addictive, all written in the second person—began pouring in. These short, insightful essays by a remarkable cast of writers, including Elizabeth Kolbert, Pico Iyer, Lauren Groff, Gregory Pardlo, Faith Adiele, Maggie Shipstead, Lia Purpura, Kiki Petrosino, and Jamil Jan Kochai, are organized around such themes as Gratitude, Wonder, and Farewell and guide us both across the globe and through the mysteries of human connection. Addressed to a first responder after a storm, a gambler encountered on jury duty, a waiter in Istanbul, a taxi driver in Paris, a roomful of travelers watching reality TV in La Paz, and dozens of others, the pieces are replete with observations about how to live and what we seek, and how a stranger’s loaded glance, shared smile, or question posed can alter the course of our lives. Moving and unforgettable, Letter to a Stranger is an irresistible read for the literary traveler and the perfect gift for anyone who is haunted by a person they met once and will remember forever.

In this blend of memoir and criticism, Leslie Jamison turns her attention to some of the most intimate relationships of her life - her consuming love for her young daughter, and a ruptured marriage once swollen with hope - and examines what it means for a woman to be many things at once: a mother, an artist, a teacher, a lover.

The last of the four novels Jean Rhys wrote in interwar Paris, Good Morning, Midnight is the culmination of a searing literary arc, which established Rhys as an astute observer of human tragedy. Her everywoman heroine, Sasha, must confront the loves- and losses- of her past in this mesmerizing and formally daring psychological portrait.

Just a few years ago, the opioid crisis could be referred to as a 'silent epidemic,' but the scourge of opiate addiction is no longer being overlooked. This is in large part thanks to the extraordinary writings featured in this volume. Some of the most impactful reporting in the United States in recent years has addressed the opiate addiction crisis, a body of work that provides the best picture available of the epidemic. Now, for the first time, these key works of reportage and analysis have been collected in one volume, providing the fullest portrait available of this national tragedy.

'I was a liberated woman long before there was a name for it' PEGGY GUGGENHEIM

VENICE, 1958. Peggy Guggenheim, heiress and now legendary art collector, sits in the sun at her white marble palazzo on the Grand Canal. Hers has been a thrilling, tragic, near-impossible journey. She has defied every expectation, followed her heart, and finally found contentment. She is independent. She is a true original. And she'll never stop believing in the transformative power of art.

Peggy is fourteen when her father dies on the Titanic and her cloistered life is turned upside down. The youngest daughter of two Jewish dynasties, Peggy is determined to pursue a life of passion and personal freedom. But unexpected restrictions come with her vast fortune.

As society changes and war sweeps through Europe, she navigates the decadent, sexist and anti-Semitic art worlds of New York and Paris. She loves and is loved - sometimes for herself, often for her money - yet no-one ever takes her intellect, talent or vision seriously. Until she learns to believe in it herself.

Rebecca Godfrey's final book - completed by her friend, the acclaimed bestseller Leslie Jamison, following Godfrey's death in 2022 - brings to life the singular woman who helped make the Guggenheim name synonymous with art and genius.

Addiction is seemingly inexplicable. From the outside, it can look like wilful, arrogant self-destruction; from the inside, it can feel as inevitable and insistent as a heartbeat. It is possible to describe, but hard to explore. Yet in The Recovering, Leslie Jamison draws on her own life and the lives of addicts of extraordinary talent - John Cheever, John Berryman, Jean Rhys and Amy Winehouse among them - to take us inside the experience of addiction, exposing the contours, edges and wholes of an intoxicated life. Part memoir, part group biography, part literary history and part definitive analysis of cultural and social considerations of addiction, The Recovering is a significant moment in the history of post-war narrative non-fiction.

Set in an enchanted forest, Shakespeare's A Midsummer Night's Dream is the ideal subject for artist Marcel Dzama, whose work frequently references dreams, fairy tales, and mythical worlds. Inspired by Ovid's Metamorphoses, Shakespeare's celebrated romantic comedy intertwines multiple narratives under the influence of transformation and witchcraft. The play is often staged with actors wearing animal masks, an aspect that appeals particularly to Dzama, whose work is characterized by the fusion of human and animal, fantasy and reality. As the second title in David Zwirner Books's Seeing Shakespeare series, this book revisits this ultimate fairy tale through the eyes of a contemporary artist who feels a special affinity for its imagery.

The subjects of this stylish and audacious collection of essays range from an assault in Nicaragua to a Morgellons meeting; from Frida Kahlo's plaster casts to a gangland tour of LA. Jamison is interested in how we tell stories about injury and pain, and the limits that circumstances, bodies and identity put on the act of describing.

From personal loss to phantom diseases, a bold and brilliant collection, winner of the Graywolf Press Nonfiction Prize

"A "Publishers Weekly "Top Ten Essay Collection of Spring 2014"

Beginning with her experience as a medical actor who was paid to act out symptoms for medical students to diagnose, Leslie Jamison's visceral and revealing essays ask essential questions about our basic understanding of others: How should we care about each other? How can we feel another's pain, especially when pain can be assumed, distorted, or performed? Is empathy a tool by which to test or even grade each other? By confronting pain--real and imagined, her own and others'--Jamison uncovers a personal and cultural urgency to feel. She draws from her own experiences of illness and bodily injury to engage in an exploration that extends far beyond her life, spanning wide-ranging territory--from poverty tourism to phantom diseases, street violence to reality television, illness to incarceration--in its search for a kind of sight shaped by humility and grace.

At a time when economic inequality is on all of our minds, this collection of nonfiction and poetry from accomplished American writers focuses on intimate moments, personal relationships, and common daily experiences at the intersection of people of different economic status.

AS A YOUNG WOMAN, Tilly flees home for the hollow underworld of Nevada, looking for pure souls and finding nothing but bad habits. One day, after Tilly has spent nearly thirty years without a family, drinking herself to the brink of death, her niece Stella--who has been leading her own life of empty promise in New York City--arrives on the doorstep of Tilly's desert trailer. "The Gin Closet "unravels the strange and powerful intimacy that forms between them. With an uncanny ear for dialogue and a witty, unflinching candor about sex, love, and power, Leslie Jamison reminds us that no matter how unexpected its turns, the life we're given is all we have: the cruelties that unhinge us, the beauties that clarify us, the addictions that deform us, those fleeting possibilities of grace that fade as quickly as they come. "The Gin Closet "marks the debut of a stunning new talent in fiction.

From the author of The Empathy Exams comes a profound meditation on isolation, longing and the conflicts faced by all those who choose to tell true stories about the lives of others.

'Intelligent, compassionate, and so fiercely, prodigiously brave. This is the essay at its creative, philosophical best' - Eleanor Catton, author of The Luminaries on The Empathy Exams

A profound exploration of the oceanic depths of longing and obsession, Make It Scream, Make It Burn is a book about why and how we tell stories. It takes the reader deep into the lives of strangers - from a woman healed by the song of 'the loneliest whale in the world' to a family convinced their child is a reincarnation of a lost pilot - and asks how we can bear witness to the changing truths of other's lives while striving to find a deeper connection to the complexities of our own.