A groundbreaking study of the interaction of poetry, performance, and the built environment in ancient Greece. Winner of the PROSE Award for Best Book in Classics by the Association of American Publishers In this volume, Richard Neer and Leslie Kurke develop a new, integrated approach to classical Greece: a "lyric archaeology" that combines literary and art-historical analysis with archaeological and epigraphic materials. At the heart of the book is the great poet Pindar of Thebes, best known for his magnificent odes in honor of victors at the Olympic Games and other competitions. Unlike the quintessentially personal genre of modern lyric, these poems were destined for public performance by choruses of dancing men. Neer and Kurke go further to show that they were also site-specific: as the dancers moved through the space of a city or a sanctuary, their song would refer to local monuments and landmarks. Part of Pindar's brief, they argue, was to weave words and bodies into elaborate tapestries of myth and geography and, in so doing, to re-imagine the very fabric of the city-state. Pindar's poems, in short, were tools for making sense of space. Recent scholarship has tended to isolate poetry, art, and archaeology. But Neer and Kurke show that these distinctions are artificial. Poems, statues, bronzes, tombs, boundary stones, roadways, beacons, and buildings worked together as a "suite" of technologies for organizing landscapes, cityscapes, and territories. Studying these technologies in tandem reveals the procedures and criteria by which the Greeks understood relations of nearness and distance, "here" and "there"-and how these ways of inhabiting space were essentially political. Rooted in close readings of individual poems, buildings, and works of art, Pindar, Song, and Space ranges from Athens to Libya, Sicily to Rhodes, to provide a revelatory new understanding of the world the Greeks built-and a new model for studying the ancient world.

Challenging the conventional perception of ancient Greece as the paradigm for unified models of culture, this study offers an alternative view of archaic and classical Greece. It is one in which the contact, conflict and collaboration of a variety of "subcultures" combine to comprise what we now understand as "Greekness." The volume argues for the recognition and analysis of cultural contact within Greece, focusing on the micromechanics of cultural exchange, the permeability of cultural boundaries, and the significance of Delphi's geographically marginal, yet symbolically central, location as an "internal contact zone."

Originally published in 2003, The Cultures within Ancient Greek Culture challenges the conventional perception of ancient Greece as the paradigm for unified models of culture. It offers an alternative view of archaic and classical Greece, one in which the contact, conflict and collaboration of a variety of 'sub-cultures' combine to comprise what we understand as 'Greekness'. This volume argues for the recognition and analysis of cultural contact within Greece, focussing on the micromechanics of cultural exchange, the permeability of cultural boundaries, and the significance of Delphi's geographically marginal, yet symbolically central location as an 'internal contact zone'. Through attention to everyday practices and professions, the essays reveal important ways of conceiving of diversity within Greek culture, ranging from the non-elite culture of athletic trainers to the competing musical cultures at work in fifth-century Athens.

The invention of coinage in ancient Greece provided an arena in which rival political groups struggled to imprint their views on the world. Here Leslie Kurke analyzes the ideological functions of Greek coinage as one of a number of symbolic practices that arise for the first time in the archaic period. By linking the imagery of metals and coinage to stories about oracles, prostitutes, Eastern tyrants, counterfeiting, retail trade, and games, she traces the rising egalitarian ideology of the polis, as well as the ongoing resistance of an elitist tradition to that development. The argument thus aims to contribute to a Greek "history of ideologies," to chart the ways ideological contestation works through concrete discourses and practices long before the emergence of explicit political theory.

To an elitist sensibility, the use of almost pure silver stamped with the state's emblem was a suspicious alternative to the para-political order of gift exchange. It ultimately represented the undesirable encroachment of the public sphere of the egalitarian polis. Kurke re-creates a "language of metals" by analyzing the stories and practices associated with coinage in texts ranging from Herodotus and archaic poetry to Aristotle and Attic inscriptions. She shows that a wide variety of imagery and terms fall into two opposing symbolic domains: the city, representing egalitarian order, and the elite symposium, a kind of anti-city. Exploring the tensions between these domains, Kurke excavates a neglected portion of the Greek cultural "imaginary" in all its specificity and strangeness.

Pindar's epinikia were poems commissioned to celebrate athletic victories in the first half of the fifth century BCE. Drawing on the insights of interpretive anthropology and cultural history, Leslie Kurke examines the odes as public performances which enact the reintegration of the athletic victor into his heterogeneous communities. These communities-the victor's household, his aristocratic class, and his city-represent competing, sometimes conflicting interests, which the epinikian poet must satisfy to accomplish his project of reintegration. Kurke considers in particular the different modes of exchange in which Pindar's poetry participated: the symbolic economy of the household, gift exchange between aristocratic houses, and the workings of monetary exchange within the city. Her analysis produces an archaeology of Pindar's poetry, exposing multiple systems of imagery that play on different shared cultural models to appeal to the various segments of the poet's audience.

This volume brings together essays by archaeologists, historians, and literary scholars in a comprehensive examination of the Greek archaic age. A time of dramatic and revolutionary change when many of the institutions and thought patterns that would shape Greek culture evolved, this period has become the object of renewed scholarly interest in recent years. Yet it has resisted reconstruction, largely because its documentation is less complete than that of the classical period. In order to read the text of archaic Greece, the contributors here apply new methods--including anthropology, literary theory, and cultural history--to central issues, among them the interpretation of ritual, the origins of hero cult and its relation to politics, the evolving ideologies of colonization and athletic victory, the representation of statesmen and sages, and the serendipitous development of democracy. With their interdisciplinary approaches, the various essays demonstrate the interdependence of politics, religion, and economics in this period; the importance of public performance for negotiating social interaction; and the creative use of the past to structure a changing present. Cultural Poetics in Ancient Greece offers a vigorous and coherent response to the scholarly challenges of the archaic period.

Examining the figure of Aesop and the traditions surrounding him, "Aesopic Conversations" offers a portrait of what Greek popular culture might have looked like in the ancient world. What has survived from the literary record of antiquity is almost entirely the product of an elite of birth, wealth, and education, limiting our access to a fuller range of voices from the ancient past. This book, however, explores the anonymous "Life of Aesop" and offers a different set of perspectives. Leslie Kurke argues that the traditions surrounding this strange text, when read with and against the works of Greek high culture, allow us to reconstruct an ongoing conversation of "great" and "little" traditions spanning centuries.

Evidence going back to the fifth century BCE suggests that Aesop participated in the practices of nonphilosophical wisdom ("sophia") while challenging it from below, and Kurke traces Aesop's double relation to this wisdom tradition. She also looks at the hidden influence of Aesop in early Greek mimetic or narrative prose writings, focusing particularly on the Socratic dialogues of Plato and the "Histories" of Herodotus. Challenging conventional accounts of the invention of Greek prose and recognizing the problematic sociopolitics of humble prose fable, Kurke provides a new approach to the beginnings of prose narrative and what would ultimately become the novel.

Delving into Aesop, his adventures, and his crafting of fables, "Aesopic Conversations" shows how this low, noncanonical figure was--unexpectedly--central to the construction of ancient Greek literature.