In the Architectonic of Philosophy Leslie Kavanaugh chose three 'architectonics', philosophical structures, to be examined more extensively. These are Plato's Chora, the continuum of Aristoteles and finally Leibniz's labyrinth. The concept of the 'architectonic' is borrowed from Kant, albeit with differing intentions. Whereas the history of philosophy defines metaphysics as asking the question 'What is Being?'; here is asked 'Where is Being?' What is to be analysed is indeed part of the tradition of metaphysics to inquire about Being qua being, but here the inquery is into its structure, its position within the onthological whole. In doing this analyses, two points become explicit. One; Onthology has a structure; and two; the status of Being within this structure.

The twentieth century saw many revolutions. Various transformations in the political, economic, social, technological and artistic domains not only inaugurated new eras, or at least discourses about new eras; they also often entailed a radical reorientation in the very conceptions by which any revolution could be thought. This beautifully edited collection of essays addresses itself to the particular revolution by which we came to understand the unity of space and time as ontological categories. The twelve papers collected in this volume explore the consequences of conceptions of time and its relationship to space. Although originating from the revolution in mathematics and theoretical physics, these essays extend the thinking of space-time in a multi-disciplinary approach through the philosophy of space and time, social geography, post-Marxian social theory, new network theory, the philosophy of art and culture, musicology, evolutionary biology, historiography, psychoanalytic theory, and comparative literature. The result is a fascinating snapshot of a nearly universal transformation, but one that was only slowly realized, as the debates in one field reverberated across a vast terrain of discourse and discipline. In tracing the varied responses to the developments emanating from theoretical physics, the essays in this volume reveal how discontinuous but profound shifts in knowledge and aesthetics ultimately converge on a radically transformed horizon. Contributors are: Peter Galison, Richard T. W. Arthur, Nader El-Bizri, Chunglin Kwa, Leslie Kavanaugh, Mary Lynne Ellis, Patricia Locke, Sander van Maas, Raviv Ganchrow, Josef Fruchtl, M. Christine Boyer, and Antoine Picon.